
Grey Filastine is an audio-visual artist born in Los Angeles, based in Barcelona, and most often nomadic. He composes a dense transnational bass music that collides the lowest frequencies of dubstep with the highest-level beat science, acoustic strings, voices, and lofi street noises. The results are “Awesome and delicate… hybrids so fluent they defy classification.” -Pitchfork
Filastine’s debut record, Burn It, was released by DJ Rupture in 2006 to much critical acclaim: “Filled with both jagged edges and moments of sad sweetness… Burn It is sure to win fans across multiple scenes”- XLR8R.
The album ricocheted around the world, licensed and re-released by labels in France, Japan, and the US. The follow-up album, Dirty Bomb, dropped in 2009 through an alliance of labels led by French electro-dub imprint Jarring Effects. Prefix Mag called it “the prototype of globalized urban sound… It will devastate your subwoofer.”
Performing up to a hundred concerts per year, Filastine uses percussion to control loops and synchronized video from a heap of electronics wired to an amplified shopping cart. You may have seen him at a sweaty Tokyo nightclub, a football stadium in Casablanca, a respected euro-fest like Sónar, in a parking lot in Borneo, or touring the US with likes of Beats Antique or Bassnectar.
Before making electronic music Filastine played with the Infernal Noise Brigade, a marching band he founded for the Battle of Seattle. He continues to use audio as a tool for political intervention with the Sound Swarm, an orchestra of bike-mounted megaphones conducted by pirate radio transmitters, with recent actions in support of the Occupy Movement.
Spring of 2012 Filastine delivers the LOOT, his third full length work. LOOT was made in tandem with a grip of potent videos, and launches with a year-long world tour with stops on every continent. The freshly re-tooled live set uses custom software to pull off some deep AV madness, and sees Filastine expanding to tour as a duo, always joined onstage by Indonesian vocalist Nova or one of the collaborating cellists from the album.
Discography
Extra Dirty Bomb {12”- Post World Industries/ES 2010)
We Are Experiencing Turbulence {mix radio broadcast AU/BE/US, free download)
Hungry Ghosts {7”- Disboot/ES 2010}
Dirty Bomb {CD- Jarring Effects/FR, Soot/US, Romz/JP, UberLingua/AU 2009)
Sonar Calibrado- w/ Maga Bo {12”- Shockout/US 2008}
La Pistola Mas Rapida {mix CD IrregularRhythmAsylum/JP, free download}
Qúemalo Ya {12” Shockout/US 2007}
The Mud, the Blood, & the Beer {mix CD-Tigerbeat6/US}
Burn It Instrumentals {12”- Soot/US 2007}
Burn It {CD- Soot/ES, Romz/JP, Jarring Effects/FR, Crimethinc/US 2006-2007}
Judas Goat/Palmares {7”- Soot/US 2005}
Press Bits
“Maneuvering 180 degrees away from stultifying, one-dimensional track making” -The Stranger
“Filastine’s studious approach and murderous sense of focus elevates this above the soulless clatter that so often
characterizes overeager computer musicians” -Exclaim
“Will stay on your playlist without fear of deletion… an excellent achievement and a huge recommendation” -Boomkat
“With one ear to the ground but the other firmly in the gutter, Filastine has delivered a musical bombardment of an
album that is fresh and uncompromising and comes highly recommended”- Spannered
“Filastine creates tracks so geographically and chronologically diverse that they sound less like “world” music and
more like music from another world.” -PitchforkTV
“An uncompromising, unfettered alternative soundtrack to Life On Earth” -Discontent

Stereoglyph started playing with FL Studio 7 when he was 12 years old, and became another FL Studio kiddie. After a few years of making ear-piercing techno, joining an online music community (www.idmforums.com) gave him the slap in the face he needed, and he set off on a journey starting at Dubstep and Glitch Hop, going through House, Electro, Drum’n’Bass, and Ambient, before coming back to Glitch Hop, and finally founding the name Stereoglyph in November, 2011.
His musical journey influences everything he makes today, and he hopes to continue pushing his limits and delivering an interesting and complex experience through his music!

Nicoluminous takes a soulful approach to creating electronic music while fusing melodic progressions, futuristic sound design and organic elements into dirty bass drops. “Sunrize in LA”, his most recent release on Street Ritual records on March 21st 2011, went straight to #1 on Addictech.com. The EP is an elegant downtempo lovestep journey moving swiftly between haunting samples, throbbing sub-bass and 8 bit funk. Lately, his sets have been geared to the sexier and less aggressive side of Dubstep with bass deep and hypnotic. When it comes to his love of Hiphop, Dub, and Dancehall, Nico melds these influences into upbeat Left Coast Crunk and Glitch Hop.Having been performing as an MC/Beatboxer since he was a teenager, Nico also puts those skills to work in his DJ sets to create a live element and raise the vibes.
Download his latest mix, “Lovestar Mix 2011” on his soundcloud and stay tuned for his new EP, ‘Love Star” out this fall on Muti Music.
Love Star takes soulful melodies and combines it with west coast crunk and dubstep into a wonderful blend of blissful and melancholy future garage.
Nicoluminous takes a soulful approach to creating electronic music while fusing melodic progressions, futuristic sound design and organic elements into dirty bass drops. His recent “Sunrize in LA”, release on Street Ritual records, went straight to #1 on Addictech.com. His sound includes elegant downtempo ‘lovestep’ moving swiftly between haunting samples, throbbing sub-bass and 8 bit funk. His DJ sets have been geared to the sexier and less aggressive side of Dubstep with bass deep and hypnotic. When it comes to his love of Hiphop, Dub, and Dancehall, Nico melds these influences into upbeat Left Coast Crunk and Glitch Hop. Having been performing as an MC/Beatboxer since he was a teenager, Nico also puts those skills to work in his DJ sets to create a live element and raise the vibes.
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Comprised of the musical talents of Matt Madonna and Ryan Anderson, Love and Light hails from the high desert region of the Reno/Tahoe Basin. Creating music that touches their hearts and elevates their souls, the duo’s goal is the uplifting of people across the world through melodic synth lines, complex chord structure, intricate rhythms, and funky, chunky bass lines.
Having a strong basis in midtempo bass music, the span of their production talents are limitless, crossing into the realms of melodic dubstep as well as half-time drum and bass and four-on-the-floor bangers. Whether it is sweaty club, a beautiful outdoor festival setting or enjoying a night at home in the lab, Love and Light music moves humans in a vibrant and deeply conscious way.
artists profile image photography by: Daniel Zetterstrom
Bassnectar: ”I’ll be playing this one at Bonaroo.”
Equally talented as a multi-genre producer (Uptempo Dubstep / West Coast Crunk / Glitch House) and as a massive crowd rocker, Stephan Jacobs has appeared at some of the world’s most prominent music festivals (Coachella) alongside a slew of genre defining artists. When he’s not forging a personal stake hold in the electronic dance music community, he also works on the collaborative project Kether, pushing his list of accomplishments into the forefront of the industry. In 2006, Stephan Jacobs and Tim Hauser (Ruff Hauser) teamed up to form Kether. Their mutual passions for music fueled their ambitions to build a unique live experience that has beckoned enthusiastic followers after the first listen. They quickly established their place on the forefront of the West Coast Electronic scene, playing alongside Shpongle, Tipper and Glitch Mob.
Love and Light is comprised of the musical talents of Matt Madonna and Ryan Anderson, hailing from the high desert region of the Reno/Tahoe Basin. Creating music that touches their hearts and elevates their souls, the duo’s goal is the uplifting of people across the world through melodic synth lines, complex chord structure, intricate rhythms, and funky, chunky bass lines.
Having a strong basis in midtempo bass music, the span of their production talents are limitless, crossing into the realms of melodic dubstep as well as half-time drum and bass and four-on-the-floor bangers. Whether it is sweaty club, a beautiful outdoor festival setting or enjoying a night at home in the lab, Love and Light music moves humans in a vibrant and deeply conscious way.
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Tim ‘Ruff’ Hauser has been mixing for 16 years and producing for 10. He has definitely lived up to his name with his Ruff and rugged production. Ruff Hauser has developed a sound and style of his own by fusing elements of Dubstep, glitch hop, 2-step, and minimal techno into one beautifully orchestrated arsenal of dance floor bangers.
Ruffs production is very bass heavy yet melodic and he seems to find that sweet spot whether he is delivering Dubstep or ‘four on the floor’ glitched out dance tracks. His live sets stay consistent with this genre breeding mentality using drum machines, fx processors, and digital sound manipulators creating a unique blend of audio art. From dj set to live performance, Ruff covers all bases leading his audience on a lesson through genres.
Well-respected in the LA underground community, Ruff Hauser has played many of the West Coast’s most inspiring music festivals, including Coachella, Symbiosis Gathering, Lightning in a Bottle and Burning Man. Ruff Hauser is definitely a leader in innovative productions and pushing the electronic sound forward into the future.
CONTACT/ BOOKING INFORMATION
GINA GRATZA: MANAGER
(310) 818-9800
Gina@ginagratza.com
TIM HAUSER
(310) 591-6987
Ruffbookings@hotmail.com

Introducing P.H. Fat:
“P.H.Fat are three maniacs who make Psychodelic-Bass-Rap that smacks hard enough to make you sweat mayonnaise. Their favourite colour is green and they sometimes play golf together. “
Their music sounds like : ‘Bipolar bass rap that you can dance to.’
The band members are :
NARCH, MIKE, DISCO
Take Bass Music in general, the whole caboodle, full monty or whatever you want to call it, ranging from Drum & Bass to Electro and back with Hip Hop / Glitch Hop and Dubstep somewhere in the pot also. Add a good dose of things ranging from thugging, being a goofball, skateboarding, going to the beach and general fudging around and you will have some small glimpse into the lives of the Narch, Mike and Disco that make up P.H.Fat.
P.H.Fat opened for Public Enemy at The Assembly in Cape Town in December 2010 and it marked another big stepping stone for South African rap and perhaps countries like South Africa are providing more space or more of an open ear for Rap & Electronica fusion bands to make their mark.
Regardless the music is straight up attitude with big drops and lots of bounce, so get ready for your taste of Dinosaur Blood.
Influences:
Big Sound Systems, People that dance till their noses bleed, Jabus Dance Team, Naartjie’s refreshingly good head of thick black manstrength hair, Watching discovery channel while you’re hungover on a sunday, Cool nicknames like “Peach” and “Muffin”, Speaking too fast for people to hear and hearing too fast for people to speak,Telling girls that Naartjie secretely likes them, Alex Van Rensburg when he’s sober, Being a stay at home thug, Using the word thug instead of cool, Counting stuff, Sandwhiches,Terrible rap music, Hummus, Kung Fu, Rain, Electro, Insence, Musicals, Wires, Dirty Poetry, Science Fiction, Women, Time Travel, Dreams, The Universe, Confidence, Telepathy, Will Smith, Lazers, Super Humans, Comics, Bass, The Ocean, Thug Rap, Dub Rap, Phat Rap, Grime Rap, Glitch Rap and Techno Rap
“P.H.Fat’s debut album “Dinosaur Blood” is swampy mix of gut-stirring bass and sticky psycho-delic dubby beats overlaid with luscious lyrics, which, when experienced, feels like the musical equivalent of a sweaty bone-crushing hug from a sexy alien from outer space. “Dinosaur Blood” is an aural mind f**k for sure. - http://www.bizcommunity.com
P.H. Fat performed at the Public Enemy show at The Assembly in Cape Town in December 2010 and it marked another big stepping stone for South African rap and perhaps countries like South Africa are providing more space or more of an open ear for Rap & Electronica fusion bands to make their mark. Based on the strength of their dynamic performances while touring, P.H.Fat - “The Big Five ft Fuzzy Slippers” reached top chart positions on South African airways including the no 1 position on MFM`s SA Top 10, as well as play listing on the Tuks Fm. The Video of “The Big Five ft Fuzzy Slippers” has also reached no 2 on MK`s Top 10 Chart.
P.H. Fat gives us a taste of attitudes and electronic music fusions that are fueling South African bass culture right now. The music is straight up attitude with big drops and lots of bounce, so get ready for your taste of Dinosaur Blood!
P.H.Fat band info:
P.H.Fat are three maniacs from Cape Town who make Psychedelic-Bass-Rap that smacks hard enough to make you sweat mayonnaise. Their favorite color is green and they sometimes play golf together.
Narch is the fusion between Hip-Hop and Electronic music. With his distinct sound and cemented style, he has released on Muti Music before and has produced 2 of the tracks for Afrikaans rap sensation “Jack Parow”s, début album.
Mike is a downhill skate champ, studying English and Psychology and giving us insight into his mind with his unique deliveries as lyricist.
Disco Izrael was born in the future but travelled to Cape Town 3 years ago in search of futuristic opportunities in music and art. His inspirations are fantasy, rap and hot beats.
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CONTACT:
management/remixes/production: anton@trailermedia.com
Bookings:saleem@tfabookings.com
Producer, DJ, vocalist and multi instrumentalist Son Of Kick is making waves with his bumping, super-charged live set. A bass-feast packed full of electro, dubstep, heavy grooves and the insanely unpredictable. Catch him dropping acapella’s from Method Man or rocking snippets from the Violent Femmes alongside his own productions. On a playing field of his own right now, it was friend and vocalist RQM that recently coined his new ‘bass’ style, ‘Psychostep’.
Based in West London, S.O.K.’s sound & style has already been picked up by various labels including the Stanton Warrior’s own Beat’s and pioneering London imprint Botchit and Scarper. Recent remix credits include work for labels such as Equinox Records and Man Recordings in Germany, ESL Music (Washington DC), Civil Music (UK), and Om Records (San Francisco). Head of his label Way Way Records, SOK has a bunch of releases about to be unleashed. Out early December his current single release “Guacha” on Equinox (Germany) which is receiving major props from Rob Da Bank at Radio 1 through to Simbad in France as smashed air waves and dancefloors across the glob.
Not a man to sit about, S.O.K. is co-producing an album right now, alongside the French dj/producer Simbad for the new collective project “Klub Sandwich” with Grems & Disiz La Peste (ex-Rouge A Levre). Also producing a bunch of EP’s with the Foreign Beggars’, Pav and Ebow out in Berlin. There’s also the matter of his first solo album scheduled for july 2011 on his own label Way Way Records. Remixes for the Go! Team, Husky Rescue and Tokyo Police Club will also be dropping mid 2011 and his new solo EP “Playing The Villain” featuring: Machinedrum, Chris De Luca, Jantsen and Bang On! on San Francisco top Glich label MUTI Music.
When not shooting videos for his label or making music for TV and film documentaries he’s working hard on new material for forthcoming European shows as well as next summer’s Gilles Peterson Worldwide Festival; having recently toured dates in Germany, UK, France and Switzerland alongside Bar9, Foreign Beggars, Bar Noize, Distance and Baobinga.
XTRA BACKGROUND
In 2008,two of his remixes (Justin Timberlake “Like I Love You” & Jay-Z “Ignorant Shit”) were hand picked by the fresh NYC bootleg website “Palms Out” to figure on their classic “Remix Sundays” (108 & 109). He also won the year after at “Palms Out Again” with the Kotchy “She Made It Easy” remix.
Also in 2008 Son Of Kick was selected in the top twenty talent search for Gilles Peterson’s World Wide Festival and invited to play with the winner Emilie Chick and in the top 5 for “Les Printemps De Bourge”. Going on to play two years later as one of the headline slots on the Sunday night, at this year’s 2010 Worldwide Festival in Sete, France.
He has released work in the past under the name D.A.T.A (Ditox At The Asylum) aka Micro Coz including composing the theme tune for The Digital Music Awards, The BBC - The Greatest Race On Earth, The L-Word,Vibe 3on3, Sky TV and more.
Over the years he has shared the DJ booth with artists such as : Beat Torrent, Scratch Perverts, Detroit Grand Pubahs, Foreign Beggars, Gilles Peterson, Diplo, Simbad, Laurent Garnier, Roots Manuva, DJ Lefto & Mr Fish to name a few.
His acoustic project with Alice Gobets as “Allover” is on hold while he concentrates on the world of Son Of Kick.
Son Of Kick’s ‘From Here’ features the deep vocal stylings of RQM who’s voice adds just the texture the tune needs in all the mixes. The original rocks out with a wonky and distinctively US west coast flavor, Pixelord gives added depth with a 2-step influenced take, Night Drugs brings in House flavors and Rose Ryot takes things really experimental.
Son Of Kick is becoming known to bass heads globally, the video for his recent EP ‘Playing The Villian’ release went viral and is at over 2 million views, he has toured festivals globally this year and been featured alongside artists like Flying Lotus, Borgore, Gasslamp Killer, FreQ Nasty, Mimosa and many more.
Son Of Kick is based in West London, his sound & style has already been picked up by various labels including the Stanton Warriors own Beats and pioneering London imprint Botchit & Scarper. Recent remix credits include work for labels such as Equinox Records and Man Recordings in Germany, ESL Music (Washington DC), Civil Music (UK), Om Records (San Francisco) and of course Muti Music (San Francisco).
While being tagged ‘psychostep’, Son Of Kick is taking future bass to another level. Support for Playing The Villian is coming in from varying sources because of the epic variation of sound included in this package.
Machinedrum, Chris De Luca and Jantsen all pitch in with their signature sounds, while Son Of Kick supplies and additional vocal mix featuring Big Dada’s BANG ON! that truly takes things to another level.
- Starkey: “Be Playing the Bang On! version on 1Xtra.”
Son Of Kick is based in West London, his sound & style has already been picked up by various labels including the Stanton Warriors own Beats and pioneering London imprint Botchit & Scarper. Recent remix credits include work for labels such as Equinox Records and Man Recordings in Germany, ESL Music (Washington DC), Civil Music (UK) and Om Records (San Francisco).
Head of his label Way Way Records, Son Of Kick has a bunch of releases about to be unleashed. His current single release ‘Guacha’ on Equinox (Germany) is receiving major props from Rob Da Bank at Radio 1 through to Simbad in France has smashed air waves and dancefloors across the globe.
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Willy Whompa’s laconic tenure in the DJ/production scene remains a well-kept secret. Hitting heavy from the gate, he fuses together a musical dialogue composed of originally produced glitchy mid-tempo purple goodness and hard hitting dubstep driven by heavily melodic ass-shaking basslines. This fresh-faced kid is sure to drop some visceral beats appealing to the eclectic eardrum.
“I make above average purple bass music for people on drug to wiggle around to.” – Willy Whompa
“Giant robot laser battles; tender mechanized love-making; the blinking blips and bleeps of artificial intelligence communications: these are the computerized moods that will wash over you in the most calculated of ways.”
+verb (pronounced “Adverb” by humans) is a new blog favorite in the genre of bass. Recently featured on Soundcloud’s “What’s Hot” list for a collaboration with Stephan Jacobs, the world is anxiously preparing for an invasion of his robotic army.
+Verb produced a melodic glitched out anthem chill track ‘Cough’ which has been remixed by some of the hottest folks in the ‘glitch’ scene right now, out on Muti Music.
With forthcoming releases on Vermin Street and Simplify Recordings and hot on the heals of his recent EP on Car Crash Set and a stellar remix of Starkey on Civil Music,
Whether it’s that perfect sunrise at a beach or a desert party or in the depths of a dark urban winter in a dingy club, the euphoric sounds of the Headtron roster bring a certain bliss only obtained though fine crafting of sound and a great deal of musicality. The melodically driven music behind tough urban beats brings thoughts of Jazz, Chillout Music, IDM, Hip Hop and R & B all coming together for a morning of cocktails and a jam session and the result is a magical blend of all.
Headtron is a boutique music company founded in 2010 by Alex Becket in Los Angeles California, comprised of music producers, musicians, visual artists, videographers, designers, builders, and more. They strive to create next level electronic music made by original artists. Muti Music has already had the honor of working with Stephan Jacobs, very special guest ill-esha, +verb, ChrisB. and Sugarpill on EPs and remixes that all brought new takes on the ‘West Coast Sound’. We are now honored to be sharing music from the rest of the Headtron roster (http://www.headtron.com).
Artwork is by Ryan Johnson (http://www.artbyryanjohnson.com)
The original mix is like being inside a world of playful toy robots and pixelated objects that then go on to teach you a thing or two.
Some of our favorite producers right now the take those sounds to varied heights and other unusual places and through a myriad of contemporary and emerging genres that make this EP a very pleasant listen. We’re stoked that +Verb found his way to us.
“Giant robot laser battles; tender mechanized love-making; the blinking blips and bleeps of artificial intelligence communications: these are the computerized moods that will wash over you in the most calculated of ways.”
+verb (pronounced “Adverb” by humans) is a new blog favorite in the genre of bass. Recently featured on Soundcloud’s “What’s Hot” list for a collaboration with Stephan Jacobs, the world is anxiously preparing for an invasion of his robotic army.
With forthcoming releases on Vermin Street and Simplify Recordings and hot on the heals of his recent EP on Car Crash Set and a stellar remix of Starkey on Civil Music, +Verb now delivers a melodic glitched out chill track ‘Cough’ which then get’s remixed by some of the hottest folks in the ‘glitch’ scene right now.
Los Angeles based producer Stephan Jacobs has been defining his position in the Dubstep and Glitch realms with a particularly strong US west coast take on the genres. Sugarpill is also no newcomer to the realms of Glitch with a recent slamming release ‘Flow Goggles’ out on Mochipets’ Daly City Records as well as doing an official remix of Mochipet - Complex Players Dub for them.
They combine forces on Level Attack to deliver a hard hitting synth driven track that hits hard for a dancefloor. Adding vocalist Naada to the mix is the spice on the pudding, her vocals hit hard with a strong hook and you’ll find yourself believing, “You’re never going to tap that ...” so you may as well keep dancing.
Level Attack includes remixes by some of the top and emerging artists in Dubstep and Glitch, Samples makes an appearance on Muti once again with an absolute slamming dubstep mix, as does Great Scott who throws down just the breaks mix that it needed. Willie Whompa and Goodie offer a deeper take that could give ‘The Glitch Mob’ a good nod, +verb takes it even glitchier and ChrisB closes out with a sound very reminiscent of some Mimosa tunes.
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Born in Fiji and raised in New Zealand, breakbeat pioneer FreQ Nasty is widely-acknowledged by critics for consistently breaking boundaries with his music, from his classic breaks tunes such as “Boomin Back Atcha” and “Move Back,” to remixes of pop icons like Fatboy Slim, Kelis and KRS-One.
At the same time, FreQ is receptive to all that surrounds him; for example, his move to London and immersion in its developing scenes in the 80s resulted in seminal releases on Botchit & Scarper. Forward thinking and progressive, his releases evidenced a sign of the fast-moving times.
These days, FreQ Nasty is staying one step ahead of the ongoing, hype-fueled evolution of electronic music with his contributions to the Futurestep sound. The recently released FABRICLIVE.42 mix album is evidence of this shapeshifting sound: with it, FreQ takes on the bass heavy stomp of L-Vis 1990’s UK take on Baltimore house, the blistering shatter of TRG, and several of his own storming productions, including Creator, a co-production with Switch on a Santigold tune released in 2007.
FreQ is also well-known in the music scene for his social activism. In early 2008, he launched Giveback.net, a socially-conscious site featuring music campaigns, whereby musicians donate music in support of non-profit “action campaigns”.
An-Ten-Nae and his Acid Crunk machine has been on a non-stop rampage this summer, with major sets at festivals like Wakarusa, RE:Generation, L.I.B. amongst a host of others. On his new Acid Crunk Vol. 4 compilation you start getting a feel for how diverse the ‘Glitch-Hop / Crunk’ music scene is, riding hand in hand with the growth of Dubstep and seen by many as ‘post-dubstep’. This isn’t Dubstep, Hip Hop, Wonky or anything usually packaged neatly for mass consumption. It’s an amalgamation of squashed neon-tinged futuristic bass music. All we can say is ... get ready! An-ten-nae is currently touring internationally in support of the compilation, keep your ear to ground for his shows in a city near you.
An-Ten-Nae is an entity possessing the human mind of one Adam Ohana, giving him the ability to transcend above the constraints of music rigidity and transmit bass heavy, crunked out beats of the highest order. His bar raising Live mix mashup compilations, “Punk Rock Country Hop” and “Acid Crunk Vol. 1” have set the standard and has defined an era with over 300,000 downloads to date. Picking up steam in 2009 Acid Crunk Vol. 2 & Vol. 3 maintained the # 1 seller in Dubstep, Electronica, Breaks and Chillout genres simultaneously while also having all 14 tracks in their respective genre top 10, as well as hitting the Top 10 Dance charts on iTunes. He is one of San Francisco’s most sought after DJs and live performers. He has taken the art of live remixing to new heights with his own customized setup, that bends genres in ways to suite his means.
‘Dread At The Controls’ is a fusion of lush Detroit strings, skittery 2-step beats, wobble bass, with a stupendous glitched-out dub-step breakdown and ‘Drum Play’ a drum-step roller fusing the hyper speed of drum and bass and the half-time swagger of dance-hall.”
‘Dread At The Controls’ blurs the lines between funky / house and dubstep, while ‘Drum Play’ slams dancehall and drumstep into a potent combination of dancefloor fever. Dread is at the controls and it’s deadly ....
“This is killer!” - General Midi
“Awesome future dread bizness!!!” - Kid Kenobi
“Loving drum play, proper sub business!” - Jay Cunning
“Slamming !” - ill.Gates
“Big Tunes >>>> FYArrrrR !!!!” - Pathaan iDJ
FreQ Nasty
Born in Fiji and raised in New Zealand, breakbeat pioneer FreQ Nasty is widely-acknowledged by critics for consistently breaking boundaries with his music, from his classic breaks tunes such as “Boomin Back Atcha” and “Move Back,” to remixes of pop icons like Fatboy Slim, Kelis and KRS-One.
At the same time, FreQ is receptive to all that surrounds him; for example, his move to London and immersion in its developing scenes in the 80s resulted in seminal releases on Botchit & Scarper. Forward thinking and progressive, his releases evidenced a sign of the fast-moving times.
These days, FreQ Nasty is staying one step ahead of the ongoing, hype-fueled evolution of electronic music with his contributions to the Futurestep sound. The recently released FABRICLIVE.42 mix album is evidence of this shapeshifting sound: with it, FreQ takes on the bass heavy stomp of L-Vis 1990’s UK take on Baltimore house, the blistering shatter of TRG, and several of his own storming productions, including Creator, a co-production with Switch on a Santigold tune released in 2007.
FreQ is also well-known in the music scene for his social activism. In early 2008, he launched Giveback.net, a socially-conscious site featuring music campaigns, whereby musicians donate music in support of non-profit “action campaigns”.

It’s rare to see a female MC. Or DJ. Rarer still to see a female music producer. To see one who deftly combines all three aspects in a live electronic act is virtually unheard of – until now.
Singing since she was a child in various choirs and theatre productions, ill-esha has always integrated her voice into her musical endeavors. After being told she didn’t sound “rock” enough in her garage band years, ill-esha found a more accepting home in the world of electronic music – making her first appearances in the late 90s as a vocalist and quickly picking up a set of decks to become the first female in the international drum & bass scene to simultaneously spin, sing and MC. Currently counting all styles of broken beat in her DJing repertoire, she has performed across the globe in various venues; from American raves to Asian waterparks to Canadian national television.
Restless of her original lyrics constantly dissolving into the void of freestyle performance, ill-esha began to pursue audio engineering and sat eagerly alongside her engineer friends, trading her vocals for production tips. After many successful releases over the last 7 years within the drum & bass sphere, the next logical step was to write an album’s worth of material encompassing all of her musical roots.
“The Perfect Circuit” is the culmination of a decade of global travel, an infinity of musical tastes, and simultaneous passions for technology and nature. An emotional fusion of acoustic and electronic components, it draws influence from rock, electronic, funk, jazz and hip hop. Debuting in 2007, ill-esha stormed the New Music West, Soundwave, and Victoria Electronic Music Festivals with the Perfect Circuit Band - a dynamic, rotating collective of talented musicians alongside her laptop, synths and effects. Continuing to garner critical acclaim in both the mainstream and underground, ill-esha’s song “Broken Windows” placed in the top 3 category finalists for the 2007 John Lennon Songwriting Competition; simultaneously, her newest electronic release charted at #1 for singles on junodownloads.com. The album was officially released on March 16th, 2008 and is available on CD and digital download through ill-esha.com.
Currently ill-esha is following her newfound passions for glitch hop and dubstep with the Integrated Grime Unit ....
Whether it’s that perfect sunrise at a beach or a desert party or in the depths of a dark urban winter in a dingy club, the euphoric sounds of the Headtron roster bring a certain bliss only obtained though fine crafting of sound and a great deal of musicality. The melodically driven music behind tough urban beats brings thoughts of Jazz, Chillout Music, IDM, Hip Hop and R & B all coming together for a morning of cocktails and a jam session and the result is a magical blend of all.
Headtron is a boutique music company founded in 2010 by Alex Becket in Los Angeles California, comprised of music producers, musicians, visual artists, videographers, designers, builders, and more. They strive to create next level electronic music made by original artists. Muti Music has already had the honor of working with Stephan Jacobs, very special guest ill-esha, +verb, ChrisB. and Sugarpill on EPs and remixes that all brought new takes on the ‘West Coast Sound’. We are now honored to be sharing music from the rest of the Headtron roster (http://www.headtron.com).
Artwork is by Ryan Johnson (http://www.artbyryanjohnson.com)
Reverie is just that, “a fun filled frolic down a bright colored graffiti sidewalk on a scorching summer day.”
Bouncing between Dubstep and Glitch Hop influences and bringing a funky, melodic and fresh take on both.
Ill-Esha hails from Vancouver, BC, Ill-Esha burst onto the North American electronic scene as a soul vocalist featured on various releases for the likes of Breakbeat Science, Fokuz, and BluSaphir, gradually becoming known for the seamless incorporation of original vocals and MCing into DJ sets expressing her unique take on bass music. Her multi-dimensional approach spans glitch hop, dubstep and downtempo, creating a dynamic live show which has set ill-esha apart amidst some of electronic music’s most groundbreaking acts.
With releases on trendsetting labels such as Muti Music, Daly City, Street Ritual, Subway, Haunted Audio, Dub Police and Simplify, Ill-Esha has ranked #1 on Junodownload, #2 on Addictech, and #3 on the Beatport Electronic charts as well as held the #1 spot on Soundcloud for 2 weeks in early 2011. Ill-Esha’s recent album, Circadian Rhythms, released on San Francisco’s Daly City, went public to critical acclaim in the electronic world catapulting her trademark blend of feminine energy and ruthless bass to further worldwide recognition.
Name: Afro Monk
Location: Glitch.fm / Dallas, TX
Publication: http://afromonk.com
Favourite Track: 33 And A Third
Rating: 4/5
Comments: Incredible album! Love Love Love Pretty Banger! Glad to see this finally sees a release! Joey kills it on 33 and a third! Slide Over is def my 2nd fav!
Name: Joe Muggs
Publication: Mixmag
Favourite Track: Sidewalk Chalk
Rating: 4/5
Comments: Huge release! Love the contrast of the more crunchy elements with the cosmic sounds….
Name: Alan Ranta
Location: Vancouver, BC
Publication: Exclaim! / PopMatters / Tiny Mix Tapes
Favourite Track: The Golden Mean
Rating: 5/5
Comments: Ill-Esha is not just one of Canada’s best female producers; she’s one of the best producers on the continent.
Name: Greg Reve
Location: SA
Publication: www.soundcloud.com/GregReve
Favourite Track: Sidewalk Chalk
Rating: 5/5
Comments: Probably my favourite Muti-Music release ever so far. Fucking brilliant! Clean chewy producton & enough soul that would put any angel in heaven to shame. Everything I love about this music combined into one. If I could favourite them all, I would. 5/5
Name: Praketh Sunder
Location: India
Publication: Decompressio Chamber (Coming Soon)
Favourite Track: Retrospect
Rating: 5/5
Comments: Always been a big fan of what Ill-Esha does ...love the heavy retroish funk vibe in her productions ...big Ups!
Name: Knowa Knowone
Location: Oaktown
Favourite Track: Sidewalk Chalk
Rating: 5/5
Comments: Epic. Totally amazing. Sidewalk Chalk is so rad, i’ve been waiting for that one since she played it for me in the studio a couple months ago. Looses a little steam towards the end, but i’m just not that into dubstep right now.
Name: Star
Location: Bay Area
Publication: http://beglitched.com
Favourite Track: The Golden Mean
Rating: 4/5
Comments: Cherry blossoms has been ruling my world lately… I am hoping for some more ill-esha vocal goodness on this release! ![]()
Name: K-Tee Shogun
Location: Shogun Audio
Publication: www.shogunaudio.co.uk
Favourite Track: Sidewalk Chalk
Rating: 4/5
Comments: Wow - i like this a lot. Im not familiar with Ill Esha but this is so damn funky. Full support from Shogun Audio
The original mix is like being inside a world of playful toy robots and pixelated objects that then go on to teach you a thing or two.
Some of our favorite producers right now the take those sounds to varied heights and other unusual places and through a myriad of contemporary and emerging genres that make this EP a very pleasant listen. We’re stoked that +Verb found his way to us.
“Giant robot laser battles; tender mechanized love-making; the blinking blips and bleeps of artificial intelligence communications: these are the computerized moods that will wash over you in the most calculated of ways.”
+verb (pronounced “Adverb” by humans) is a new blog favorite in the genre of bass. Recently featured on Soundcloud’s “What’s Hot” list for a collaboration with Stephan Jacobs, the world is anxiously preparing for an invasion of his robotic army.
With forthcoming releases on Vermin Street and Simplify Recordings and hot on the heals of his recent EP on Car Crash Set and a stellar remix of Starkey on Civil Music, +Verb now delivers a melodic glitched out chill track ‘Cough’ which then get’s remixed by some of the hottest folks in the ‘glitch’ scene right now.
We’ve gathered a collection of who’s-who from the Canadian and US Glitch Hop and Dubstep scenes that each deliver a unique remix as well as adding extra melody and flavor to Subverts anthem track ‘Speaker Humpin’. Four versions were heard on the Village Stage at this years Shambala Music Festival by a few thousand bass addicts and mosh pit revelers.
The mixes take you through multiple aspects of contemporary bass culture and if bass is your thing then there is a version for you.
About Subvert
Subvert hails from Calgary, Alberta and his winding path in music started in 1996. Proof of his dedication to ‘bass’ is in his track record of creating the world’s loudest competition vehicles, designing pK’s 90,000 watt sound system and managing the Village Stage at Shambhala Music Festival. He started DJing in 2000 and combined with his extensive work on sound systems and attention to precision sound, he was ultimately & naturally led down the path to creating his own music productions and once again the low frequencies consumed him.
Subvert’s sound is a combination of throbbing, relentless basslines, melodic strings and haunting pianos singing through midtempo glitch / acid crunk and dubstep. His attention to detail and the ability to tune into ‘bass that works on a sound-system ’ can be felt in all of his music productions, he is an expert in the subsonic, the crowd and the show.
Subvert’s ‘Dirt Nap’ EP rocked the Addictech and Beatport ‘Grime / Dubstep’ charts and lead to him being featured in XLR8R magazine and radio play on multiple urban music shows, his Speaker Humpin EP on Muti Music and Party Alarm EP on Rottun Recordings blurred boundaries between edgy Dubstep, Glitch Hop and Big Beat. Also having released on Punch Drunk and Rottun Recordings, this artists talent has been noted.

Ok now, imagine if you will, a precisely blended concoction of tight irresistible grooves, chunk fueled bouncy beats, luscious brooding soundscapes, dollops of stomach morphing bass, and a bowl of scrumptious glitch. Welcome to the musical world of Opiuo.
A self confessed music addict with a light hearted approach to life and art. Opiuo is at his best whilst hiding from the world, creating fun fueled music. Influences coming from everything, from life changing experiences, to mere cups of tea. Incorporating sounds as varied as jazz, reggae, funk, rock, psychedelia, and down right chunky goodness.
Originally from a small town in the deep New Zealand countryside, Opiuo now resides in the pimp hustle back streets of Melbourne Australia, where he has built an international reputation for his original, party fueling creations, and has played live to sold out crowds all across North America and Australasia.
The highly sought after Opiuo sound is being included in DJ sets from some of the biggest names in the business, and featuring on high profile radio stations, including the infamous BBC Radio One (UK). Quite literally rocking dance floors in every corner of the globe.
His latest full length release “Slurp And Giggle” is nominated for Best Dance / Electronic Release at the Australian Independent Music Awards, and currently sits as the most downloaded album for 2010 on addictech.com
With music out on some of the worlds most respected electronic music labels including; Muti Music, Addictech Records, Rottun Recordings, Iboga Records, Home Breakin Records, Colony Productions, and Empathy Records, the Opiuo train is definitely in motion!
Now that is over, lets go have some fun!
An-Ten-Nae is an entity possessing the human mind of one Adam Ohana, giving him the ability to transcend above the constraints of music rigidity and transmit bass heavy, crunked out beats of the highest order. His bar raising Live mix mashup compilations, “Punk Rock Country Hop” and “Acid Crunk Vol. 1” have set the standard and has defined an era with over 300,000 downloads to date. Picking up steam in 2009 Acid Crunk Vol. 2 maintained the # 1 seller in Dubstep, Electronica and Chillout genres simultaneously while also having all 14 tracks in their respective genre top 10, as well as hitting the Top 10 Dance charts on iTunes. He is one of San Francisco’s most sought after DJs and live performers. He has taken the art of live remixing to new heights with his own customized setup, that bends genres in ways seldom heard. Acid Crunk Vol. 3 is without a doubt one of the most anticipated releases of the year, 16 mindboggling compositions from some of the top and emerging urban breaks talent.
This is a new dawn, a defining moment in West Coast Underground music currently dominating sound systems worldwide. This isn’t Dubstep, Hip Hop, Wonky or anything usually packaged neatly for mass consumption. It’s an amalgamation of squashed neon-tinged futuristic bass music. With Acid Crunk Vol. 3 you start getting an idea of how diverse and far ahead the ‘Glitch-Hop / Crunk’ music scene is, riding hand in hand with the growth of Dubstep and seen by many as ‘post-dubstep’. All we can say is ... get ready! An-ten-nae is currently touring internationally in support of the compilation, keep your ear to ground for his shows in a city near you.
We’ve gathered a collection of who’s-who from the Canadian and US Glitch Hop and Dubstep scenes that each deliver a unique remix as well as adding extra melody and flavor to Subverts anthem track ‘Speaker Humpin’. Four versions were heard on the Village Stage at this years Shambala Music Festival by a few thousand bass addicts and mosh pit revelers.
The mixes take you through multiple aspects of contemporary bass culture and if bass is your thing then there is a version for you.
About Subvert
Subvert hails from Calgary, Alberta and his winding path in music started in 1996. Proof of his dedication to ‘bass’ is in his track record of creating the world’s loudest competition vehicles, designing pK’s 90,000 watt sound system and managing the Village Stage at Shambhala Music Festival. He started DJing in 2000 and combined with his extensive work on sound systems and attention to precision sound, he was ultimately & naturally led down the path to creating his own music productions and once again the low frequencies consumed him.
Subvert’s sound is a combination of throbbing, relentless basslines, melodic strings and haunting pianos singing through midtempo glitch / acid crunk and dubstep. His attention to detail and the ability to tune into ‘bass that works on a sound-system ’ can be felt in all of his music productions, he is an expert in the subsonic, the crowd and the show.
Subvert’s ‘Dirt Nap’ EP rocked the Addictech and Beatport ‘Grime / Dubstep’ charts and lead to him being featured in XLR8R magazine and radio play on multiple urban music shows, his Speaker Humpin EP on Muti Music and Party Alarm EP on Rottun Recordings blurred boundaries between edgy Dubstep, Glitch Hop and Big Beat. Also having released on Punch Drunk and Rottun Recordings, this artists talent has been noted.
An-ten-nae has long been a purveyor of fine exotic beats and low slung crunk.
Acid Crunk Vol 2 started off as a free mixtape that has now been downloaded over 37,000 times. Now, what is Acid Crunk?
It’s a no rules genre bending booty shakin’ synthesis of the dirty dirty that makes that subs in your low rider bump; and it sure goes nicely with that Ice Cream paint job. In the words of Martin Turenne (Straight.com) Acid Crunk “Conjures the druggy textures of early house and the fearsome bass of millennial hip-hop, marrying the West Coast breaks sound with the brooding atmospheres of London’s dubstep scene.”
Acid Crunk Vol. 2 kicks off with An-ten-nae’s own low frequency taser, Bang That, he locks in the dance floor with a deep electro groove and then fires up on all cylinders with a flick of the switch. Next up is Ooah (Glitch Mob & PANTyRAiD) From it’s lush start to its acid tinged convulsing basslines, ‘Foolish Silence’ has devastated every dance floor it’s been dropped on and his live performances have induced pandemonium across the globe, Most recently he appeared on the soundtrack of Tim Burton’s masterpiece film ‘9’. Datsik has virtually dominated the Beatport dubstep charts for months, and here again proves why he is a new standard in audio excellence. With ‘Southpaw’, Datsik delivers the goods. The other half of PANTyRAiD (aka Marty Party) turns Acid Crunk on its head
with a jackknife of a bass-driven track. Following the current success of the PANTyRAiD album The Sauce, (Marine Parade) Marty ‘s forthcoming album, on the same label, due in January 2010.
From ‘Down Under’, our Australian agent in crunk, Opiou, adds a little funk with his crunk ‘King Prawn’. Look out for his forthcoming EP on Addictech Recordings.
Akira Kiteshi has earned support across the board from the likes of Mixmaster Mike, N-type to Mary Anne Hobbs, with ‘Ulysses’, this Scotland native delivers his own nasty brand of alien funk infused dubstep from the 31st century.
Head south to Bristol and you’ll find Gemmy, one leg of the ‘Purple Trinity’ (with Joker and Guido) His newest offering ‘Bleep’ is some Bristol / Brizzle Bass Crunk guaranteed to turn those head nodders into instant body rockers. For more of his unique brand of crunk, check out his track on Mary Anne Hobbs newest compilation “Planet Mu”.
An-ten-nae returns with a remix of ‘Do You’ by UK supergroup Freeland (feat. Adam Freeland & Tommy Lee on Drums), he dissects the track into a heaving acid tinged monster sure to make all the ladies squeal.
The next 3 tracks showcase emerging talent from the US and Canada. Apox who hails from Nevada, Colorodo’s own Samples and Ill-Esha & Dewey DB (Vancouver) throwing down tasteful and versatile tracks from the ‘Glitch Hop’ school of crunk.
Collaborations often bring out the best in artists, and ‘Pharma Sutra’ is a testament to that and this off beat slammer by Filastine (Barcelona) and Ill.Gates (Toronto) will make your jaws drop. Don’t say we didn’t warn you.
Chillout maestro Bluetech helps bring things down a bit, journeying into thedeeper shades of crunk with ‘Waiting For Initiation’.Finally, no global journey into emerging electronic genres should be complete without a stop to Berlin,so we leave you with Robot Koch and his off-kilter beauty of a track ‘Hard to Fin’, off his upcoming album Deathstar Droid.
OPIUO
OPIUO
OPIUO
OPIUO
OPIUO
OPIUO
OPIUO
OPIUO
OPIUO
OPIUO
One of the hottest emerging acts in Glitch Hop and futuristic urban music, Knight Riderz are from Edmonton, Alberta, Canada and have been producing lazer bass bombs in a 12 dimensional world of twisted low frequency induced hip-hop.
Releases forthcoming and already out on ESL, Muti Music, True Movement, Seclusiasis, Made In Glitch, Formation UK, and remixes for Thunderball, Freestylers, South Rakkas, Kush Arora, Love & Light, and King Fantastic illustrate only a small fraction of what is in store from the Riderz. Their original work with MC’s Zulu and Juakali define their style with lazer like buzz saw synth work surrounding a thunderous vocal vibe or beautifully intricate melody.
Fully equipped with a deadly live performance Knight Riderz are bangin bassbins world wide in 2011.
An-Ten-Nae and his Acid Crunk machine has been on a non-stop rampage this summer, with major sets at festivals like Wakarusa, RE:Generation, L.I.B. amongst a host of others. On his new Acid Crunk Vol. 4 compilation you start getting a feel for how diverse the ‘Glitch-Hop / Crunk’ music scene is, riding hand in hand with the growth of Dubstep and seen by many as ‘post-dubstep’. This isn’t Dubstep, Hip Hop, Wonky or anything usually packaged neatly for mass consumption. It’s an amalgamation of squashed neon-tinged futuristic bass music. All we can say is ... get ready! An-ten-nae is currently touring internationally in support of the compilation, keep your ear to ground for his shows in a city near you.
An-Ten-Nae is an entity possessing the human mind of one Adam Ohana, giving him the ability to transcend above the constraints of music rigidity and transmit bass heavy, crunked out beats of the highest order. His bar raising Live mix mashup compilations, “Punk Rock Country Hop” and “Acid Crunk Vol. 1” have set the standard and has defined an era with over 300,000 downloads to date. Picking up steam in 2009 Acid Crunk Vol. 2 & Vol. 3 maintained the # 1 seller in Dubstep, Electronica, Breaks and Chillout genres simultaneously while also having all 14 tracks in their respective genre top 10, as well as hitting the Top 10 Dance charts on iTunes. He is one of San Francisco’s most sought after DJs and live performers. He has taken the art of live remixing to new heights with his own customized setup, that bends genres in ways to suite his means.
One of the hottest emerging acts in Glitch Hop and futuristic urban music, Knight Riderz are from Edmonton, Alberta, Canada and have been producing lazer bass bombs in a 12 dimensional world of twisted low frequency induced hip-hop.
Releases forthcoming and already out on ESL, Muti Music, True Movement, Seclusiasis, Made In Glitch, Formation UK, and remixes for Thunderball, Freestylers, South Rakkas, Kush Arora, Love & Light, and King Fantastic illustrate only a small fraction of what is in store from the Riderz.
Their original work with MC’s Zulu and Juakali define their style with lazer like buzz saw synth work surrounding a thunderous vocal vibe or beautifully intricate melody.
Fully equipped with a deadly live performance Knight Riderz are bangin bassbins world wide in 2011.
No newcomers to electronic music, but fresh as a collaboration, Knight Riderz have emerged on the scene as a new project that is hotter than red chili and jalapeno poppers dipped on spicy awesome-sauce.
Knight Riderz have gained recognition fast with support from the likes of FreQ Nasty, ill.Gates, Dov and An-ten-nae all supporting their tunes, booking agencies chasing them down and some hot mashups and releases and remixes already out / coming out on Muti Music, Formation Records, True Movement, ESL, Made In Glitch and Diplo’s Mad Decent Recordings.
Knight Riderz will be making an even bigger mark in 2011 with their unique blend of glitch effects, booming basslines, tough beats and rapid fire funk.
Mind Riddims also features New York based MC Juakali who is known for his work with Sub Swara, appearances at Dub War and various collaborations with emerging and top Dubstep and Grime jocks. Get ready for some music that constantly steps outside of genre parameters and drops hard. 2011 belongs to Knight Riderz.
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An-Ten-Nae is an entity possessing the human mind of one Adam Ohana, giving him the ability to transcend above the constraints of music rigidity and transmit bass heavy, crunked out beats of the highest order. His bar raising Live mix mashup compilations, “Punk Rock Country Hop” and “Acid Crunk Vol. 1” have set the standard and has defined an era with over 300,000 downloads to date. Picking up steam in 2009 Acid Crunk Vol. 2 maintained the # 1 seller in Dubstep, Electronica and Chillout genres simultaneously while also having all 14 tracks in their respective genre top 10, as well as hitting the Top 10 Dance charts on iTunes. He is one of San Francisco’s most sought after DJs and live performers. He has taken the art of live remixing to new heights with his own customized setup, that bends genres in ways seldom heard. Acid Crunk Vol. 3 is without a doubt one of the most anticipated releases of the year, 16 mindboggling compositions from some of the top and emerging urban breaks talent.
This is a new dawn, a defining moment in West Coast Underground music currently dominating sound systems worldwide. This isn’t Dubstep, Hip Hop, Wonky or anything usually packaged neatly for mass consumption. It’s an amalgamation of squashed neon-tinged futuristic bass music. With Acid Crunk Vol. 3 you start getting an idea of how diverse and far ahead the ‘Glitch-Hop / Crunk’ music scene is, riding hand in hand with the growth of Dubstep and seen by many as ‘post-dubstep’. All we can say is ... get ready! An-ten-nae is currently touring internationally in support of the compilation, keep your ear to ground for his shows in a city near you.
We’ve gathered a collection of who’s-who from the Canadian and US Glitch Hop and Dubstep scenes that each deliver a unique remix as well as adding extra melody and flavor to Subverts anthem track ‘Speaker Humpin’. Four versions were heard on the Village Stage at this years Shambala Music Festival by a few thousand bass addicts and mosh pit revelers.
The mixes take you through multiple aspects of contemporary bass culture and if bass is your thing then there is a version for you.
About Subvert
Subvert hails from Calgary, Alberta and his winding path in music started in 1996. Proof of his dedication to ‘bass’ is in his track record of creating the world’s loudest competition vehicles, designing pK’s 90,000 watt sound system and managing the Village Stage at Shambhala Music Festival. He started DJing in 2000 and combined with his extensive work on sound systems and attention to precision sound, he was ultimately & naturally led down the path to creating his own music productions and once again the low frequencies consumed him.
Subvert’s sound is a combination of throbbing, relentless basslines, melodic strings and haunting pianos singing through midtempo glitch / acid crunk and dubstep. His attention to detail and the ability to tune into ‘bass that works on a sound-system ’ can be felt in all of his music productions, he is an expert in the subsonic, the crowd and the show.
Subvert’s ‘Dirt Nap’ EP rocked the Addictech and Beatport ‘Grime / Dubstep’ charts and lead to him being featured in XLR8R magazine and radio play on multiple urban music shows, his Speaker Humpin EP on Muti Music and Party Alarm EP on Rottun Recordings blurred boundaries between edgy Dubstep, Glitch Hop and Big Beat. Also having released on Punch Drunk and Rottun Recordings, this artists talent has been noted.

Ben Samples is one half of the live remix project Fresh2Death that is based out of Boulder, CO. His style is crunk glitch-hop, complete with bass-heavy remixes of your favorite club anthems and hip hop. His professional DJ career started in 2006 when he picked up a weekly radio show for Boulder’s KVCU. For his current performance, Samples is blending both hip hop and dance music into a hybrid club hip hop sound that is redefining genres. Samples is a member of the Denver Bass Squad, which is the essential crew that pushes the heavy bass-line scene in the Denver/Boulder area, including a residency at the world-famous Beta night club.
Since 2008, Samples has played hundreds of shows in the Denver/Boulder area, including sharing the stage with such notable acts as: Mimosa, Eliot Lipp, Ana-Sia, Lazer Sword, Dominic Lalli, L.A. Riots, Free The Robots, Megasoid, Savoy, GSP, Lorn, Pretty Lights, VibeSquad, Two Fresh, Pnuma Duo, Future Simple Project, BreakBeat Buddha/Propa Tingz, Random Rab, Samiyam, Lunice, DJ Spectre, Boombox, Eskmo/Welder, Big Gigantic, Hovatron, Jantsen, The Passage Project, and The Egg.
The original mix is like being inside a world of playful toy robots and pixelated objects that then go on to teach you a thing or two.
Some of our favorite producers right now the take those sounds to varied heights and other unusual places and through a myriad of contemporary and emerging genres that make this EP a very pleasant listen. We’re stoked that +Verb found his way to us.
“Giant robot laser battles; tender mechanized love-making; the blinking blips and bleeps of artificial intelligence communications: these are the computerized moods that will wash over you in the most calculated of ways.”
+verb (pronounced “Adverb” by humans) is a new blog favorite in the genre of bass. Recently featured on Soundcloud’s “What’s Hot” list for a collaboration with Stephan Jacobs, the world is anxiously preparing for an invasion of his robotic army.
With forthcoming releases on Vermin Street and Simplify Recordings and hot on the heals of his recent EP on Car Crash Set and a stellar remix of Starkey on Civil Music, +Verb now delivers a melodic glitched out chill track ‘Cough’ which then get’s remixed by some of the hottest folks in the ‘glitch’ scene right now.
Los Angeles based producer Stephan Jacobs has been defining his position in the Dubstep and Glitch realms with a particularly strong US west coast take on the genres. Sugarpill is also no newcomer to the realms of Glitch with a recent slamming release ‘Flow Goggles’ out on Mochipets’ Daly City Records as well as doing an official remix of Mochipet - Complex Players Dub for them.
They combine forces on Level Attack to deliver a hard hitting synth driven track that hits hard for a dancefloor. Adding vocalist Naada to the mix is the spice on the pudding, her vocals hit hard with a strong hook and you’ll find yourself believing, “You’re never going to tap that ...” so you may as well keep dancing.
Level Attack includes remixes by some of the top and emerging artists in Dubstep and Glitch, Samples makes an appearance on Muti once again with an absolute slamming dubstep mix, as does Great Scott who throws down just the breaks mix that it needed. Willie Whompa and Goodie offer a deeper take that could give ‘The Glitch Mob’ a good nod, +verb takes it even glitchier and ChrisB closes out with a sound very reminiscent of some Mimosa tunes.
We’ve gathered a collection of who’s-who from the Canadian and US Glitch Hop and Dubstep scenes that each deliver a unique remix as well as adding extra melody and flavor to Subverts anthem track ‘Speaker Humpin’. Four versions were heard on the Village Stage at this years Shambala Music Festival by a few thousand bass addicts and mosh pit revelers.
The mixes take you through multiple aspects of contemporary bass culture and if bass is your thing then there is a version for you.
About Subvert
Subvert hails from Calgary, Alberta and his winding path in music started in 1996. Proof of his dedication to ‘bass’ is in his track record of creating the world’s loudest competition vehicles, designing pK’s 90,000 watt sound system and managing the Village Stage at Shambhala Music Festival. He started DJing in 2000 and combined with his extensive work on sound systems and attention to precision sound, he was ultimately & naturally led down the path to creating his own music productions and once again the low frequencies consumed him.
Subvert’s sound is a combination of throbbing, relentless basslines, melodic strings and haunting pianos singing through midtempo glitch / acid crunk and dubstep. His attention to detail and the ability to tune into ‘bass that works on a sound-system ’ can be felt in all of his music productions, he is an expert in the subsonic, the crowd and the show.
Subvert’s ‘Dirt Nap’ EP rocked the Addictech and Beatport ‘Grime / Dubstep’ charts and lead to him being featured in XLR8R magazine and radio play on multiple urban music shows, his Speaker Humpin EP on Muti Music and Party Alarm EP on Rottun Recordings blurred boundaries between edgy Dubstep, Glitch Hop and Big Beat. Also having released on Punch Drunk and Rottun Recordings, this artists talent has been noted.
An-ten-nae has long been a purveyor of fine exotic beats and low slung crunk.
Acid Crunk Vol 2 started off as a free mixtape that has now been downloaded over 37,000 times. Now, what is Acid Crunk?
It’s a no rules genre bending booty shakin’ synthesis of the dirty dirty that makes that subs in your low rider bump; and it sure goes nicely with that Ice Cream paint job. In the words of Martin Turenne (Straight.com) Acid Crunk “Conjures the druggy textures of early house and the fearsome bass of millennial hip-hop, marrying the West Coast breaks sound with the brooding atmospheres of London’s dubstep scene.”
Acid Crunk Vol. 2 kicks off with An-ten-nae’s own low frequency taser, Bang That, he locks in the dance floor with a deep electro groove and then fires up on all cylinders with a flick of the switch. Next up is Ooah (Glitch Mob & PANTyRAiD) From it’s lush start to its acid tinged convulsing basslines, ‘Foolish Silence’ has devastated every dance floor it’s been dropped on and his live performances have induced pandemonium across the globe, Most recently he appeared on the soundtrack of Tim Burton’s masterpiece film ‘9’. Datsik has virtually dominated the Beatport dubstep charts for months, and here again proves why he is a new standard in audio excellence. With ‘Southpaw’, Datsik delivers the goods. The other half of PANTyRAiD (aka Marty Party) turns Acid Crunk on its head
with a jackknife of a bass-driven track. Following the current success of the PANTyRAiD album The Sauce, (Marine Parade) Marty ‘s forthcoming album, on the same label, due in January 2010.
From ‘Down Under’, our Australian agent in crunk, Opiou, adds a little funk with his crunk ‘King Prawn’. Look out for his forthcoming EP on Addictech Recordings.
Akira Kiteshi has earned support across the board from the likes of Mixmaster Mike, N-type to Mary Anne Hobbs, with ‘Ulysses’, this Scotland native delivers his own nasty brand of alien funk infused dubstep from the 31st century.
Head south to Bristol and you’ll find Gemmy, one leg of the ‘Purple Trinity’ (with Joker and Guido) His newest offering ‘Bleep’ is some Bristol / Brizzle Bass Crunk guaranteed to turn those head nodders into instant body rockers. For more of his unique brand of crunk, check out his track on Mary Anne Hobbs newest compilation “Planet Mu”.
An-ten-nae returns with a remix of ‘Do You’ by UK supergroup Freeland (feat. Adam Freeland & Tommy Lee on Drums), he dissects the track into a heaving acid tinged monster sure to make all the ladies squeal.
The next 3 tracks showcase emerging talent from the US and Canada. Apox who hails from Nevada, Colorodo’s own Samples and Ill-Esha & Dewey DB (Vancouver) throwing down tasteful and versatile tracks from the ‘Glitch Hop’ school of crunk.
Collaborations often bring out the best in artists, and ‘Pharma Sutra’ is a testament to that and this off beat slammer by Filastine (Barcelona) and Ill.Gates (Toronto) will make your jaws drop. Don’t say we didn’t warn you.
Chillout maestro Bluetech helps bring things down a bit, journeying into thedeeper shades of crunk with ‘Waiting For Initiation’.Finally, no global journey into emerging electronic genres should be complete without a stop to Berlin,so we leave you with Robot Koch and his off-kilter beauty of a track ‘Hard to Fin’, off his upcoming album Deathstar Droid.
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Combining his passion for music with a degree in Music Technology from Berklee College of Music, Vapor Maché delivers a fusion EP combining influences from hip hop, dubstep, downtempo, tech house, IDM, and cinematic textures. Vapor Maché‘s debut album “People” was self-released in 2008. Maché has performed with the likes of modern-jazz trailblazer Vijay Iyer, electronic pop-rock outfit Passion Pit and recently performed at the internationally-renowned ‘glitch and experimental music night’ Low End Theory in LA where he is now based. Keep your ear to the ground because things are just beginning to pop for this talented young producer.
“Spencer Putnam is an extremely talented musician…If you’re a fan of Venetian Snares, Two Lone Swordsmen, Amon Tobin and other thematic glitch acts you’ll really enjoy [his] album.” - Alex Kourelis, Auxiliary Magazine
“Vapor Mache is making glitch and he’s doing it right.” - Ighuaran, Editor-In-Chief, MusicZeitgeist.com
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Combining his passion for music with a degree in Music Technology from Berklee College of Music, Vapor Maché delivers a fusion EP combining influences from hip hop, dubstep, downtempo, tech house, IDM, and cinematic textures. Vapor Maché‘s debut album “People” was self-released in 2008. Maché has performed with the likes of modern-jazz trailblazer Vijay Iyer, electronic pop-rock outfit Passion Pit and recently performed at the internationally-renowned ‘glitch and experimental music night’ Low End Theory in LA where he is now based. Keep your ear to the ground because things are just beginning to pop for this talented young producer.
Get ready folks who like grimy hip hop beats along with 8-bit freaks, Glitchy & Scratchy deliver and bassload of melodies and hyper glitchy tracks with their debut release on Muti Music. Rocking ‘The Village Stage’ at Shambala Festival this past year along with the likes of Spore and Eprom made sure that this duo is no new comer to breaking crunky glitched out beats to a new crowd and making sure it works. Over the past two years, Shaun & Bevan AKA Glitchy & Scratchy have broken the “glitch hop” sound in their hometown of Vancouver, BC, longside their ever-growing posse of bass and glitch heads.
Known as the “Integrated Grime Unit” (a collective which counts among its ranks GlitchHopForum head honcho Dewey dB, as well as bass prodigies Ill-Esha, Jay Wikid, and JmeJ), they promote and shape the face of underground music in their city. No stranger to crowds of sweaty, happy people, Glitchy & Scratchy have a dancefloor sensibility often forgotten in a world of tweaked wobbles and schizophrenic edits.‘ ... grimey hip hop beats, 8-bit glitch effects and loads of whomp’
We’ve gathered a collection of who’s-who from the Canadian and US Glitch Hop and Dubstep scenes that each deliver a unique remix as well as adding extra melody and flavor to Subverts anthem track ‘Speaker Humpin’. Four versions were heard on the Village Stage at this years Shambala Music Festival by a few thousand bass addicts and mosh pit revelers.
The mixes take you through multiple aspects of contemporary bass culture and if bass is your thing then there is a version for you.
About Subvert
Subvert hails from Calgary, Alberta and his winding path in music started in 1996. Proof of his dedication to ‘bass’ is in his track record of creating the world’s loudest competition vehicles, designing pK’s 90,000 watt sound system and managing the Village Stage at Shambhala Music Festival. He started DJing in 2000 and combined with his extensive work on sound systems and attention to precision sound, he was ultimately & naturally led down the path to creating his own music productions and once again the low frequencies consumed him.
Subvert’s sound is a combination of throbbing, relentless basslines, melodic strings and haunting pianos singing through midtempo glitch / acid crunk and dubstep. His attention to detail and the ability to tune into ‘bass that works on a sound-system ’ can be felt in all of his music productions, he is an expert in the subsonic, the crowd and the show.
Subvert’s ‘Dirt Nap’ EP rocked the Addictech and Beatport ‘Grime / Dubstep’ charts and lead to him being featured in XLR8R magazine and radio play on multiple urban music shows, his Speaker Humpin EP on Muti Music and Party Alarm EP on Rottun Recordings blurred boundaries between edgy Dubstep, Glitch Hop and Big Beat. Also having released on Punch Drunk and Rottun Recordings, this artists talent has been noted.
Get ready folks who like grimy hip hop beats along with 8-bit freaks, Glitchy & Scratchy deliver and bassload of melodies and hyper glitchy tracks with their debut release on Muti Music.
Rocking ‘The Village Stage’ at Shambala Festival this past year along with the likes of Spore and Eprom made sure that this duo is no new comer to breaking crunky glitched out beats to a new crowd and making sure it works. Over the past two years, Shaun & Bevan AKA Glitchy & Scratchy have broken the “glitch hop” sound in their hometown of Vancouver, BC, longside their ever-growing posse of bass and glitch heads.
Known as the “Integrated Grime Unit” (a collective which counts among its ranks GlitchHopForum head honcho Dewey dB, as well as bass prodigies Ill-Esha, Jay Wikid, and JmeJ), they promote and shape the face of underground music in their city.
No stranger to crowds of sweaty, happy people, Glitchy & Scratchy have a dancefloor sensibility often forgotten in a world of tweaked wobbles and schizophrenic edits.

Stephan Jacobs understands how to make people dance! It takes great songs and the skill to take the audience on an exciting journey through body moving music!
Equally talented as a multi-genre producer (Uptempo Dubstep / West Coast Crunk / Glitch House) and as a massive crowd rocker, Stephan has appeared at some of the world’s most prominent music festivals (Coachella) alongside a slew of genre defining artists. He has also released a strong collection of original material and remixes!
When he’s not forging a personal stake hold in the electronic dance music community, he also works on the collaborative project Kether, pushing his list of accomplishments into the forefront of the industry.
In 2006, Stephan Jacobs and Tim Hauser (Ruff Hauser) teamed up to form Kether. Their mutual passions for music fueled their ambitions to build a unique live experience that has beckoned enthusiastic followers after the first listen. They quickly established their place on the forefront of the West Coast Electronic scene, playing alongside Shpongle, Tipper and Glitch Mob. Getting signed with Muti Music, the leading North American Electronic music label, was the logical next step. Watch out for the dopest duo and Stephan on his own as he is steadily in the studio creating new music.
Currently Stephan is focused on producing more original music and performing live as much as possible. With over a dozen bookings so far this year, and a returning gig at Coachella, Stephan is focused on performing all around America including the major summer festivals.
Whether it’s that perfect sunrise at a beach or a desert party or in the depths of a dark urban winter in a dingy club, the euphoric sounds of the Headtron roster bring a certain bliss only obtained though fine crafting of sound and a great deal of musicality. The melodically driven music behind tough urban beats brings thoughts of Jazz, Chillout Music, IDM, Hip Hop and R & B all coming together for a morning of cocktails and a jam session and the result is a magical blend of all.
Headtron is a boutique music company founded in 2010 by Alex Becket in Los Angeles California, comprised of music producers, musicians, visual artists, videographers, designers, builders, and more. They strive to create next level electronic music made by original artists. Muti Music has already had the honor of working with Stephan Jacobs, very special guest ill-esha, +verb, ChrisB. and Sugarpill on EPs and remixes that all brought new takes on the ‘West Coast Sound’. We are now honored to be sharing music from the rest of the Headtron roster (http://www.headtron.com).
Artwork is by Ryan Johnson (http://www.artbyryanjohnson.com)
Bassnectar: ”I’ll be playing this one at Bonaroo.”
Equally talented as a multi-genre producer (Uptempo Dubstep / West Coast Crunk / Glitch House) and as a massive crowd rocker, Stephan Jacobs has appeared at some of the world’s most prominent music festivals (Coachella) alongside a slew of genre defining artists. When he’s not forging a personal stake hold in the electronic dance music community, he also works on the collaborative project Kether, pushing his list of accomplishments into the forefront of the industry. In 2006, Stephan Jacobs and Tim Hauser (Ruff Hauser) teamed up to form Kether. Their mutual passions for music fueled their ambitions to build a unique live experience that has beckoned enthusiastic followers after the first listen. They quickly established their place on the forefront of the West Coast Electronic scene, playing alongside Shpongle, Tipper and Glitch Mob.
Love and Light is comprised of the musical talents of Matt Madonna and Ryan Anderson, hailing from the high desert region of the Reno/Tahoe Basin. Creating music that touches their hearts and elevates their souls, the duo’s goal is the uplifting of people across the world through melodic synth lines, complex chord structure, intricate rhythms, and funky, chunky bass lines.
Having a strong basis in midtempo bass music, the span of their production talents are limitless, crossing into the realms of melodic dubstep as well as half-time drum and bass and four-on-the-floor bangers. Whether it is sweaty club, a beautiful outdoor festival setting or enjoying a night at home in the lab, Love and Light music moves humans in a vibrant and deeply conscious way.
The original mix is like being inside a world of playful toy robots and pixelated objects that then go on to teach you a thing or two.
Some of our favorite producers right now the take those sounds to varied heights and other unusual places and through a myriad of contemporary and emerging genres that make this EP a very pleasant listen. We’re stoked that +Verb found his way to us.
“Giant robot laser battles; tender mechanized love-making; the blinking blips and bleeps of artificial intelligence communications: these are the computerized moods that will wash over you in the most calculated of ways.”
+verb (pronounced “Adverb” by humans) is a new blog favorite in the genre of bass. Recently featured on Soundcloud’s “What’s Hot” list for a collaboration with Stephan Jacobs, the world is anxiously preparing for an invasion of his robotic army.
With forthcoming releases on Vermin Street and Simplify Recordings and hot on the heals of his recent EP on Car Crash Set and a stellar remix of Starkey on Civil Music, +Verb now delivers a melodic glitched out chill track ‘Cough’ which then get’s remixed by some of the hottest folks in the ‘glitch’ scene right now.
Los Angeles based producer Stephan Jacobs has been defining his position in the Dubstep and Glitch realms with a particularly strong US west coast take on the genres. Sugarpill is also no newcomer to the realms of Glitch with a recent slamming release ‘Flow Goggles’ out on Mochipets’ Daly City Records as well as doing an official remix of Mochipet - Complex Players Dub for them.
They combine forces on Level Attack to deliver a hard hitting synth driven track that hits hard for a dancefloor. Adding vocalist Naada to the mix is the spice on the pudding, her vocals hit hard with a strong hook and you’ll find yourself believing, “You’re never going to tap that ...” so you may as well keep dancing.
Level Attack includes remixes by some of the top and emerging artists in Dubstep and Glitch, Samples makes an appearance on Muti once again with an absolute slamming dubstep mix, as does Great Scott who throws down just the breaks mix that it needed. Willie Whompa and Goodie offer a deeper take that could give ‘The Glitch Mob’ a good nod, +verb takes it even glitchier and ChrisB closes out with a sound very reminiscent of some Mimosa tunes.
Since their debut on Muti Music, KETHER has toured the US west coast and dominated the Los Angeles underground warehouse and art music scenes.
Their gigs have included rocking the Do Lab stage at Coachella, playing alongside Tipper and Shpongle and lead time slots at Norcal festivals like Stilldream and Priceless.
Their second release, appropriately titled ‘Layer Two’ is a blend of Progressive thinking music with hard urban sounds produces a unique fusion of glitched out beats drawing on influences including Minimal, Progressive House, IDM, Dubstep, Breaks and Glitch Hop and also including many ethereal, organic textures that are both melancholy and very beautiful at the same time.
Kether is made up of two groundbreaking West Coast based producers known as, Ruff Hauser and Stephan Jacobs, who write, breathe, create & produce music. Kether’s music is composed using analog hardware & software, creating an organic-electric live sound scape feel.
Marine Layer now comes out having been tried and tested as a live set and is primed for maximum effect. The music on Marine Layer is a unique fusion of glitched out beats drawing on influences including Minimal, Progressive House, IDM, Dubstep, Breaks and Glitch Hop and also including many organic textures that will please many.
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Specializing in bouncing bass, sideways beats and experiments of noise, Sugarpill is a master of both the creation and delivery of polytemponic glitch. Residing in Los Angeles yet living in a twisted world of sound, this young artist stays dosed to the eyelids in chopped-up samples, meticulously tweaked beats and obese waves of bass.
Sugarpill seamlessly merges his techy sensibility and immaculate production skills without ever losing the inherent sexiness of the beats, and this multidimensional musical approach unites EDM fans across a vast spectrum of genres and tempos. His original tracks combined with explosive live DJ sets confirm for the producer a powerful spot at the forefront of West Coast future sound. Crossing genres effortlessly and employing a rich variety of styles, his lively and intense sound is best described as a party- and that is exactly what Sugarpill brings to the dance floor.
Not only a producer and DJ but also a writer, blogger, teacher and radio host, Sugarpill’s thick talents serve his many musical endeavors well. As cofounder of and contributor to Able- tontweets.com, Sugarpill uses his knowledge of the wildly diverse software not only to pro- pel his own musical career, but to help aspiring producers develop their skills as well. Along with bass compatriot Stutterfly, Sugarpill also runs the popular Polybeat Plant radio show on GlitchFM, airing every Thursday night from 6-8PM PST and broadcasted around the world into earholes hungry for glitchy goodness.
Dedication to his craft, backed up by mad skills, has created a buzz around Sugarpill in the online underground, with the producer winning praise on music blogs such as Afromonk, Doktor Krank, Chrome Kids, Creative Loafing, Circuitree Records, Catalog Records and DanceFever5000. Having played alongside RD, Tom Burbank, Spank Rock, Eprom and Robot Koch, Sugarpill will no doubt continue to push electronic music forward towards the next new genre that no one will be able to name.
Whether it’s that perfect sunrise at a beach or a desert party or in the depths of a dark urban winter in a dingy club, the euphoric sounds of the Headtron roster bring a certain bliss only obtained though fine crafting of sound and a great deal of musicality. The melodically driven music behind tough urban beats brings thoughts of Jazz, Chillout Music, IDM, Hip Hop and R & B all coming together for a morning of cocktails and a jam session and the result is a magical blend of all.
Headtron is a boutique music company founded in 2010 by Alex Becket in Los Angeles California, comprised of music producers, musicians, visual artists, videographers, designers, builders, and more. They strive to create next level electronic music made by original artists. Muti Music has already had the honor of working with Stephan Jacobs, very special guest ill-esha, +verb, ChrisB. and Sugarpill on EPs and remixes that all brought new takes on the ‘West Coast Sound’. We are now honored to be sharing music from the rest of the Headtron roster (http://www.headtron.com).
Artwork is by Ryan Johnson (http://www.artbyryanjohnson.com)
An-Ten-Nae and his Acid Crunk machine has been on a non-stop rampage this summer, with major sets at festivals like Wakarusa, RE:Generation, L.I.B. amongst a host of others. On his new Acid Crunk Vol. 4 compilation you start getting a feel for how diverse the ‘Glitch-Hop / Crunk’ music scene is, riding hand in hand with the growth of Dubstep and seen by many as ‘post-dubstep’. This isn’t Dubstep, Hip Hop, Wonky or anything usually packaged neatly for mass consumption. It’s an amalgamation of squashed neon-tinged futuristic bass music. All we can say is ... get ready! An-ten-nae is currently touring internationally in support of the compilation, keep your ear to ground for his shows in a city near you.
An-Ten-Nae is an entity possessing the human mind of one Adam Ohana, giving him the ability to transcend above the constraints of music rigidity and transmit bass heavy, crunked out beats of the highest order. His bar raising Live mix mashup compilations, “Punk Rock Country Hop” and “Acid Crunk Vol. 1” have set the standard and has defined an era with over 300,000 downloads to date. Picking up steam in 2009 Acid Crunk Vol. 2 & Vol. 3 maintained the # 1 seller in Dubstep, Electronica, Breaks and Chillout genres simultaneously while also having all 14 tracks in their respective genre top 10, as well as hitting the Top 10 Dance charts on iTunes. He is one of San Francisco’s most sought after DJs and live performers. He has taken the art of live remixing to new heights with his own customized setup, that bends genres in ways to suite his means.
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Mix n Blend are basically 3 people out of Cape Town that make electronic music, with a bunch of other musicians who we kind of stick on to our hopefully expanding and forward rolling musical ball with copious amounts of blue tack.
‘Look Mom, No Hands’, the debut album by Mix n Blend is being released in October, 2009 on African Dope Records. We were so delighted with it at Muti Music and with our friends at the Dope headquarters, that we signed a track by Mix n Blend and fellow Cape Town Producer ‘Narch’ to Muti Music in 2010 and had it remixed by some of the US west top producers, these guys will be around for a while with the quality of their productions.
The Republic of South Africa - where it takes a lot to satisfy everybody, and even more to satisfy a handful of people and where the hard and fast rule in music is to try one’s level best to slide seamlessly through influences, genres, tastes, preferences or whatever else makes people sit up and take notice these days. This is the approach taken by Cape Town’s fast-rising live DJ-trio Mix n Blend.
Experts in the art of “feeling” a crowd out, these three young Capetonian lads with an ear for a bassline and a funky beat have been busy honing their skills rocking residencies at top Cape Town clubs, with the likes of Fiction, Orchard Bank, Royale, Caprice, Jo’burg Bar and Die Mystic Boer over in Stellenbosch.
In between dropping sonic sets at places like The Assembly, Mercury Live, Zula Sound Bar, Gin, Baraza and well, you get the idea; the list goes on, longer than your arm and that of the guy selling plastic bags at the intersection combined with that of a Sasquatch (including the fluffy white hair).
Speaking festivals and the Oppikoppi massive was the first to taste the Mix n Blend live set, Rocking the Daisies followed suite, and of course, these premier SA music festivals have invited the boy’s right back time and time again. (Must be something in the music?)
So why is it that people all around the nation want to book these guys for DJ sets, live gigs, interviews, mix ups, mash ups, mastering sessions, production credits, collabs, cups of tea and genuine good times?
Why is it that Boom Monk Ben from Solid Steel Records UK has included numerous Mix n Blend tunes in his now famous Solid Steel Mixes? Why have they played at every premier SA music festival and in every club worth sneezing at? While we’re pondering these mysteries, how did they ever manage to play alongside such international pioneers in live electro as Q Bert, Freq Nasty, Krafty Kuts and Markus Intalex!
That’s what happens when you put a bunch of dedicated sonic artisans in a small room for a weekend. Professional to the dotted T and the “crossed eye”. That’s Mix n Blend.
The success of An-ten-nae’s Acid Crunk series has helped define more than a genre but a culture of freaky funk for the dancefloor.
This time round An-ten-nae picked Cape Town, South Africa based artists ‘Mix n Blend & Narch’ and then put the track through his own remix actions and got remixes by some of the US west coats most sought after artists of the moment, namely; Beats Antique, Dov, Mochipet and Random Rab. From the jazzed out instrumentation of Beats Antique to the hyphe glitch of Mochipet the effect is high impact and made for dancing.
Mix n Blend & Narch have been rocking festivals around South Africa from Oppikoppi to Rezonance and then keeping their local Cape Town scene funky and fresh with diverse beats.
Mix n Blend s debut album in 2009 ‘Look Mom, No Hands’, on African Dope Records was widely supported including Boom Monk Ben from Solid Steel Records UK including numerous Mix n Blend tunes in his now famous Solid Steel Mixes. 2010 also started hot for these young fellas with their dubstep crunk ‘Get Crunk Wit Jesus’ track getting signed to UK based Skanky Panky Records and selling well. The future is bright with Mix n Blend & Narch bringing us a little of that sunny South African heat.
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Sharps began writing beats in the mid 90’s as rave culture emerged in his birth town of Edmonton, Alberta. Inspired by these sweaty parties and the complex IDM of the time, he put together a studio rig and started making tracks, distributing casette tapes and cds. Rooted in a belief in the underground and cutting edge bass culture, he broke into the international scene in 2007 with his bomb “Nightwork”, a mutant crossover tune that got heavy play from the biggest DJs in the North American and UK bass underground. Since then he has continued to release top-shelf material for the bass music scene. Some of his highlight tracks from the last few years include Turbo, Girl Sweat, The Limit and My Little Pony - a remix of Ginuwine’s hit that went off the charts during the summer of 2009. His latest release “Tropical Bass” features a hybrid sound fusing latino dembo riddims with the west coast bass sound (available on http://www.addictech.com). Sharps is looking forward to his upcoming release “Bad Sister” on Muti Music, showcasing his new Future Garage/Dubstep tunes. As a DJ, Sharps’ sets are a colorful blend of originals, remixes and edits from across the spectrum of damn good dance music.
Sharps now resides in Vancouver, BC where he continues to create heavy tunes and manage Saedos Records (saedos.com), a label dedicated to cutting edge bass music.
Sharps is a Canadian artists pushing versions of Future Garage/Dubstep tunes to some funky and very fun places.
First introduced to us at Muti Music with his remix of ill.Gates & Meesha feat. Masia One - Irma Vep, we were eager to hear more and ‘Bad Sister’ is just what we needed to hear.
Sharps began writing beats in the mid 90’s as rave culture emerged in his birth town of Edmonton, Alberta. Inspired by these sweaty parties and the complex IDM of the time, he put together a studio rig and started making tracks, distributing cassette tapes and CDs. Rooted in a belief in the underground and cutting edge bass culture, he broke into the international scene in 2007 with his bomb “Nightwork”, a mutant crossover tune that got heavy play from the biggest DJs in the North American and UK bass underground. Since then he has continued to release top-shelf material for the bass music scene. Some of his highlight tracks from the last few years include Turbo, Girl Sweat, The Limit and My Little Pony - a remix of Ginuwine’s hit that went off the charts during the summer of 2009. His recent release “Tropical Bass” features a hybrid sound fusing latin dembo riddims with the west coast bass sound.
As a DJ, Sharps’ sets are a colorful blend of originals, remixes and edits from across the spectrum of damn good dance music. Sharps now resides in Vancouver, BC where he continues to create heavy tunes and manage Saedos Records (saedos.com), a label dedicated to cutting edge bass music.
We are honored to have such a quality group of established and emerging artists providing their own take on ‘Irma Vep’, the styles range from Glitch Hop, to deep Dubstep and a few other polyrhythmic versions in between, some feature the vocal and others chose the instrumental route, whatever your preference there should be a version for you.
In the past year, ill.gates (also known as The Phat Conductor), has remixed Si Begg on Noodles, Eprom on Addictech Recordings, Sub Swara on Low Motion Recordings co-produced and remixed DJ Dan with Robb G and released a highly acclaimed artist album ‘Autopirate’.
Meesha was first featured on ‘Autopirate’ and has since made a mark for himself in dubstep, one of his tracks was recently included on Starkey’s mix album, Starkbass, out on the Lo Dubs label.
Masia One is one of the most dynamic women in Hip Hop today, fostering a community of B-Girls and promoting independent Hip Hop in Toronto and abroad, you will be hearing a lot more from her on Muti Music.
Following up on past successes, we got some remixes done by some of the most dynamic emerging talent from Canada and USA in the dubstep and ‘glitch-hop’ scenes providing a good variety of vocal and instrumental mixes, many of which are already seeing huge support. This EP is being released along with a great new video of the original tune.
Special thanks to the video production team and artists at Tokyo based www.lightrhythmvisuals.com
Knowa Knowone has been pushing crunky midtempo breaks of all sorts for quite some time, featuring edgy bass driven beats, complex drum programming, strong melodies and vocal performances from some of the most secret lyricist weapons out of Oakland and strongly inspired by classic Underground and Hyphy Hip Hop.
He takes deep strides into this bold new territory with a visionary fusion of the whompy, dubstep bass sound that is driving the new movement, and tight, Hip Hop and Reggae flavors.
With releases on Street Ritual Recordings and Muti Music and previous collaborations with Sleepyhead and Mimosa, Knowa is no stranger to producing cutting edge beats.
On Sound Paintings Middle Eastern vibes, Hip Hop and Gypsy Folk music all become a unique mix of hoppy, earthy beats with glitch and bass thrown on them for good measure, taking a listener to some very friendly places.
Knowa Knowone has been pushing crunky midtempo breaks of all sorts for quite some time, featuring edgy bass driven beats, complex drum programming, strong melodies and vocal performances from some of the most secret lyricist weapons out of Oakland and strongly inspired by classic Underground and Hyphy Hip Hop.
He takes deep strides into this bold new territory with a visionary fusion of the whompy, bass driven sound that is fueling bass culture and tight Hip Hop and Reggae flavors.
With releases on Street Ritual Recordings and Muti Music and previous collaborations with ill.Gates, Mimosa and Sleepyhead, Knowa is no stranger to producing cutting edge beats.
Knowa Knowone had this to say about the new tunes:
“Qāri’ (Arabic: قَارٍئ, plural قُرَّأ qurrā) “reader” is a person who recites the Qur’an with the proper rules of recitation (tajwīd). The Quari is a meditative journey through the depths of rhythm and bass, guided by the voice of a female Quari, reciting an actual verse from the Qur’an.
Naked on Acid is my vision of painting with sound. It’s sounds, thoughts and textures drawn across the auditory spectrum with brushlike strokes, flowing into eachother and creating a synesthetic field to journey into. My recommendation: Sit down in-between your speakers, the stereo field, close your eyes and really listen. Video coming soon!
Fire on the Roof is my tribute to the roots of B-boy and HipHop culture. Unapologetic dance floor mayhem cut and spliced with classic hiphop bits and scratches. Yes, that’s me scratching on a Technics 1200, like we used to do in the old days.
Los Angeles based Quade, takes The Quari to the dancefloor. Groovy and heady.
Featuring Seasunz, Wiseproof and Wendy Love, with Amira Diamond on Violin. GlitchHop bass meets real underground HipHop sensibility. Lyrics with meaning, this is real music people!”
Some of our favorite takes / remixes of tracks from the ill.Gates album ‘Autopirate’, including contributions from Shen / Noah Pred, Stephane Vera, Si Begg, Knowa Knowone and Ribotto.
ill.Gates is a Toronto-based composer, performer and educator. Over the past 15 years, he has established a global fanbase and a reputation as one of the most dynamic electronic music artists around. He regularly tours across North America, Europe, Australia and Asia. Gates has headlined at such festivals as Burning Man, Shambala, the World Electronic Music Festival and the New Orleans Jazz Festival.
His first full-length release, Autopirate (Muti Music, 2008), reached #1 on many esteemed charts; and continues to sell strongly. Many of his contemporaries cite Gates (aka The Phat Conductor) as a key artistic influence and inspiration in their music. While on tour, Gates frequently teaches workshops to grateful and attentive audiences, in which he shares his highly effective approach to producing quality finished music as well as insights into the mentality and strategies necessary to succeed in the music business.
Symbiosis Gathering in it’s 5th year has become a unique festival in Yosemite California featuring leading artists in a broad range of music styles including House, Electro, Dubstep, Breakbeat to Jamtronica and performance art groups like The Yard Dogs, artist Andrew Jones visual art project called, Phadroid and live painting by Alex Grey.
This year they contacted Muti Music to help put together a compilation featuring some of the stars and rising stars of the 2009 gathering and the result is nothing short of spectacular, Muti staples like An-ten-nae, Heyoka and Knowa Knowone are featured along with the likes of Eskmo, Beats Antique, Worthy and Goddess Alchemy Project, the compilation also features the debut release from Mimosa’s one side project with Sleepytime called, SexyTime. Pop it on and get ready for a diverse journey into festival style electronica.
“Free Energy” puts all the elements of the recent midtempo breakbeat revival on display, featuring edgy bass driven beats, complex drum programming, strong melodies and vocal stylings inspired by classic Underground and Hyphy Hip Hop. It takes deep strides into this bold new territory with a visionary fusion of the whompy, dubstep bass sound that is driving the new movement, and tight, Hip Hop and Reggae flavors.
Knowa KnowOne’s title track “Free Energy” features sacred spoken words from Wiseproof, Firewater, New Eon and the ever-conscious flow of Seasunz, from the group Wisdom, most recently featured on Bassnectar’s “Underground Communication” . Ethnic and indigenous rhythms are blended and syncopated to finely tuned breaks, beats and bass throughout the EP, which also includes a collaboration with one of Muti’s recently successful artists, Mimosa, on the track ‘Incantation’. For all the DJs out there, the A’capella version of “Free Energy” is available.
What Knowa KnowOne delivers is a head-nodding hiphop lover’s perfect trip. You can also find productions by Knowa KnowOne and his collaborative project “KnowSleep” on Street Ritual Recordings, featuring Downtempo, Chillout and Instrumental Hip Hop.
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Ana Sia’s love of electronic music combined with an innate understanding of the value of dance to the human soul collectively fuse to create unforgettable sets of experience, whether she is slamming spots in her hometown of San Francisco or taking her turn in the forests of music festivals around the country. Ana Sia
Ana’s energetic delivery of brain-fazing beats has earned the Princess Slay-ah an important spot in pioneering the West Coast future sound movement. She will take you on a musical expedition into the deepest reaches of your brain, as she masterfully blends a wide spectrum of rhythms with a beautiful fluidity and a delicate sensibility, giving the dance floor a delightful ride that ends at the corner of bliss and oblivion.
Uniting the best elements of dirty dubstep, grimy glitch, and her personalized blend of “global slut psy-hop,” Ana Sia’s sets confirm crunk status of all who dare enter into her seamless world of sound.
Bookings: .(JavaScript must be enabled to view this email address)
To experience her DJ is to experience an individual clearly being herself within a musical state, and doing so while creating sound that inescapably slays the dancefloor. - Big Up Magazine
Muti Music is overjoyed to announce the release of Ana Sia’s debut EP, ‘International Profile’.
Not many DJs get magazine feature articles before their debut releases have ever materialized, however if you’re making enough impact on a scene and culture with your DJ touring as Ana has, then it’s not such a surprise. Uniting the best elements of dirty dubstep, grimy glitch, and her personalized blend of “global slut psy-hop.” Ana Sia’s sets confirm crunk status of all who dare enter into her seamless world of sound.
‘International Profile’ shifts between straight up Hip Hop, Dubstep and Grime influences and maintains a sexy humanist feel. A few of the tracks are collaborations with our ‘master of all things Ableton’, Mr. ill.Gates and they deliver on all accounts as expected, ‘Extraordinary Rendition’ has already been a hit at festivals this summer.
Ana Sia’s love of electronic music combined with an innate understanding of the value of dance to the human soul collectively fuse to create unforgettable sets of experience, whether she is slamming spots in her hometown of San Francisco or taking her turn in the forests of music festivals around the country.
Ana’s energetic delivery of brain-fazing beats has earned the Princess Slay-ah moniker an important spot in pioneering the West Coast future sound movement. She will take you on a musical expedition into the deepest reaches of your brain, as she masterfully blends a wide spectrum of rhythms with a beautiful fluidity and a delicate sensibility, giving the dance floor a delightful ride that ends at the corner of bliss and oblivion.
We are honored to have such a quality group of established and emerging artists providing their own take on ‘Irma Vep’, the styles range from Glitch Hop, to deep Dubstep and a few other polyrhythmic versions in between, some feature the vocal and others chose the instrumental route, whatever your preference there should be a version for you.
In the past year, ill.gates (also known as The Phat Conductor), has remixed Si Begg on Noodles, Eprom on Addictech Recordings, Sub Swara on Low Motion Recordings co-produced and remixed DJ Dan with Robb G and released a highly acclaimed artist album ‘Autopirate’.
Meesha was first featured on ‘Autopirate’ and has since made a mark for himself in dubstep, one of his tracks was recently included on Starkey’s mix album, Starkbass, out on the Lo Dubs label.
Masia One is one of the most dynamic women in Hip Hop today, fostering a community of B-Girls and promoting independent Hip Hop in Toronto and abroad, you will be hearing a lot more from her on Muti Music.
Following up on past successes, we got some remixes done by some of the most dynamic emerging talent from Canada and USA in the dubstep and ‘glitch-hop’ scenes providing a good variety of vocal and instrumental mixes, many of which are already seeing huge support. This EP is being released along with a great new video of the original tune.
Special thanks to the video production team and artists at Tokyo based www.lightrhythmvisuals.com
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E.V.A.C. (aka. Jeremy Goldstein) the hosts and initial creators of Nubreaks.com. Their 12″ on Napzzz put them in the public eye and their release on Muti put them in every top jocks record bag from Andy Weatherall, Radioactive Man, Bass Junkie, Scape One and Dexorcist to Tipper, Phil K and a host of other breaks DJs. EVAC specialize in intricate rhythm structures and soundscapes, giving them a versatility that is hard to equal either on the dancefloor or as ‘listening’ music. They do deal out heavy doses of Bass frequencies that Electro and breaks junkies alike love.The musical collaboration between Ed Hickey and Jeremy Goldstein began over 5 years ago when the two founded Quadrant5 Studios. Quadrant5 was created as an outlet for personal and commercial audio projects such as internet, broadcast and film. Since it’s conception Quadrant5 has been succcesfull in both fields; winning two Omni Awardsand numerouspostive reviews in international publications.Listen: Live and DJ sets at Quadrant5 Studios
The first of two CD’s compiling all the Muti Music catalog from the first three years, this one including two previously unreleased remixes of Kemek The Dope Computers track ‘Angel Dust’, the remix by Odeed is a grime influenced track featuring chunky bass stabs and a very funky groove.
The release also features artwork from an image by one of our favorite visual artists, Mark Holthusen.
Urb Magazine: Wicked electro is the name of the game on this beauty. The programming on both tracks is tight and tasteful. “Ground Attack” is a full-on floor assault with its bubbly syncopation, incessant bass line and slick beats. Just when you thought it was safe to resume your wallflower status, “Contortion” hits with dark-step beats, mangled bass drops and a snare drum to rattle the fillings in your teeth._Uberzone
BPM Magazine: Muti Music’s strong track record (Future Funk Squad and Ant*ten*nae) continues and earns them our feature of the month. Ed Hickey and Jeremy Goldstein are EVAC and their musical passion shows. Electro breaks. It’s booming, it’s intricate, it’s dark, it’s hard hitting. Sure to please fans of Tipper, BLIM, Jackal and Hyde. 5/5 _Simply Jeff
Lotus: E.V.A.C. are the hosts and creators of Nubreaks.com; a top destination on the webfor the breaks community and are set to take off in a big way this year. They have also just finished an remix for Dave Tipper and Mike Wallis (Crunch) and this 12″ on Muti will put them on many a bass fans top 10 list. My favorite track here is ”Ground Attack, a solid roller guarenteed to shake the dance floors to submission. Do not miss this release.

Mad Zach’s sound is the product of a sinister lab experiment dealing with psychedelics and circuitry. The goal was to externalize the organization of the universe into a complex series of resonances in order to unlock inter-dimensional portals and open minds. Yet from the ruins of ancient wisdom and future bound circuitry an inexplicably dark frankenbot was resurrected. It marches to the off beat of the lucifer rebellion, backed by a mutant army of lost souls. In his twisted laboratory, Mad Zach creates chemically synthesized microcosms of inter-gallactic audio secrets that cause ripples and folds in the space time continuum. The result is textural, spectral, and riddled with lobe cracking impulses and subharmonic body thwaps. In short, Mad Zach delivers a truly visceral and one of a kind audio experience that shakes the dancefloor as much as it elevates spirits into the ether.
His highly anticipated live performances integrate an armada of custom built midi controllers and live hardware to deliver the purest frequencies to your brain.
Prepare to be melted.
“I remember his album ‘Wolf Spiders’ with R2 The Specialist, conceiving everything at once and redefining what could be done with Dubstep, Techno, Funk, Breakbeats, Crunk and pretty much anything else for that matter.”
“Mad Zach and his elaborate MIDI controllers define what Glitch Hop is about, taking performance and production hardware and software and fuzing influences from everywhere and creating a new alien funk that is as twisted as it is contagious.”
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Mad Zach’s sound is the product of a sinister lab experiment dealing with psychedelics and circuitry. The goal was to externalize the organization of the universe into a complex series of resonances in order to unlock inter-dimensional portals and open minds. Yet from the ruins of ancient wisdom and future bound circuitry an inexplicably dark franken-bot was resurrected. It marches to the off beat of the lucifer rebellion, backed by a mutant army of lost souls. In his twisted laboratory, Mad Zach creates chemically synthesized microcosms of inter-galactic audio secrets that cause ripples and folds in the space time continuum. The result is textural, spectral, and riddled with lobe cracking impulses and subharmonic body thwaps. In short, Mad Zach delivers a truly visceral and one of a kind audio experience that shakes the dancefloor as much as it elevates spirits into the ether.
His highly anticipated live performances integrate an armada of custom built midi controllers and live hardware to deliver the purest frequencies to your brain. Prepare to be melted.
“Wolf Spiders” is a full length collaborative album from Mad Zach & R2 The Specialist that delves into experimental realms and then delivers some thumping Dubstep, Techno, Funk, Glitch Hop and everything in between.
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As a special gift and introduction to Klone :
- Download This Free Tune - Klone - Throwback
Klone:”As a small child I was blown away by Herbie Hancock’s “Rockit” and have been in love with electronic music every since.”
Our second new signing to Muti Music of 2009 is also our second south US based producer and he’s already receiving comparisons to another southern US based producer , i.e. Bil Bless AKA SOTEG / Disciple Grin .
Klone hails from a southern industrialist city, Birmingham Alabama, named after it’s UK counterpart and providing the ideal environment for urban expressionist music that is both melancholy, post apocalyptic and funky enough to move a dancefloor.
Klone has taken full advantage of this environment producing edgy music with synth leads that are both melancholy and pretty, sitting over tough beats and basslines that growl as much as they whomp and groove.
Following in a tradition of Muti artists who don’t stick to one tempo, Klone supplies four flavors that will fit right in with your 90 - 120 BPM collection.
Klone’s debut EP ‘The Push Effect’ is out on promo and exclusive rounds now and will be available everywhere in June 2009.
Grabbing his first turntables around 1999 being really into breaks, electro then garage and progressive breaks and then developing a growing love of glitchy breaks and dubstep. Klone also draws on influences from early techno 91′-92′era (Altern 8, Prodigy, Moby, Acen, Eon, KLF, Apotheosis) and BASS driven music like Dynamix II & Magic Mike.
Keep your ears peeled for a lot more from Klone in the near future.
Klone created a stir in the ‘glitch-hop’ and breakbeat / electro bass scenes in 2009 with his release ‘The Push Effect’ and follows up with an early release here in 2010 slamming his glitchy and bass influences together with his own take on Dubstep.
Klone hails from a southern industrialist city, Birmingham in Alabama, named after it’s UK counterpart and providing the ideal environment for urban expressionist music that is both melancholy, post apocalyptic and chunky enough with bass to move a dancefloor.
‘Dubconstep’ is a bass driven dubstep journey full of whomps, wiggles and great synth leads that in true ‘Klone’ fashion are bittersweet at times and epic on others. - For fans of Rusko, Caspa, Datsik, Bassnectar
Bass heavy breakbeats of varying tempos accompanied by great synth leads and crunky grooves, this is Klones debut EP and he makes quite an impression with strong support coming in fast on this one
Kether are no strangers to the performance limelight, already having dominated the Los Angeles underground warehouse and art music scenes and also being considered THE act to bring in to fill the bill when acts like Shpongle or Tipper come to town. Kether took their act on the road this year and their gigs have included rocking the Do Lab stage at Coachella.
Who is Kether
Kether is made up of two groundbreaking West Coast based producers known as, Ruff Hauser and Stephan Jacobs, who write, breathe, create & produce music. Kether’s music is composed using analog hardware & software, creating an organic-electric live sound scape feel within its airwaves.
What is Kether
Kether is based on the idea of two opposite spectrums of sound, coming together to form one in unison. The word ‘Keter’ means crown in Hebrew. Kether is best described as pure consciousness, beyond all categories, timeless. This omnipresent state of mind, formed by two elements of dark and light, creating a neutral ground for sound waves to flow.
* Marine Layer by Kether is outnow at all major digital retailers
Since their debut on Muti Music, KETHER has toured the US west coast and dominated the Los Angeles underground warehouse and art music scenes.
Their gigs have included rocking the Do Lab stage at Coachella, playing alongside Tipper and Shpongle and lead time slots at Norcal festivals like Stilldream and Priceless.
Their second release, appropriately titled ‘Layer Two’ is a blend of Progressive thinking music with hard urban sounds produces a unique fusion of glitched out beats drawing on influences including Minimal, Progressive House, IDM, Dubstep, Breaks and Glitch Hop and also including many ethereal, organic textures that are both melancholy and very beautiful at the same time.
Kether is made up of two groundbreaking West Coast based producers known as, Ruff Hauser and Stephan Jacobs, who write, breathe, create & produce music. Kether’s music is composed using analog hardware & software, creating an organic-electric live sound scape feel.
Marine Layer now comes out having been tried and tested as a live set and is primed for maximum effect. The music on Marine Layer is a unique fusion of glitched out beats drawing on influences including Minimal, Progressive House, IDM, Dubstep, Breaks and Glitch Hop and also including many organic textures that will please many.
It started out as sharing parts to some tunes and LayerZ remixing a tune by Los Angeles based group ‘Kether’ (Tim Ruffhauser and Square-1) and resulted in a conceptual EP using the sound palette to create three distinctively different evolutions of the same sounds.
LayerZ production style has always caught peoples ears with his special gift of sound design and evolving sound spaces, so expect to see a lot more similar experiments in the near future.
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What started out as an introduction and a remix project turned us ‘on’ to one of Canada’s rising stars of bass driven crunky beats in the form of “Subvert’.
His tracks have been doing promo rounds and have made regular appearances in the sets of Bassnectar, Ill Gates (The Phat Conductor) & Dov amongst others.
Subvert hails from Calgary, Alberta and his winding path in music started in 1996. Proof of his dedication to ‘Bass’ is in his track record of creating the world’s loudest competition vehicles, designing pK’s 90,000 watt sound system and managing the Village Stage at Shambhala Music Festival.
He started DJing in 2000 and combined with his extensive work on sound systems and attention to precision sound, he was ultimately & naturally led down the path to creating his own music productions and once again the low frequencies consumed him. Subvert’s sound is a combination of throbbing, relentless basslines, melodic strings and haunting pianos singing through midtempo glitch / acid crunk and dubstep. His attention to detail and the ability to tune into ‘bass that works’ can be felt in all of his music productions, he is an expert in the subsonic, the crowd and the show.
The past year has truly seen the emergence of Subvert as a recording artist, with a slew of new releases in the first half of 2008:
‘Subversion’ and ‘No Smokey Ganja’ on Rottun Recordings,
‘Bigtsteppa’ on Punch Out
and a recent remix of the Ill Gates smasher ‘Sweat Shop’ upcoming on Muti Music.
We are stoked to announce the forthcoming ‘Dirt Nap’ EP in addition to the ‘Sweat Shop’ remix coming out on Muti Music, the EP will include the tracks; ‘Size Matters’, ‘Curb Stomper’, ‘Dirt Nap’ and ‘Pump et Up’.
It’s all about the bass…..
You can download Subvert recent promotional mix which includes edits of many of these tracks below.
Download Subverts promo ‘Dirt Mix’ (95MB MP3 Download)
We’ve gathered a collection of who’s-who from the Canadian and US Glitch Hop and Dubstep scenes that each deliver a unique remix as well as adding extra melody and flavor to Subverts anthem track ‘Speaker Humpin’. Four versions were heard on the Village Stage at this years Shambala Music Festival by a few thousand bass addicts and mosh pit revelers.
The mixes take you through multiple aspects of contemporary bass culture and if bass is your thing then there is a version for you.
About Subvert
Subvert hails from Calgary, Alberta and his winding path in music started in 1996. Proof of his dedication to ‘bass’ is in his track record of creating the world’s loudest competition vehicles, designing pK’s 90,000 watt sound system and managing the Village Stage at Shambhala Music Festival. He started DJing in 2000 and combined with his extensive work on sound systems and attention to precision sound, he was ultimately & naturally led down the path to creating his own music productions and once again the low frequencies consumed him.
Subvert’s sound is a combination of throbbing, relentless basslines, melodic strings and haunting pianos singing through midtempo glitch / acid crunk and dubstep. His attention to detail and the ability to tune into ‘bass that works on a sound-system ’ can be felt in all of his music productions, he is an expert in the subsonic, the crowd and the show.
Subvert’s ‘Dirt Nap’ EP rocked the Addictech and Beatport ‘Grime / Dubstep’ charts and lead to him being featured in XLR8R magazine and radio play on multiple urban music shows, his Speaker Humpin EP on Muti Music and Party Alarm EP on Rottun Recordings blurred boundaries between edgy Dubstep, Glitch Hop and Big Beat. Also having released on Punch Drunk and Rottun Recordings, this artists talent has been noted.
Last year was a big year for Subvert releasing on Muti Music, Punch Drunk and Rottun Recordings. His ‘Dirt Nap’ EP rocked the Addictech and Beatport ‘Grime / Dubstep’ charts and lead to him being featured in XLR8R magazine and radio play on multiple urban music shows.
This year appears to be an even hotter one for Subvert with a US & Canada tour and major festival bookings and this all new 4 track EP that will rattle a building off it’s foundations if given half the chance.
Subvert hails from Calgary, Alberta and his winding path in music started in 1996. Proof of his dedication to ‘bass’ is in his track record of creating the world’s loudest competition vehicles, designing pK’s 90,000 watt sound system and managing the Village Stage at Shambhala Music Festival. He started DJing in 2000 and combined with his extensive work on sound systems and attention to precision sound, he was ultimately & naturally led down the path to creating his own music productions and once again the low frequencies consumed him. Subvert’s sound is a combination of throbbing, relentless basslines, melodic strings and haunting pianos singing through midtempo glitch / acid crunk and dubstep. His attention to detail and the ability to tune into ‘bass that works on a sound-system’ can be felt in all of his music productions, he is an expert in the subsonic, the crowd and the show.
“A crunchy little bass driven midtempo monster that is currently exclusive and top selling EP on Addictech.”
Known for crunchy midrange bass and huge sub frequency drops, Subvert’s tracks have been doing promo rounds and have made regular appearances in the sets of Bassnectar, Ill Gates (The Phat Conductor) & Dov amongst others.
Excision collaborates with Subvert on the title track which exemplifies the newer fusion of dubstep, grime and hip-hop tempo’s with the dubstep aesthetic resulting in a pumped up bass driven dancefloor mayhem. The EP delivers whompy bass and big drops abundantly and will definitely makes those sub woofers work.
Dov says,” I’ve been dropping Subvert’s ‘Pump et Up’ and ‘Dirt Nap’ tracks all spring and summer, since I first got the demo and it’s been one of those ones that always seems to work, almost like a sure thing for the floor in my CD book.”

Nanda was first featured on the Muti Music compilation ‘Clipping Paths’ with his track ‘As We Let Go’ being one of many fan favourites on the CD. Keep your ears to the ground for a lot more from Nanda on Muti Music this year with styles ranging from dubstep, midtempo / glitch-hop to rolling electro breaks.
Nanda Bio: Mr. Nicholas Grabenstein, better known as Nanda to his closest peers of family members, artists, musicians, peace promoters, transcendentalists, devotees, yogis, rastas, hippies, dancers, lovers, non-haters and mischief makers, has been musically influenced from a very young age. Cutting edge sounds of early Moog and Roland synthesizers, as well as an innate understanding of percussion, made the love of computer based music making come naturally. His inspiration continues to be fueled with the complete sentiment of how music touches so many people and is motivated to spread this positive vibe through his music making. Currently residing in Santa Cruz Ca., he is busy working on future developments to dose the world with abstract tones of audio psycadellia. Vast musical influences range from IDM and Breakbeat, to Dub and World Fusion. In today’s fight against the dark forces, and using music as the weapon, there is no plan on slowing this ship down.
Booking: nanda@audiotalker.com
http://www.Myspace.com/soundofnanda
Nanda is fast becoming known as one of the US west coasts bass maestro’s with his track ‘Yoda Knowledge’ being the # 1 in annual sales on Addictech in 2009 and also featuring prominently on Beatport and Juno Download charts.
On Cry Of The Ages, Nanda gives us uplifting techy Dubstep in Dub Stomp and BlessuP , elevated synth driven downtempo in My Offering To You and uplifting tripped out world beats in a collaboration with Abai and then progresses into an experimental plethora of influences.
Mr. Nicholas Grabenstein, better known as Nanda to his closest peers of family members, artists, musicians, peace promoters, transcendentalists, devotees, yogis, rastas, hippies, dancers, lovers, non-haters and mischief makers, has been musically influenced from a very young age. His inspiration continues to be fueled with the complete sentiment of how music touches so many people and is motivated to spread this positive vibe through his music making. Currently residing in Santa Cruz Ca., he is busy working on future developments to dose the world with abstract tones of audio psychedelia. Vast musical influences range from IDM and Breakbeat, to Dub and World Fusion. In today’s fight against the dark forces, and using music as the weapon, there is no plan on slowing this ship down.
Nanda is fast becoming known as one of the US west coasts bass maestro’s with tracks like his ‘Yoda Knowledge’ being the # 1 seller on Addictech for 2009 and also featuring prominently on Beatport and Juno Download charts. So once again we’ve got some heavy bass driven beats, this time Nanda drops an experience of deep beats occasionally filled out with tribal vocals, light atmospheric accents and overall driven by textured basslines.
Nanda typically dips into multiple influences and emerges with something broken in beats and flirting with Dubstep, Grime, Garage, Electro Bass and Downtempo music genre classifications. The result is something that pushes a few edges technologically and somehow retains a sense of worldliness.
Nanda is fast becoming known as one of the US west coasts top bass maestro’s with his prior releases doing well in Dubstep / Grime charts as well as in Chillout. Once again he has graced us with a blessing of bass for our subwoofers.
Nanda typically dips into multiple influences and emerges with something broken in beats and flirting with Dubstep, Grime, Garage, Electro Bass and Downtempo music in genre classifications. The result is something that pushes a few edges technologically and somehow retains a sense of worldliness. In Nanda’s music it’s common to catch samples of Didgeridoo, Ood and ancient chants amongst other strings and organic instrumentation all in tracks that have some of the most crunchy Electro Breaks grooves and the result is an intense ecstatic dance experience waiting to happen.
Nanda’s new track - ‘High Heals Not Allowed’ has already seen comparisons to Lawgiverz, Nubreed and Jnr. Hacksaw and his unmistakable Santa Cruz and Hawaii vibe come through strongly in his chill and midtempo compositions. We were honored to have Nanda back for more following the success of his track ‘As We Let Go’ on our ‘Clipping Paths compilation. ‘Somewhere Between Worlds’ covers a broad range of sounds from midtempo and dubstep to grimey electro bits, always present with a little bit of glitch for color
Outstanding listening! Clipping Paths provides deep urban vibes, bass-driven tribal mid-tempo, trip hop and ‘glitch-hop’ that will also rock most dancefloors. The last few tracks take you into deeper territories providing a luscious ending for the CD.
Muti Music is known for finding new and unique talent, this compilation features the Muti roster and closely related artists who are also emerging on labels like Interchill, Cyberset and Native State.
Clipping Paths is a compilation showcase of the sounds that are moving the west coast at the moment as well as many other areas around USA, including small pockets in Colorado, Texas, Oregon and New York.
The CD ranges from deep urban vibes from Suff-x, Undecided and Vibesquad, to ethereal bass-driven tribal midtempo and Trip Hop from an-ten-nae, Nanda, KiloWatts, Timonkey and Dov, to a crunky mixed genre mid-tempo track from Ooah, that is sure to rock most dancefloors, but deep enough at the same time to prove the perfect segway heading into the deeper territories of IDM, Leftfield and Nugaze inspired tracks from Audiovoid, Kraddy and Slidecamp ending the CD in a very warm and luscious space.
Many of the styles featured have been growing in popularity and seeing large exposure with the emergence of a similar musical tastes in scenes growing in Berlin, San Francisco, London and even Cape Town. This ‘newer’ sound has partially been an homage by producers to the Hip Hop and Big Beat along with early experimental electronica that they loved in the nineties and bootlegging the hyphe and crunk of the new millennium with the new digital tools and a new production based prowess.
Muti Music is known for finding new and unique talent, this compilation features most of Muti’s regular roster and then a group of closely related artists that we are feeling, who are also emerging on labels like Alpha Pup, Interchill Records, Dirtybird and Native State.
This compilation is as fun for a manic dancefloor stomp, a come-down session, a groove and a mingle, a fire warmed cabin or even a walk on the beach.

Taken from the arcane taoist term for ‘refined energy’ or ‘depth’, Shen is Noah Pred’s outlet for low-tempo explorations of forward-thinking computer music.
Producing dance music and performing live for the past ten years, Noah Pred emerged from Vancouver’s underground as a sought-after Techno DJ with a sophisticated sound and unique style. Devoted to authentic and soulful strains of Techno in all its permutations, Noah’s sound continues to evolve while remaining firmly driven by the dancefloor.
Shen emerged as a new production project by Noah in 2004 and has taken his music in many new directions, honing his craft through sets performed alongside the likes of Monolake, Deadbeat, Shulman, Lusine, and Bluetech, his unique interpretation of the downtempo genre rapidly evolved into a distinctly recognizable sound. incorporating elements of Electro, Dub and Minimal Techno.
Some of our favorite takes / remixes of tracks from the ill.Gates album ‘Autopirate’, including contributions from Shen / Noah Pred, Stephane Vera, Si Begg, Knowa Knowone and Ribotto.
ill.Gates is a Toronto-based composer, performer and educator. Over the past 15 years, he has established a global fanbase and a reputation as one of the most dynamic electronic music artists around. He regularly tours across North America, Europe, Australia and Asia. Gates has headlined at such festivals as Burning Man, Shambala, the World Electronic Music Festival and the New Orleans Jazz Festival.
His first full-length release, Autopirate (Muti Music, 2008), reached #1 on many esteemed charts; and continues to sell strongly. Many of his contemporaries cite Gates (aka The Phat Conductor) as a key artistic influence and inspiration in their music. While on tour, Gates frequently teaches workshops to grateful and attentive audiences, in which he shares his highly effective approach to producing quality finished music as well as insights into the mentality and strategies necessary to succeed in the music business.
Lost Hopes continues where his past successes left off but adds the recent influences of Glitch Hop and Dubstep into Shen’s production style. The EP is stylistically suitable for those introspective moments at home as well as a good ‘techno inspired’ bounce on the dancefloor.
Shen also has tracks that have appeared on ‘Leftcoast Liquid Vol. 1′, ‘Floating Point 3′ and Various Green Samurai Clan compilations, his previous full-length album, ‘Outlines’ was released in December 2006 on Native State Records to high acclaim.

From an early age inaudible had a passion for music and badly tailored suits, the former being a blessing in disguise as, born with a speaker for a head, he was never going to get a job as a Librarian or Taylor. And so, for no other reason than to pad out his Biography and fulfil his love for writing about himself in third person tense, inaudible set out on the long road to becoming a superstar musician.
Starting as he meant to go on inaudible landed his first major gig at the Birth of Christ, after getting much respect from Joseph and Mary (Mary in particular, giggedy giggedy) inaudible decided to get his head down in the studio and work on his production for a casual 20 Centuries or so.
After spending such a long time away from the limelight inaudible found himself hungry to get out there and threw himself back at the scene with a whole host of high profile gigs including warming up for Martin Luthor’s infamous ‘I have a dream’ speech and playing in-between rounds 2 and 3 of the Tyson- Holyfield ’ear incident’ fight. Incidentally during that same period inaudible became the first person to DJ on the moon, Armstrong pulling some mean moonwalks to Inaudible’s bassline bombs.
‘ … energetic and unrelenting, glitched out breakbeats with big drops and a lot of drive.’
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Kemek The Dope Computer has been making music for a long time, from producing as 303 Terrorists, DTS, and Deeper Than Space on Silent Records in the mid nineties, to later being signed to Muti Music in 2002 and going on to record for Airdog, Bedrock Breaks, Irreversible, Moving Target and Sponge Recordings . His breakthrough success in the emergence of tearout and nuskool breaks established him to a point where he was commissioned for some high profile remixes including remixing the legendary ‘My Life With The Thrill Kill Cult’
Kemek is a truly gifted producer known for succeeding in whatever genre seems to catch his fancy at any given time, as Deeper Than Space, his ambient solo project, he was able to explore the more drone-based side of music as well as play a number of live gigs. Kemek and Hak paired up for a second time in 1997 to record “Dark Victory” under the name Gundam for XLR8R Records’ “Bad Breaks” compilation. The track was one of the first tech step drum and bass tracks released in the United States.
After moving from his native San Francisco to Los Angeles in 2001, Kemek threw himself full-time into breaks. Music production and DJing took precedence and soon he was able to launch Dope Computer Records. The first release, “Future Modular”/”Are You Now?” was a success, leading to the release of “Angel Dust”/”Room To Breathe” on San Francisco imprint Muti Music as well as the remix EP, “Remixing The Dope Computer.”
Kemek now resides just outside of San Francisco once again after living in Japan for a few years, there composing experimental delights that will still be emerging to the public, so keep your ear to the ground for more from Kemek in the near future.
Kemek is back again after his outings in experimental music and dubstep last year on ‘Sine Language’ and ‘Certain Frequencies’ gaining new attention for him as an artist. His downtempo experimental output gained attention with ‘Certain Frequencies’ being licensed to chillout compilations and played on Radio and Podcasts extensively.
He now delivers an experimental chillout album featuring sounds that take us back to Kemek’s roots in the nineties and field recordings that takes a listener to Kemeks stays in Japan and his battles with tinnitus. The journey is melancholy at times and otherwise gentle and uplifting.
Kemek was Muti Music’s debut artist back in 2002 and went on to become quite a name in Breakbeat, releasing on Bedrock Breaks, Air Dog, Sponge Recordings amongst others and also remixing ‘My Life With The Thrill Kill Kult’ for release on Red Ant & Studio !K7. He had also recorded music as 303 Terrorist on Silent Recordings in the nineties.
Earlier this year Kemek re-surfaced from stays in Japan (with a few gigs
alongside the likes of Hyper) and ongoing battles with tinnitus and released
his deconstructionist look at Dubstep on the EP ‘Sine Language’ gaining
new attention for him as an artist.
He now delivers ‘Certain Frequencies’, the title track is an exquisite
voyage that leads the way on a journey that just get’s more ethereal in
nature and then deeper still, until you reach the sludgy depths of ‘Lord
Tangs’ remix of Seeding The MIDI Cloud.
Kemek was Muti Music’s debut artist back in 2002 and went on to become quite a name in Breakbeat, releasing on Bedrock Breaks,
Air Dog, Sponge Recordings amongst others and also remixing ‘My Life With The Thrill Kill Kult’ for release on Red Ant & Studio !
K7.
It is evident on the EP that Kemek has maintained his sensibility for urban music and strong roots dating back to classic rave music of
the nineties, when he composed for Silent Recordings as 303 Terrorist. _______________________________________________________________
We’re very happy to re-introduce an artist who was our debut release back in 2002 and went on to become quite a name in Breakbeat, releasing on Bedrock Breaks, Air Dog, Sponge Recordings amongst others and also remixing ‘My Life With The Thrill Kill Kult’ for release on Red Ant & Studio !K7.
Kemek has since dropped ‘The Dope Computer’ part of his name and re-surfaced from stays in Japan (with a few gigs alongside the likes of Hyper) and ongoing battles with tinnitus. Now his musical journey continues with a deconstructionist look at Dubstep on the appropriately named EP ‘Sine Language’.
It is evident on the EP that Kemek has maintained his sensibility for urban music and strong roots dating back to classic rave music of the nineties, when he composed for Silent Recordings as 303 Terrorist. His evolution as a producer is evident as he allows space for sounds and grooves to evolve from simple beginnings and the results are very effective.
Artwork by: Noah Hanlon
The first of two CD’s compiling all the Muti Music catalog from the first three years, this one including two previously unreleased remixes of Kemek The Dope Computers track ‘Angel Dust’, the remix by Odeed is a grime influenced track featuring chunky bass stabs and a very funky groove.
The release also features artwork from an image by one of our favorite visual artists, Mark Holthusen.

Timonkey (aka Tim Donlou)
Equally at home hanging from a tree branch or bouncing off concrete, Santa Cruz’s Timonkey (Tim Donlou) fuses organic and synthetic elements together in order to bridge the worlds of nature and technology:
Timonkey says, “Branching patterns, mineral lattices, geological timescapes - the living earth is as much an influence on my music as King Tubby, Bernie Worrell, or Steve Reich ever were.”
From its roots in dub, funk and ambient music, Timonkey’s sound has been evolving further into the synthetic realms of midtempo glitch.
He crafts his tracks using a combination of found sounds, analog synths, live instruments, and software wizardry, all from under the shade of the ancient redwoods. Influenced by years of collaboration with the 13 Moontribe, Raindance, and Nexus crews, he brings a unique flavor to the West Coast underground.
Muti Music released his instant classic sounding trip-hop / downtempo album “Mammals on the Brink” in the Fall of 2007 and 2008 has seen the emergence of Timonkey as a production force to be recognized, his 2008 ‘Cerulea’ album will be turning heads for quite some time.
quotes re: “mammals on the brink”
“theyz sum sexy ass jamz in that joint:- Bassnectar (OM Records, US)
“a dubwise, funky + fresh album” - DJ Porky (Pork Records, UK)
“Cactus Highrise” is the latest release from Timonkey in his ongoing quest to bring the dreamtime back to the dancefloor.
“A festival sunrise over the beach, forest or desert, a walk in the park, or a glass of wine and a book, Timonkey’s music is the sort of downtempo / chillout music that makes gentle moods, soft vibes and simple moments all the more beautiful. ”
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10 years ago, Timonkey climbed a massive Redwood tree that towered above a renegade party in the Santa Cruz mountains. As the sun rose, he received the inspiration for what has been his mission ever since: to make the best sunrise music ever. Delivering a proper morning set is a delicate art: the dancers need strong energy to keep going, but they are also craving something different by this point in the experience. Timonkey is one of the few DJ/Producers who specialize in providing this “something different” that can give a long night of rave and revelry the closing ritual it deserves.
During his years of experience as a DJ/Producer, Timonkey has shared the stage with the likes of Tipper, Vibesquad, Kraddy, Random Rab, as well as Muti Music label mates Ill Gates, Mimosa, and Heyoka. All name-dropping aside, he has reached the elusive goal of a “signature sound”: chopped vocals, analog keyboards, field recordings and airy textures alongside massive bass and glitched out beats. Beyond the technical elements, his tracks have an unmistakable vibe all their own: a dreamy, heart-felt quality that makes a delightful treat for party-goers who make it to the dawn.
“Astral Traveler” is the latest release from Timonkey in his ongoing quest to bring the dreamtime back to the dancefloor.
4 new tracks for today’s discerning bass lover.”
“Astral Traveler is deep, funky and uplifting; perfect for any evening or morning preferably with sunrise or sunset involved.”
Timonkey
10 years ago, Timonkey climbed a massive Redwood tree that towered above a renegade party in the Santa Cruz mountains. As the sun rose, he received the inspiration for what has been his mission ever since: to make the best sunrise music ever. Delivering a proper morning set is a delicate art: the dancers need strong energy to keep going, but they are also craving something different by this point in the experience. Timonkey is one of the few DJ/Producers who specialize in providing this “something different” that can give a long night of rave and revelry the closing ritual it deserves.
During his years of experience as a DJ/Producer, Timonkey has shared the stage with the likes of Tipper, Vibesquad, Kraddy, Random Rab, as well as Muti Music label mates Ill Gates, Mimosa, and Heyoka. All name-dropping aside, he has reached the elusive goal of a “signature sound”: chopped vocals, analog keyboards, field recordings and airy textures alongside massive bass and glitched out beats. Beyond the technical elements, his tracks have an unmistakable vibe all their own: a dreamy, heart-felt quality that makes a delightful treat for party-goers who make it to the dawn.
10 years ago, Timonkey climbed a massive Redwood tree that towered above a renegade party in the Santa Cruz mountains. As the sun rose, he received the inspiration for what has been his mission ever since: to make the best sunrise music ever. Delivering a proper morning set is a delicate art: the dancers need strong energy to keep going, but they are also craving something different by this point in the experience. Timonkey is one of the few DJ/Producers who specialize in providing this “something different” that can give a long night of rave and revelry the closing ritual it deserves.
During his years of experience as a DJ/Producer, Timonkey has shared the stage with the likes of Tipper, Vibesquad, Kraddy, Random Rab, as well as Muti Music label mates Ill Gates, Mimosa, and Heyoka. All name-dropping aside, he has reached the elusive goal of a “signature sound”: chopped vocals, analog keyboards and airy textures alongside massive bass and glitched out beats. Beyond the technical elements, his tracks have an unmistakable vibe all their own: a dreamy, heart-felt quality that makes a delightful treat for party-goers who make it to the dawn.
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After releasing two albums and an EP with Muti Music, Timonkey has established a place for himself in the electronic music production community.
2009 will see a lot of output from Timonkey on Muti Music ranging from glitched out midtempo, wonky / wobbly bass induced freak-out sessions to his signature Trip Hop, Dub and Downtempo grooves.
To start it all off we have a release going more chilled than anything else we’ve ever released, mainly to chill out to and to make sure your all taking some time to meditate
There is one short version for a quick chill or for mixing and then the extended ‘meditation’ version which is over an hour long and to use as you choose.
This album takes the listener through a broad range of genres and all very tasty in that ‘Timonkey’ flavor, this album is merely building on the momentum of his other recent releases on Muti , namely ‘Cloud City’ and ‘Mammals On The Brink’.
Timonkey has established himself as an artist to watch with his second album ‘Cerulea’. Moving through genres and influences and fluidly as a well oiled carp, he crafts one of the most pleasurable listening experiences you can hope to encounter in electronic music.
Equally at home hanging from a tree branch or bouncing off concrete, Santa Cruz’s Timonkey (Tim Donlou) fuses organic and synthetic elements together in order to bridge the worlds of nature and technology. He says, “Branching patterns, mineral lattices, geological timescapes - the living earth is as much an influence on my music as King Tubby, ever were.”
From its roots in dub, funk and ambient music, Timonkey’s sound has been evolving further into the synthetic realms of midtempo glitch. He crafts his tracks using a combination of found sounds, analog synths, live instruments, and software wizardry, all from under the shade of the ancient redwoods. Influenced by years of collaboration with the 13 Moontribe, Raindance, and Nexus crews, he brings a unique flavor to the West Coast underground.
Outstanding listening! Clipping Paths provides deep urban vibes, bass-driven tribal mid-tempo, trip hop and ‘glitch-hop’ that will also rock most dancefloors. The last few tracks take you into deeper territories providing a luscious ending for the CD.
Muti Music is known for finding new and unique talent, this compilation features the Muti roster and closely related artists who are also emerging on labels like Interchill, Cyberset and Native State.
Clipping Paths is a compilation showcase of the sounds that are moving the west coast at the moment as well as many other areas around USA, including small pockets in Colorado, Texas, Oregon and New York.
The CD ranges from deep urban vibes from Suff-x, Undecided and Vibesquad, to ethereal bass-driven tribal midtempo and Trip Hop from an-ten-nae, Nanda, KiloWatts, Timonkey and Dov, to a crunky mixed genre mid-tempo track from Ooah, that is sure to rock most dancefloors, but deep enough at the same time to prove the perfect segway heading into the deeper territories of IDM, Leftfield and Nugaze inspired tracks from Audiovoid, Kraddy and Slidecamp ending the CD in a very warm and luscious space.
Many of the styles featured have been growing in popularity and seeing large exposure with the emergence of a similar musical tastes in scenes growing in Berlin, San Francisco, London and even Cape Town. This ‘newer’ sound has partially been an homage by producers to the Hip Hop and Big Beat along with early experimental electronica that they loved in the nineties and bootlegging the hyphe and crunk of the new millennium with the new digital tools and a new production based prowess.
Muti Music is known for finding new and unique talent, this compilation features most of Muti’s regular roster and then a group of closely related artists that we are feeling, who are also emerging on labels like Alpha Pup, Interchill Records, Dirtybird and Native State.
This compilation is as fun for a manic dancefloor stomp, a come-down session, a groove and a mingle, a fire warmed cabin or even a walk on the beach.
Equally at home hanging from a tree branch or bouncing off concrete, Santa Cruz’s Timonkey (Tim Donlou) fuses organic and synthetic elements together in order to bridge the worlds of nature and technology.
Timonkey says, “Branching patterns, mineral lattices, geological time-scapes - the living earth is as much an influence on my music as King Tubby, Bernie Worrell, or Steve Reich ever were.”
From its roots in dub, funk and ambient music, Timonkey’s sound has been evolving further into the synthetic realms of midtempo glitch. He crafts his tracks using a combination of found sounds, analog synths, live instruments, and software wizardry, all from under the shade of the ancient redwoods.
Influenced by years of collaboration with the 13 Moontribe, Raindance, and Nexus crews, he brings a unique flavor to the West Coast underground.
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Live drums, heavy synths, groove and energy are the foundation that Brandon Hale AKA Siren builds on. Hailing from Oregon and now settled in San Francisco, Siren is another new west coast find that has been making his distinctive mark on midtempo breakbeats and dubstep.
With a background of metal influences and playing piano, saxaphone, drums in punk, ska and metal bands, Siren brings both melody and unforgiving edge to his productions. Already making headway with touring the ‘bass’ scenes of the US west. His release ‘Spawn’ broke some barriers and the ‘Jingletown’ took his production into heavy dubstep and urban funk, this young producer will be surprising us many more times in the future.
Expect bass that hits you in the gut, raw and pounding lead riffs and some epic instrumental accompaniments, truly made for ‘large’ environments or the most urban of cellars.
‘Jingletown’ is a name given to a ghetto neighborhood on the south side of Oakland where cultures collide. Home to some of the best Burritos in the Bay Area, some of the most hyped of the Hyphe Hip Hop scene and some scary street sideshows.
Both successful and starving artists live there for the cheaper large work spaces, musicians like it because they get away with noise at all hours and the rest is wreaths on the sidewalk from a recent drive by or some other gang related violence.
On ‘Jingletown’ , Siren delves into the sound and energy of the neighborhood.
The ecstatic enjoyment of good tunes in a lowrider on the sunny day, is ‘Summertime In Oakland’, the edginess of hitting those same streets at night is reflected on the tracks ‘Law & Disorder’ and ‘Negative Ion’, ‘Stunna’ is hitting the happening club or underground warehouse party and then escaping it all as you wizz away on the freeway are the sounds of ‘Burst’.
Since his debut on Muti Music last year, Siren took the US west coast by storm. He was quickly signed to an agency alongside the likes of Kraddy, Mimosa, RD and Marty Party and began his career as a touring DJ & producer.
Some recent highlights include playing to thousands of fans on the Do Lab Stage at Coachella this year and headlining at Beta in Denver.
“Urban and epic, blurring the lines between Dubstep and midtempo Breakbeats in a very satisfying way”
Siren is one of our most highly anticipated new artists on Muti for 2009, already started making his mark in 2008, performing in Oregon and California, doing mini- west coast tours and playing alongside Mimosa, Knowa Knowone, Sleepyhead, Kitty D and many more of the emerging midtempo / dubstep artists.
Siren has a background in Metal music and dynamic live drumming sounds that really come through in his electronic music productions, his attention to beats in particular make his bass drop even harder, so expect it to be epic andhave a good amount of edge.
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ill.Gates. More Than Just A Pretty Bass
Toronto-born San Francisco-based producer, performer and educator ill.Gates has had a long and lavish career in music. DJing since his earliest teenaged years, .Gates has established a global fan base and enjoys an increasing reputation as dynamic, definitive and decisive EDM artist. ill.Gates is rising steadily up the ranks through his many collaborate releases with such industry heavyweights as Datsik, Bassnectar, Ana Sia, Opiuo, T.O.B., Vibesquad, Mimosa and more.
Touring regularly across the globe, monumental ill.Gates sets at signal festivals like Burning Man, Shambhala and WEMF are memorable experiences and favourite events among fans and DJs alike.
Crushing charts and detonating dancefloors with such colossal collaborative tracks as the Bassnectar Timestretch and Divergent Spectrum releases, ill.Gates receives extensive amounts of appreciation and praise from some of the leading artists in the electronic music setting. These commanding accomplishments and capital achievements make ill.Gates’ both a sought-after producer as well as a celebrated mentor to some of the baddest names in the bass music scene.
Previously working under the stage-setting Phat Conductor moniker, ill.Gates achieved further acclaim from the DJ and Producer community through his emblematic ill.Methodology workshops and exclusive Abelton sponsorships. His famous DJ and Studio templates are used and enjoyed by such successful performers as Beats Antique, Pretty Lights, Bassnectar and DJ Vadim during their live stage shows. The hugely anticipated ill.Methodology.com site and online course programs will launch in the Winter of 2011/12.
ill.Gates appears on labels including Muti Music, Amorphous Music, Child’s Play/Om Records, Addictech, Noodles, Innerflight, Low Motion, Made in Glitch, Tube10, and Chi Recordings.
Pioneering glitch hop producer, remixer, and composer ill.Gates teams up with artists such as Mimosa, Datsik, Ana Sia, Opiuo, Masia One, and more to release The ill.Methodology, an 18-track EDM excursion through the genres of glitch, bass, dubstep, breaks, and hip hop.
The album is also Muti Music’s catalog # 100.
The ill.Methodology corresponds with the artist live production workshop series and ground-breaking Ableton studio and DJ templates, as well as his upcoming ill.Methodology site for DJs and producers in Dec 2011.
To celebrate the release, ill.Gates’ collaboration with Mimosa, “Never Alone,” is available as a free download for readers and fans. Visit http://illgates.com/ for posting materials including art, download links, streaming players and widgets.
Ill.Gates has also partnered exclusively with Microsoft to create custom ringtones from ill.Methodology for their new Windows Phone OS ‘Mango’, which is now available as a free update to existing Windows phone users.
Stay tuned for launch of The ill.Methodology Tour including club and theater dates throughout North America, Europe, and Australia during the Winter of 2011/12.
“Every now and then, from out of nowhere, comes a total killer track. This is one of those tracks.
I’ll be smashing this one for real!”
- Concord Dawn
http://www.facebook.com/concorddawnNZ
“This is expertly produced, brilliant DnB.”
- Madeon http://www.facebook.com/itsmadeon
“This is faaaat! This will destroy any dancefloor. Played at the right time, this track will tear the roof down.
Definitely not for the light hearted.”
- Laurent Garnier
http://www.facebook.com/laurentgarnierofficial
Bassnectar: “OOOOOH YEAH! THAT ONES HOT! LOVE THE D&B DOOD!
WELL DONE!!!!!!”
Via Twitter
After a brief hiatus scoring music for film and advertising Greg Reve (T.O.B.) is back with Decoy, i.e. the bassline equivalent of a 6-pack abdominal workout. Previous support for his tunes has come from the likes of Bassnectar, N-Type, Laurent Garnier, David Starefire, Digital Rust and the “Hot 1 @ 1” spot on Bobby Frictions show on BBCRadio1. This same cast is lining up in support of this new EP along with Dieselboy and they’re eagerly anticipating more.
Greg Reve (T.O.B.) music has also been featured on the infamous Ninja Tunes “Solid-Steel” show on BBCRadio1 and on hit american TV show “Criminal Minds” as 1/3 of Hip-Hop band ‘The Realist’ that also came out on Muti Music in 2010.
On Decoy Greg Reve (T.O.B.) teams up with Hip-Hop MC Whosane, who has been featured with Mos Def on past tunes with Ski Beats. Whosanes vocal on Decoy is driving, edgy and straight up heat.
The EP then features instrumental remixes by top Muti Music artists ill.Gates & Dov, New Zealand artist and ‘lady behind all things bassline’, Unsub and the man who’s dominated many a Beatport ‘dubstep’ chart namely Mark Instinct .
If you’re feeling in need of some medicinal bassline catharsis then this EP is for you !
To experience her DJ is to experience an individual clearly being herself within a musical state, and doing so while creating sound that inescapably slays the dancefloor. - Big Up Magazine
Muti Music is overjoyed to announce the release of Ana Sia’s debut EP, ‘International Profile’.
Not many DJs get magazine feature articles before their debut releases have ever materialized, however if you’re making enough impact on a scene and culture with your DJ touring as Ana has, then it’s not such a surprise. Uniting the best elements of dirty dubstep, grimy glitch, and her personalized blend of “global slut psy-hop.” Ana Sia’s sets confirm crunk status of all who dare enter into her seamless world of sound.
‘International Profile’ shifts between straight up Hip Hop, Dubstep and Grime influences and maintains a sexy humanist feel. A few of the tracks are collaborations with our ‘master of all things Ableton’, Mr. ill.Gates and they deliver on all accounts as expected, ‘Extraordinary Rendition’ has already been a hit at festivals this summer.
Ana Sia’s love of electronic music combined with an innate understanding of the value of dance to the human soul collectively fuse to create unforgettable sets of experience, whether she is slamming spots in her hometown of San Francisco or taking her turn in the forests of music festivals around the country.
Ana’s energetic delivery of brain-fazing beats has earned the Princess Slay-ah moniker an important spot in pioneering the West Coast future sound movement. She will take you on a musical expedition into the deepest reaches of your brain, as she masterfully blends a wide spectrum of rhythms with a beautiful fluidity and a delicate sensibility, giving the dance floor a delightful ride that ends at the corner of bliss and oblivion.
Some of our favorite takes / remixes of tracks from the ill.Gates album ‘Autopirate’, including contributions from Shen / Noah Pred, Stephane Vera, Si Begg, Knowa Knowone and Ribotto.
ill.Gates is a Toronto-based composer, performer and educator. Over the past 15 years, he has established a global fanbase and a reputation as one of the most dynamic electronic music artists around. He regularly tours across North America, Europe, Australia and Asia. Gates has headlined at such festivals as Burning Man, Shambala, the World Electronic Music Festival and the New Orleans Jazz Festival.
His first full-length release, Autopirate (Muti Music, 2008), reached #1 on many esteemed charts; and continues to sell strongly. Many of his contemporaries cite Gates (aka The Phat Conductor) as a key artistic influence and inspiration in their music. While on tour, Gates frequently teaches workshops to grateful and attentive audiences, in which he shares his highly effective approach to producing quality finished music as well as insights into the mentality and strategies necessary to succeed in the music business.
An-ten-nae has long been a purveyor of fine exotic beats and low slung crunk.
Acid Crunk Vol 2 started off as a free mixtape that has now been downloaded over 37,000 times. Now, what is Acid Crunk?
It’s a no rules genre bending booty shakin’ synthesis of the dirty dirty that makes that subs in your low rider bump; and it sure goes nicely with that Ice Cream paint job. In the words of Martin Turenne (Straight.com) Acid Crunk “Conjures the druggy textures of early house and the fearsome bass of millennial hip-hop, marrying the West Coast breaks sound with the brooding atmospheres of London’s dubstep scene.”
Acid Crunk Vol. 2 kicks off with An-ten-nae’s own low frequency taser, Bang That, he locks in the dance floor with a deep electro groove and then fires up on all cylinders with a flick of the switch. Next up is Ooah (Glitch Mob & PANTyRAiD) From it’s lush start to its acid tinged convulsing basslines, ‘Foolish Silence’ has devastated every dance floor it’s been dropped on and his live performances have induced pandemonium across the globe, Most recently he appeared on the soundtrack of Tim Burton’s masterpiece film ‘9’. Datsik has virtually dominated the Beatport dubstep charts for months, and here again proves why he is a new standard in audio excellence. With ‘Southpaw’, Datsik delivers the goods. The other half of PANTyRAiD (aka Marty Party) turns Acid Crunk on its head
with a jackknife of a bass-driven track. Following the current success of the PANTyRAiD album The Sauce, (Marine Parade) Marty ‘s forthcoming album, on the same label, due in January 2010.
From ‘Down Under’, our Australian agent in crunk, Opiou, adds a little funk with his crunk ‘King Prawn’. Look out for his forthcoming EP on Addictech Recordings.
Akira Kiteshi has earned support across the board from the likes of Mixmaster Mike, N-type to Mary Anne Hobbs, with ‘Ulysses’, this Scotland native delivers his own nasty brand of alien funk infused dubstep from the 31st century.
Head south to Bristol and you’ll find Gemmy, one leg of the ‘Purple Trinity’ (with Joker and Guido) His newest offering ‘Bleep’ is some Bristol / Brizzle Bass Crunk guaranteed to turn those head nodders into instant body rockers. For more of his unique brand of crunk, check out his track on Mary Anne Hobbs newest compilation “Planet Mu”.
An-ten-nae returns with a remix of ‘Do You’ by UK supergroup Freeland (feat. Adam Freeland & Tommy Lee on Drums), he dissects the track into a heaving acid tinged monster sure to make all the ladies squeal.
The next 3 tracks showcase emerging talent from the US and Canada. Apox who hails from Nevada, Colorodo’s own Samples and Ill-Esha & Dewey DB (Vancouver) throwing down tasteful and versatile tracks from the ‘Glitch Hop’ school of crunk.
Collaborations often bring out the best in artists, and ‘Pharma Sutra’ is a testament to that and this off beat slammer by Filastine (Barcelona) and Ill.Gates (Toronto) will make your jaws drop. Don’t say we didn’t warn you.
Chillout maestro Bluetech helps bring things down a bit, journeying into thedeeper shades of crunk with ‘Waiting For Initiation’.Finally, no global journey into emerging electronic genres should be complete without a stop to Berlin,so we leave you with Robot Koch and his off-kilter beauty of a track ‘Hard to Fin’, off his upcoming album Deathstar Droid.
After relaunching under his new production name last year, ill.gates (also known as The Phat Conductor), has remixed Si Begg on Noodles, Eprom on Addictech Recordings, Sub Swara on Low Motion Recordings, Mochipet on Daily City Records, co-produced and remixed DJ Dan with Robb G and released a highly acclaimed album ‘Autopirate’ on Muti Music.
ill.gates is a chameleon amongst producers moving effortlessly between genres and well known for his custom Ableton performance & production templates. His production know-how and willingness to collaborate has led to him working with many accomplished musicians and this time around collaborating with Toronto based Techno producer adamduke and the pair deliver an experimental EP that moves from minimalist tech-house through to dubstep and is as twisted as it is dance friendly and very playful while at it.
adamduke has 9 years in Toronto’s electronic community, both on his own and as half of notorious DJ duo ‘The Dukes’, he’s been billed alongside numerous major international acts like Ellen Allien, Tony Rohr, Carl Craig, Matthew Herbert, Kevin Saunderson, Joey Beltram, Bassnector, Afrika Bambaataa and Miss Kitten to name but a few. This is his debut release and we’re sure we’ll be hearing more from him.
We are honored to have such a quality group of established and emerging artists providing their own take on ‘Irma Vep’, the styles range from Glitch Hop, to deep Dubstep and a few other polyrhythmic versions in between, some feature the vocal and others chose the instrumental route, whatever your preference there should be a version for you.
In the past year, ill.gates (also known as The Phat Conductor), has remixed Si Begg on Noodles, Eprom on Addictech Recordings, Sub Swara on Low Motion Recordings co-produced and remixed DJ Dan with Robb G and released a highly acclaimed artist album ‘Autopirate’.
Meesha was first featured on ‘Autopirate’ and has since made a mark for himself in dubstep, one of his tracks was recently included on Starkey’s mix album, Starkbass, out on the Lo Dubs label.
Masia One is one of the most dynamic women in Hip Hop today, fostering a community of B-Girls and promoting independent Hip Hop in Toronto and abroad, you will be hearing a lot more from her on Muti Music.
Following up on past successes, we got some remixes done by some of the most dynamic emerging talent from Canada and USA in the dubstep and ‘glitch-hop’ scenes providing a good variety of vocal and instrumental mixes, many of which are already seeing huge support. This EP is being released along with a great new video of the original tune.
Special thanks to the video production team and artists at Tokyo based www.lightrhythmvisuals.com
‘The Earth Bleed EP is deep and brooding and at other times playful, humorous and uplifting. ‘
Dov’s original mix of ‘Earth Bleed’ delves into ever expanding basslines and organic textures at times reminiscent of volcanic fissures and atmospheric rips. One of USA’s pioneers of electronica, namely ‘Single Cell Orchestra’ takes things even deeper ‘into the darkness’ with a remix of squelchy basslines and a steady groove.
Rounding out the remixes of the title track is LayerZ (also known as Audiovoid) delivers a version that is ghostly, haunting and yet helps dig us out of the deep pit of bass with rolling almost melodic basslines. Moving onwards the EP also features a collaboration track with Canadian breaks, dubstep, glitch, techno, electro producer / man of the moment, ill.gates, the track is almost theatrical in nature, with clear dubstep influences, lots of field recording and sound design and also picking up the pace a little and showing much variety in beats and percussion.
The EP is rounded of with an uplifting midtempo breakbeat track that is great for something to round off a night.
Hailing from from Toronto Canada, ‘ill.gates’ previous productions as ‘The Phat Conductor’ and co-productions with Robb G have made waves in the Electro House and Breakbeat genres, as has his work with Bassnectar in the growing crunky midtempo breaks genres. Past production work includes remixing the likes of DJ Dan, Myagi and Si Begg and has led to top selling tracks on Beatport and also a mention in URB as one of their ‘next 100′ top artists.
He is also one of the slew of DJs touring and tearing up festivals from Lovefest to Shambala with a unique blend of textured beats that blend midtempo bass-driven anthems, chilled out grooves, breakbeat, IDM and house music all the while also rocking deep dubstep rollers. His versatility is evident in the variety of genres covered on ‘Autopirate’, everything from Hip Hop, Electro House & Techno to Breakbeat, Grime and Dubstep. This debut album as ‘ill.gates’ pushes the envelope and creates some very fresh new perspectives.
‘Autopirate’ includes remixes and collaborations with Bassnectar, Myagi, Meesha, Dept. of Motion, Stephan Vera, Mutt, Little John, Friction, Malaya, Clara Venice and Hip Hop sensation Masia One.
The Sweatshop EP is the first sampler from the forthcoming album ‘Autopirate’ by ill.gates that will be relaunching the honorable Mr. - ‘The Phat Conducter’ as ‘ill.gates’ to the masses.
Featuring the bass cabinet jarring dubstep track ‘Sweatshop’,which was done as a collaboration with another Canadian producer making waves, Meesha.
The remixes by some of the top US and Canadian Dubstep and Grime producers of the moment make this quite the package featuring ‘Antiserum’, recent Muti artist ‘Subvert’ and a host of Canadian Dubstep producers in Phowa, Taal Mala and Subhuman. The styles range from peak time cabinet rattlers to ethereal dubstep that still has a bit of a bite or rattle to it’s range.
ill.gates is an audio manipulator, Ableton Live performance patch creator and well known producer from Toronto Canada. His previous productions as ‘The Phat Conductor’ and co-productions with Robb G, including remixing the likes of DJ Dan, Myagi and Si Begg have led to top selling tracks on Beatport and also a mention in URB as one of their ‘next 100’ top artists. His versatiliy is evident in the diversity of his productions, which include everything from Hip Hop, Electro House & Techno to Breakbeat, Grime and Dubstep. His debut album as ‘ill.gates’ pushes the envelope and creates some very fresh new perspectives.
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Over the last five years, Andrei Olenev AKA Heyoka, has been bringing a unique twist on glitch hop and psychedelic bass music, emerging as a staple producer and performer throughout the west coast electronic music scene and burning man community, as well as branching into the international glitch hop and bass music movements. Heyoka has brought his signature sound to festivals such as: Symbiosis, Sonic Bloom, Raindance, Lightning in a bottle, Big Bounce, Alchemeyez, and large sound camps of Burning Man such as Nexus, El circo, Temple of Boom, Entheon Village, Roots Society and Fractal Nation. He has also brought his music to several International Festivals such as Shambhala (Canada), Boom (Portugal), Erthfreq and Winter solstice (Australia), and Luminate (New Zealand). Heyoka has a hectic touring schedule throughout North America, regularly visiting clubs, warehouses and festivals of various underground music scenes.
Heyoka’s sound blends elements of many musical styles into something that is mind bending and indefinable. While listening to his music, you are taken on a journey through fractal soundscapes and alien dimensions, while riding a wave of fat glitch beats and sub bass. In his live sets, Heyoka chops up and remixes his own original music, always keeping it fresh and hot on the dancefloor. Heyoka’s sound evolves album to album, frequently being reinvented while maintaining a unique flavor that is unmistakably “Heyoka”. He releases his music mainly on San Francisco’s Muti Music, a leader in the glitch hop and bass music scene.
The response to his emergence so far has been overwhelming as Heyoka manages to stand out amongst bass music producers with an almost cult like following due to his unique take on all things ‘Glitch’ and ‘Bass’ centric. So, for a sonic journey through fractalized auditory realms, keep your ear to the ground for Heyoka playing a city or festival near you.
On Intergalactic Carnival, Heyoka explores sixties garage, seventies funk, and carousel & circus tunes from the late 1800’s and takes them to a futuristic Star Wars colony psychedelic funk bar for martians and other intergalactic bass funk explorers.
Andrei Olenev, also known as Heyoka manages to stand out amongst bass music producers with a cult like following due to his unique take on all things ‘Glitch’ and ‘Bass’ centric. In the past few years Heyoka has been taking elements of Glitch Hop, Grime, Drum & Bass, Dubstep, Blues and Jazz and turned them on their heads repeatedly and emerging at times like the audio version of synthesized dimethyltryptamine and other times creating walls of sound that provide a full body massage and relieve pressure on the extremities.
One undeniably consistent element that is heard from anywhere he has toured or been submitted for review, is that the Heyoka experience is a bass music lovers delight. Artwork and animated fractal videos are also done by Andrei Olenev.
Heyoka manages to stand out amongst bass music producers with a cult like following due to his unique take on all things ‘Glitch’ and ‘Bass’ centric. In the past few years Heyoka has been taking elements of Glitch Hop, Grime, Drum & Bass, Dubstep, and now Blues and Jazz and turned them on their heads repeatedly and emerging at times like the audio version of synthesized dimethyltryptamine and other times creating walls of sound that provide a full body massage and relieve pressure on the extremities.
One undeniably consistent element that is heard from anywhere he has toured or been submitted for review, is that the Heyoka experience is a bass lovers delight.
Mandelbass is named in respect to mathematician and ‘creator’ of fractals Benoit B. Mandelbrot and also delves deeply into blues and 1960’s garage influences, all the while maintaining Heyoka’s dynamic use of Glitch plugins and edits. So get ready for a ‘glitched out session of low down bass grooves and some honky tonk thrown in for good measure.
Heyoka ‘Mandelbass’ Tour
Feb 10, 2011 Diehard, NSW Australia Wytaliba Community Hall
Feb 11, 2011 Melbourne, No State Australia Mercat Cross Hotel
Feb 13, 2011 Brisbane, Queensland, Australia Landcruiser Park
Feb 25, 2011 Durango, CO United States Abbey Theatre
Feb 26, 2011 Denver, CO United States Cervantes Ballroom
Mar 4, 2011 Bozeman, MT United States Filling Station
Mar 5, 2011 Missoula, MT United States Top Hat
Mar 10, 2011 Indianapolis, IN United States The Mousetrap
Mar 11, 2011 Minneapolis, MN United States EPIC
Mar 12, 2011 Portland, OR United States Refuge
Mar 22, 2011 Allston, MA United States Wonder Bar
Mar 25, 2011 Richmond, VA United States The Canal Club
Mar 31, 2011 Blacksburg, VA United States Awful Arthur’s
Apr 1, 2011 Asheville, NC United States Garage at Biltmore
Apr 5, 2011 Fayetteville, AR United States George’s Majestic
Apr 6, 2011 Oxford, MS United States Proud Larrys
Apr 7, 2011 New Orleans, LA United States The Hookah
Apr 8, 2011 Dallas, TX United States 2826 Arnetic
Apr 9, 2011 Austin, TX United States The Parish
Apr 22, 2011 Milwaukee, WI United States Miramar Theatre
May 14, 2011 Waikoloa, HI United States Hilton Waikoloa Village
In the past three years Heyoka has been taking elements of Glitch Hop, Grime, Drum & Bass and Dubstep and turned them on their heads repeatedly and emerging at times like the audio conversion of synthesized dimethyltryptamine and other times creating walls of sound that provide a full body massage and relieve pressure on the extremities. One undeniably consistent element that is heard from anywhere he has toured or been submitted for review, is that the Heyoka experience is a bass lovers delight.
His albums tend to be evolutions of certain parameters on self created sound pallets and genre experimentations. On ‘Cosmic Boogie’ he carries on where he left off delving into Halfstep and some Drum & Bass on ‘Marklar’. This time he also embraces old-skool beats like the ‘amen’ loop while staying true to style, he edits the hell out of them and adds his own distinctive flavor.
Heyoka has been on the road steadily and his growth as a performer is evident in his ability to reinterpret his music to various dancefloors and circumstances.
Morpheus Music pretty much summed him up when reviewing Marklar:
“Maklar has an unrelenting dynamism about it - compulsive rhythms of an almost primal nature defying even the uninitiated to remain unmoved. Once the d’n’b rhythms kick in there is an almost chemical elegance that arises - nimble geometric arrangements among the peripheral ephemera and frenetic marginal detail that call to mind the structured chaos of nature. The use of so much imaginative sound manipulation and sonic mangling gives Marklar a distinct flavour; Sonic effects for Heyoka being not so much embellishments as central elements to the music.”
Heyoka’s signature sounds of dubbed out, glitchy bass tracks and instrumental Hip Hop are ever present on ‘Marklar’ only this time they’re accented with crunchy dance beats and even venture into Drum & Bass and Electro Bass arenas. Heyoka made his brand international this year playing festivals in Australia, Canada and being ever present at US club nights & festivals. His early influences in Downtempo, Dub and IDM combined with more recent mid-tempo dancefloor genres have helped create a very unique sound that combines relentless basslines, hip hop and dub rhythms with a lot of musicality and melody. The continual evolution of Heyoka’s productions and his ability to continue to sound uniquely ‘Heyoka’ is evidence that the road for this young producer is going to be a long and prosperous one.
One of our hottest new artists of 2008 has been Heyoka with his three releases, Space Case, Pineal Dub and Whomp Gland, the last two had such a hot response that we’ve gone and made a CD of Whomp Gland and Pineal Dub together in a 6 panel CD cover featuring the prior cover art and some brand new images from Victor Olenev.
Symbiosis Gathering in it’s 5th year has become a unique festival in Yosemite California featuring leading artists in a broad range of music styles including House, Electro, Dubstep, Breakbeat to Jamtronica and performance art groups like The Yard Dogs, artist Andrew Jones visual art project called, Phadroid and live painting by Alex Grey.
This year they contacted Muti Music to help put together a compilation featuring some of the stars and rising stars of the 2009 gathering and the result is nothing short of spectacular, Muti staples like An-ten-nae, Heyoka and Knowa Knowone are featured along with the likes of Eskmo, Beats Antique, Worthy and Goddess Alchemy Project, the compilation also features the debut release from Mimosa’s one side project with Sleepytime called, SexyTime. Pop it on and get ready for a diverse journey into festival style electronica.
We are honored to have such a quality group of established and emerging artists providing their own take on ‘Irma Vep’, the styles range from Glitch Hop, to deep Dubstep and a few other polyrhythmic versions in between, some feature the vocal and others chose the instrumental route, whatever your preference there should be a version for you.
In the past year, ill.gates (also known as The Phat Conductor), has remixed Si Begg on Noodles, Eprom on Addictech Recordings, Sub Swara on Low Motion Recordings co-produced and remixed DJ Dan with Robb G and released a highly acclaimed artist album ‘Autopirate’.
Meesha was first featured on ‘Autopirate’ and has since made a mark for himself in dubstep, one of his tracks was recently included on Starkey’s mix album, Starkbass, out on the Lo Dubs label.
Masia One is one of the most dynamic women in Hip Hop today, fostering a community of B-Girls and promoting independent Hip Hop in Toronto and abroad, you will be hearing a lot more from her on Muti Music.
Following up on past successes, we got some remixes done by some of the most dynamic emerging talent from Canada and USA in the dubstep and ‘glitch-hop’ scenes providing a good variety of vocal and instrumental mixes, many of which are already seeing huge support. This EP is being released along with a great new video of the original tune.
Special thanks to the video production team and artists at Tokyo based www.lightrhythmvisuals.com
One of Muti Music hottest new artists makes his mark again after a very successful debut year in 2008, this time with an album of his signature sounds of dubbed out, glitchy bass tracks and instrumental Hip Hop.
Mostly composed while on a trip to Uruguay in Jan 2009 Heyoka has delivered a trippy , dubbed out sets of tracks that show homage to oldschool dub while playing with modern glitch effects and instrumental hip hop, the result is a listen that could find your mind drifting into unfamiliar spaces that may surprise many.
Heyoka became one of the west coasts most sought after artists last year, which has led to more international engagements in 2009, with festival bookings in Australia and Canada in addition to maintaining a hectic US touring schedule. His early influences in Downtempo, Dub and IDM combined with more recent mid-tempo dancefloor genres have helped create a very unique sound that combines relentless basslines, hip hop and dub rhythms with a lot of musicality and melody.
The continual evolution of Heyoka’s productions and his ability to continue to sound uniquely ‘Heyoka’ is evidence that the road for this young producer is going to be a long and prosperous one.
Heyokas’ earlier works were identifiable by their crushing basslines and ‘spacey’ blips and glitches, ‘Whomp Gland’ extends Heyoka’s range from mellow dubs and glitchy bass tracks to a newer dubbed out version of instrumental Hip Hop. He is fast becoming one of San Francisco’s hottest new producer / performers on the scene.
His early influences in Downtempo, Dub and IDM combined with more recent midtempo dancefloor genres from the likes of Bassnectar, Glitch Mob, ill.gates and An-ten-nae have helped create a very unique sound that combines relentless basslines, hip hop and dub rhythms with a lot of musicality and melody.
” Spacious melodic dub electronica. Heyoka has a deeply psychedelic sound full of squelches, blips, sonic flickers and all manner of effected sine waves, corrosive synthetics and acidic programming. Driven by huge, lumbering bass lines and gritty programmed drumtracks Pineal Dub draws on elements of IDM, glitch, downtempo and displaced hip hop binding them up into a consistent dub framework, with a very low centre of gravity. The overall sound is uncluttered, with repeating phrases and tuneful snatches cycling, alternating and cross layering. Naturally the keyboard stabs and echoed percussion that mark the genre are present, but Heyoka brings something of a dancefloor approach to the mix, promotional material suggesting that the disc be filed under ‘Downtempo, Dub, Breakbeat, Grime and Dubstep’.” read more of this review here.”
Kemek The Dope Computer Review: “So, do you really need an artist’s response to know that this is brilliant stuff? Really, by now you should know that if it’s on Muti, it deserves your dollars. You don’t even need to listen to it first. But if you really must know, “Pineal Dub” finds Heyoka achieving true greatness. Psychedelic, deep, dubby, foamy… this is what your washing machine dreams of when you accidentally leave a sheet of blotter in your jeans pocket and run them through the wash.”

A neuroscientist and electrical engineer by day, Great Scott brings his work home with him and puts these skills to use at night: focusing on writing music that is both emotional, boundary pushing, and filled to the brim with visual imagery. His music and mixes have been featured on esteemed outlets such as BBC Radio 1, BBC Asian Network, Sirius Satellite Radio, and numerous other terrestrial FM and Internet station. His live sets have been described as magical: never looking to the current trends, but instead always opting to find the true hidden gems that keep the bodies moving, never letting them get bored, and captivating their imaginations. It is this philosophy that has taken him around the world from Beijing to Vegas. On the side, he is the founder of popular live-broadcast Internet radio station Glitch.FM and an organizer for DEF-CON – one of the world’s largest hacking conferences.
Glorious Dystopia is as much a display of where Great Scott has come as a producer as it is a deep and emotional reflection of humanity and our surroundings. Dystopia Movement’s 1 & 2 are so beautiful they rip your heart wide open with emotion, the EP otherwise ranges from the intense and even edgy, but always flowing and with glimpses of introspection. Uplifting moments abound in Mad Hydraulic Bounce and My Sashimi that would rage fans of Pretty Lights, STS9 as much as they would a breaks dancefloor.
Great Scott is the host of “MK Ultra,” on KTRU in Houston, is a regular on NSB Radio, has also been a resident DJ in China and was one of the NuSkoolBreaks radio DJs at WMC 2009. Recently Scott also founded and launched a new online radio show, Glitch. FM, which has fast become the centerpiece radio station for the emerging genres of wonky, glitch hop, lazer bass, turbo crunk, acid crunk and whatever else you’d like to call the new edgy instrumental hip hop and breakbeat scenes. Strongly inspired by the sounds of old-school big beat and breaks, including the likes of Fluke, The Prodigy, and Rabbit In The Moon, Scott is constantly attempting to fuse the sounds of the old with that of the new, while trying to achieve a delicate balance between producing music that’s meant to make people move, with that which inflicts various emotions and imagery.
Artwork by Sinister Dexter: http://thesinisterkid.blogspot.com/
Great Scott’s tracks Defcon and Tarot get some excellent reworks by Run Riot, Samples, Royal Sapien and Mesmer, each giving their own unique breakbeat interpretations.
‘Defcon’ was previously supported on BBC radio and also included on the ‘LoveEvolution’ CD alongside the likes of Lee Coombs, Miguel Migs, Christopher Lawrence and more luminaries of dance music culture. This new remix EP is once again a combination of midtempo Glitch Hop and uptempo Breakbeats and even a drop into Dubstep from Run Riot and Samples. The Royal Sapien remix of ‘Tarot’ takes things into a deeper vibe and Mesmer finishes things of with some inspiring progressive moods.
Great Scott is the host of “MK Ultra,” on KTRU in Houston, is a regular on NSB Radio, has also been a resident DJ in China and was one of the NuSkoolBreaks radio DJs at WMC 2009. Recently Scott also founded and launched a new online radio show, Glitch. FM, which has fast become the centerpiece radio station for the emerging genres of wonky, glitch hop, lazer bass, turbo crunk, acid crunk and whatever else you’d like to call the new edgy instrumental hip hop and breakbeat scenes. Strongly inspired by the sounds of old-school big beat and breaks, including the likes of Fluke, The Prodigy, and Rabbit In The Moon, Scott is constantly attempting to fuse the sounds of the old with that of the new, while trying to achieve a delicate balance between producing music that’s meant to make people move, with that which inflicts various emotions and imagery.
Artwork by Sinister Dexter: http://thesinisterkid.blogspot.com/
Great Scott made his mark with his past two EPs; Bollygraph Test and The Grand Conspiracy, both receiving support on BBC radio and his track ‘Defcon’ being included on the new ‘LoveEvolution’ CD (San Francisco’s answer to Love Parade) along with many luminaries of dance music culture including Bassnectar, Lee Coombs, Miguel Migs, Hyper & Jhz, Chrostopher Lawrence and many more . (see http://www.epiphyterecords.com/releases/lovevolution-compilation.html)
This new EP is once again a combination of midtempo / Bigbeats and uptempo Breakbeats, Tarot is more for peak time moments, while the midtempo funk of the other tracks provides plenty to dance to and once again MC Nibu os featured on vocal duties.
Great Scott made waves with his Bollygraph Test EP last year and follows up now with an EP of diverse tempos and edgy beats. The EP kicks off with a relentlessly funky uptempo breaks track ‘Defcon’ that will thrash many a dancefloor with it’s tight beats and rocking leads, ‘Caravan’ follows with the sort of world beat track that has had Great Scott guest performing on Bobby Frictions BBC radio show last year. ‘Theorists’ is the track showing a new side to his productions with a bass driven bigbeat chugger featuring UK MC Raja Wilco and Nibu on the lyrics.
Great Scott is the host of “MK Ultra,” on KTRU in Houston, TX where he has hosted the likes of Hybrid and Kraddy. He has also been a regular on NSB radio , the new founder of Glitch.fm and been a resident DJ in China and was recently also one of the NuSkoolBreaks radio DJs at WMC 2009. Strongly inspired by the sounds of old-school big beat and breaks, including the likes of Fluke, The Prodigy, and Rabbit In The Moon, Scott is constantly attempting to fuse the sounds of the old with that of the new, while trying to achieve a delicate balance between producing music that’s meant to make people move, with that which inflicts various emotions and imagery.
Great Scott delivers two great tracks with strong south east asian influences including a sample of Gandhi asking us to be soldiers of peace. The title track has already been receiving a lot of airplay and receiving praise from many circles. We were also lucky enough to get a remix by Romanian breaks star Memser who provided an incredible driving breaks track that is as uplifting as it is energetic. Look out for Mesmer’s forthcoming album on Sound Of Habib Recordings where I’m sure you’ll find more quality beats like it.
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The creative force behind Domain ID is Mathias Lodmalm from Sweden, who brings a European flavor to our midtempo dancefloor beats. No stranger to the limelight Mathias signed his first international recording deal at the age of 17 and his first releases sold over 250 000 copies, resulting in over 200 shows in 20 countries, he now returns under a brand new aliase and with a tech-funk style that will please many dancefloors.
Generally keeping occupied in creative the endeavors of sound design, being a producer, engineer, mastering engineer, graphic designer, photographer, he now delivers a creative take on electronica varying from 85 BPM to 110 BPM and drawing from a range of influences from Techno to Glitch Hop, to House music and experimental breakbeats.
Muti Music is pleased to announce a debut release ‘Boombox Apocalypse’ by Domain ID .
Generally keeping occupied in creative the endeavors of sound design, being a producer, engineer, mastering engineer, graphic designer, photographer, he now delivers a creative take on electronica varying from 85 BPM to 110 BPM and drawing from a range of influences from Techno to Glitch Hop, to House music and experimental breakbeats.

Known as a pioneer of electronic music, Kraddy is one of the most innovative and remarkable artists of his day. He stands as a visionary in his field, a fresh voice that spans genres and artistic style. Hybridizing hip hop, dubstep and dancehall with digital edits and cuts, Kraddy’s music is a voice from the future awakening our ears and minds to what is yet to come.
Originally from NY, Kraddy (born Matthew Kratz) began his musical career in San Francisco releasing his debut album, Truth Has No Path, in 2003. With the release of the single “Faux Show” (a remix of The Old Dirty Bastard’s “Shimmy Shimmy Ya”,) Kraddy became an underground favorite in the electronic music world. After a handful of vinyl breakbeat releases, Kraddy changed the game once again with his sophomore effort, The Illegal Album. Fueled by fierce beats and searing edits, The Illegal Album was a radical fusion of Kraddy’s unique production chops with classic hip hop and dancehall acapellas. It was hailed as a breakthrough and soon after led to his collaboration with the Glitch Mob.
As a founding member of the Glitch Mob, Kraddy continued to innovate the sound and possibilities of digital music. It was during this time that Kraddy released “Android Porn”, a track hailed as the anthem of the “glitch hop” genre. With its epic melody, dramatic builds and unrelenting beats and bass, “Android Porn” marked a milestone in the creation of a sound so fresh, no one had a name for it.
After several more well-received releases with the Glitch Mob, Kraddy struck off on his own to pursue his solo career as a producer and performer where he continues to tour worldwide with his futuristic fission of dubstep, hip hop and dancehall.
Kraddy’s most recent projects include remixes for Mochipet and Echaskech as well as an Android Porn Remix EP. Also highly anticipated in 2010, is Kraddy’s new series KRADDY NEXT LEVEL MASH-UP - a collection of Kraddy’s custom mash-ups. A new album should be out this summer. Based on his recent work, fans and fellow producers alike eagerly await to see how Kraddy will reinvent the game once again.
Bookings: .(JavaScript must be enabled to view this email address)
Outstanding listening! Clipping Paths provides deep urban vibes, bass-driven tribal mid-tempo, trip hop and ‘glitch-hop’ that will also rock most dancefloors. The last few tracks take you into deeper territories providing a luscious ending for the CD.
Muti Music is known for finding new and unique talent, this compilation features the Muti roster and closely related artists who are also emerging on labels like Interchill, Cyberset and Native State.
Clipping Paths is a compilation showcase of the sounds that are moving the west coast at the moment as well as many other areas around USA, including small pockets in Colorado, Texas, Oregon and New York.
The CD ranges from deep urban vibes from Suff-x, Undecided and Vibesquad, to ethereal bass-driven tribal midtempo and Trip Hop from an-ten-nae, Nanda, KiloWatts, Timonkey and Dov, to a crunky mixed genre mid-tempo track from Ooah, that is sure to rock most dancefloors, but deep enough at the same time to prove the perfect segway heading into the deeper territories of IDM, Leftfield and Nugaze inspired tracks from Audiovoid, Kraddy and Slidecamp ending the CD in a very warm and luscious space.
Many of the styles featured have been growing in popularity and seeing large exposure with the emergence of a similar musical tastes in scenes growing in Berlin, San Francisco, London and even Cape Town. This ‘newer’ sound has partially been an homage by producers to the Hip Hop and Big Beat along with early experimental electronica that they loved in the nineties and bootlegging the hyphe and crunk of the new millennium with the new digital tools and a new production based prowess.
Muti Music is known for finding new and unique talent, this compilation features most of Muti’s regular roster and then a group of closely related artists that we are feeling, who are also emerging on labels like Alpha Pup, Interchill Records, Dirtybird and Native State.
This compilation is as fun for a manic dancefloor stomp, a come-down session, a groove and a mingle, a fire warmed cabin or even a walk on the beach.
The second of two CD’s compiling all the Muti Music catalog from the first three years, this one serving as a statement for the future direction of the Muti Music label and our impact on urban music. That direction being a continued commitment to electro bass influenced music, combining existing tearout and bass driven breakbeat with electro and using slower tempos while still creating dance-floors mayhem. ‘Conscious Ferilla’ by Kraddy served as the perfect track to launch our intentions.
The release also features artwork from an image by one of our favorite visual artists, Mark Holthusen.
‘Conscious Ferilla’ was one of the first tracks spawning the genre classification ‘Glitch-Hop’ and has been played by everyone who does the midtempo breaks business. Kraddy - Brecht has become somewhat of a classic wobbly bass track with it’s epic intro and support form a wide range of DJs and this time Dov also enters the roster on remix duties with a steppy rework combining ethereal voice sounds along with sirens and wobbly bass.’Becht’ was also included on the ‘Sound In A Vacuum vol 2′ on Atomic Mouse Recordings and on Kraddy’s artist album ‘Truth Has No Path’ on Refiner Records. This EP also saw the first outing of the collaboration project between Dov & An-ten-nae composing as D’nA, this time combining electro bass influences with tearout breaks and dubby vibes, it is a smasher on the floor.
This was Kraddy’s first release and his entry into the world of breakbeats and electro. Kraddy’s production and quirky flavor is now legendary and he is one of the founders and stars of ‘The Glitch Mob’ , the music world was initially quite shocked and did not know what to make of his unique sounds when this release first dropped. Muti obtained a quality remix from at the time emerging talent from the Botchit Breaks label, ‘Atomic Hooligan’ and this standout release was the resulting product.This was also the first Muti Music release to result in store signings along with a mini tour in the Pacific Northwest for Dov, Kraddy, Atomic Hooligan and Suff-x. The Seattle gig resulted in a closing tag session with Dov and Kraddy after Terry Hooligan had ’scratched’ the crowd into a frenzy and chanting “Muti, Muti…”
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Suff-x (aka Bryce Elder), For over 10 years now, Suff-x AKA Bryce Elder has sought to push the boundaries of breakbeats in the Pacific Northwest. Unlike most DJ acts, he’s got quite a different setup… He comes to a show armed with a virtual armada of gear, blinky lights, and X/Y controller pads. He juggles tracks, effects, broken tidbits, squiggly snippits, and boogie-down basslines off of his dual samplers set up in battle-style fashion, giving a nod to his turntablist counterparts–the majority of which wouldn’t keep up versus a “scratch mode” session on his korg kaoss mixer! Watch and learn, this is how “live pa” is done!
Suff-x has past releases on Urban Renewal Records, “They Are What They Are EP” - 2001, So Broken Recordings “Dirty Trick EP” - 2005 and more recently on Muti Music, “CyberFreq & Electro Medicine EP” - 2006
Suff-x showcases his range as a producer on this release featuring three distinct genres and even micro-genre nuances between them.
Kicking off with a Dubstep outing from Suff-x in the form of ‘Belmont Break’ and then rolling into the bass and percussion driven Drum & Bass track ‘Trunk Nuggets’ this EP shows Suff-x taste for many flavors of beats.
The Muti Music regular tip of deep electro bass tracks is well represented here by the tracks; ‘Spamn’ & ‘The Click Trick’ , which had Radioactive Man AKA Keith Tenniswood sit up and take notice when Suff-x opened for him at a Muti night in San Francisco.
Suff-x roots in Drum & Bass also come to the fore in the remaining tracks and they won’t disappoint.
After outings on white labels with some storming Drum & Bass, Suff-x AKA Bryce Elder emerged into the international ‘Breaks’ community in 2006 with his ‘CyberFreq & Electro Medicine EP’ on Muti Music. Bryce has been one of the movers and shakers behind events and music production for many years in Portland Oregon and the Pacific North West.
He is well known in the North West as the local go-to person for live rig setups, he’s the ‘outboard gear guy / gear-head ‘ and managed the local Guitar Center in Portland for many years.
Suff-x is hence also known for his unique live sampler setup, his ‘white-noise’ iBeam / D-Beam and KAOS pad scratch emulation and for being featured at events alongside KiloWatts, Uberzone, Tipper, Radioactive Man, Ben Milstein, Kraddy, Dov & Bil Bless amongst others.
Outstanding listening! Clipping Paths provides deep urban vibes, bass-driven tribal mid-tempo, trip hop and ‘glitch-hop’ that will also rock most dancefloors. The last few tracks take you into deeper territories providing a luscious ending for the CD.
Muti Music is known for finding new and unique talent, this compilation features the Muti roster and closely related artists who are also emerging on labels like Interchill, Cyberset and Native State.
Clipping Paths is a compilation showcase of the sounds that are moving the west coast at the moment as well as many other areas around USA, including small pockets in Colorado, Texas, Oregon and New York.
The CD ranges from deep urban vibes from Suff-x, Undecided and Vibesquad, to ethereal bass-driven tribal midtempo and Trip Hop from an-ten-nae, Nanda, KiloWatts, Timonkey and Dov, to a crunky mixed genre mid-tempo track from Ooah, that is sure to rock most dancefloors, but deep enough at the same time to prove the perfect segway heading into the deeper territories of IDM, Leftfield and Nugaze inspired tracks from Audiovoid, Kraddy and Slidecamp ending the CD in a very warm and luscious space.
Many of the styles featured have been growing in popularity and seeing large exposure with the emergence of a similar musical tastes in scenes growing in Berlin, San Francisco, London and even Cape Town. This ‘newer’ sound has partially been an homage by producers to the Hip Hop and Big Beat along with early experimental electronica that they loved in the nineties and bootlegging the hyphe and crunk of the new millennium with the new digital tools and a new production based prowess.
Muti Music is known for finding new and unique talent, this compilation features most of Muti’s regular roster and then a group of closely related artists that we are feeling, who are also emerging on labels like Alpha Pup, Interchill Records, Dirtybird and Native State.
This compilation is as fun for a manic dancefloor stomp, a come-down session, a groove and a mingle, a fire warmed cabin or even a walk on the beach.

Up and coming Northwest producer Bassobese is capturing the ears and hearts of the West Coast with a fresh new blend of genre-bending bass music.
After six years of producing Hip-Hop and performing alongside acts such as KRS-One, The Wailers, Living Legends, J-Live, The Coup, Blackalicious and Heiroglyphics. Also touring with artists such as Rahzel and Andre Nickatina, Bassobese has shifted frequencies, focusing instead on making music to melt the listeners minds, while simultaneously providing bass to shake the club.
This is how Bassobese has come to craft a unique sound that may very well be a breathe of fresh air to those tired of the monotones of both the Dubstep and Hip-Hop scenes. His latest album ‘49 NIghts Of Twilight’, is a psychedelic collage of electronic production and samples from old vinyl, seamlessly blended with cutting edge textures and booming bass. The result is a sonic concoction bound to burn up the dance floor, move your heart and full of melodies memorable enough to stay in your playlist for years to come.
Preview Bassobese - Basilisk from the forthcoming album ‘49 Nights Of Twilight’ in the Soundcloud player on the right.
The original mix is like being inside a world of playful toy robots and pixelated objects that then go on to teach you a thing or two.
Some of our favorite producers right now the take those sounds to varied heights and other unusual places and through a myriad of contemporary and emerging genres that make this EP a very pleasant listen. We’re stoked that +Verb found his way to us.
“Giant robot laser battles; tender mechanized love-making; the blinking blips and bleeps of artificial intelligence communications: these are the computerized moods that will wash over you in the most calculated of ways.”
+verb (pronounced “Adverb” by humans) is a new blog favorite in the genre of bass. Recently featured on Soundcloud’s “What’s Hot” list for a collaboration with Stephan Jacobs, the world is anxiously preparing for an invasion of his robotic army.
With forthcoming releases on Vermin Street and Simplify Recordings and hot on the heals of his recent EP on Car Crash Set and a stellar remix of Starkey on Civil Music, +Verb now delivers a melodic glitched out chill track ‘Cough’ which then get’s remixed by some of the hottest folks in the ‘glitch’ scene right now.
No stranger to urban beats ‘Bassobese’ is new on to the Muti Music roster, but has been making waves in the Pacific Northwest for quite some time. His mashup mixtape,’$hitting In The Mainstream’ was one of the mixes fueling midtempo crunk and mashup scene with it’s audacious take on contemporary Hip Hop culture, Bassobese is now releasing an all original composition album to the greater public.
After six years of producing Hip-Hop and performing alongside acts such as KRS-One, The Wailers, Living Legends, J-Live, The Coup, Blackalicious, Heiroglyphics, and touring with artists such as Rahzel and Andre Nickatina, Bassobese has shifted frequencies, focusing instead on making music to melt the listener’s minds, while simultaneously providing the bass to shake the club.
Bassobese has crafted a unique sound that may very well be a breath of fresh air to those tired of the monotones of both the Dubstep and Hip-Hop scene. His latest album, 49 Nights Of Twilight is a psychedelic collage of samples from old vinyl seamlessly blended with cutting-edge textures and booming bass. The result is a sonic concoction bound to burn up the dance floor, yet full of melodies memorable enough to stay in your playlist for years to come.
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Mimosa has made a distinct mark on the west coast sound in the past two years and has become one of the top west coast exports. This young producers energy whilst performing is magnetic; the word has spread fast and Mimosa has recently shared the stage with the likes Benga, Skream, Rusko, Datsik, Glitch Mob, Pretty Lights, Bassnectar and Flying Lotus, playing shows across the US and festivals like Coachella, Symbiosis Gathering, Burning Man and Decibel Festival. Fans know Mimosa as someone who brings a good-time energy that is as fierce as it is friendly, taking them on journeys through urban chaos and ecstasy.
Mimosa’s production expertise has been in high demand and collaborations with Marines Parade’s Panty Raid have been featured on Mary Anne Hobbs BBC radio show. His track “Lights In The Night” composed with Sleepyhead as ‘Sexytime’ was also featured on the Symbiosis Gathering 2009 Compilation along with artists Eskmo and Beats Antique amongst others. His past two releases “Flux For Life” & “Hostilis” have shown an ability to move effortlessly between Dubstep, Glitch Hop and Experimental Hip Hop.
Mimosa has been releasing on San Francisco’s premiere dubstep and glitch centric label Muti Music for the past three years and will be touring extensively throughout the fall with MartyParty and Two Fresh to promote his forthcoming release “Silver Lining”.
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An-Ten-Nae is an entity possessing the human mind of one Adam Ohana, giving him the ability to transcend above the constraints of music rigidity and transmit bass heavy, crunked out beats of the highest order. His bar raising Live mix mashup compilations, “Punk Rock Country Hop” and “Acid Crunk Vol. 1” have set the standard and has defined an era with over 300,000 downloads to date. Picking up steam in 2009 Acid Crunk Vol. 2 maintained the # 1 seller in Dubstep, Electronica and Chillout genres simultaneously while also having all 14 tracks in their respective genre top 10, as well as hitting the Top 10 Dance charts on iTunes. He is one of San Francisco’s most sought after DJs and live performers. He has taken the art of live remixing to new heights with his own customized setup, that bends genres in ways seldom heard. Acid Crunk Vol. 3 is without a doubt one of the most anticipated releases of the year, 16 mindboggling compositions from some of the top and emerging urban breaks talent.
This is a new dawn, a defining moment in West Coast Underground music currently dominating sound systems worldwide. This isn’t Dubstep, Hip Hop, Wonky or anything usually packaged neatly for mass consumption. It’s an amalgamation of squashed neon-tinged futuristic bass music. With Acid Crunk Vol. 3 you start getting an idea of how diverse and far ahead the ‘Glitch-Hop / Crunk’ music scene is, riding hand in hand with the growth of Dubstep and seen by many as ‘post-dubstep’. All we can say is ... get ready! An-ten-nae is currently touring internationally in support of the compilation, keep your ear to ground for his shows in a city near you.
Los Angeles’ Mimosa has made a distinct mark on the west coast sound in the past two years and has become one of the top west coast exports. This young producers energy whilst performing is magnetic; the word has spread fast and Mimosa has recently shared the stage with the likes Benga, Skream, Rusko, Datsik, Glitch Mob, Pretty Lights, Bassnectar and Flying Lotus, playing shows across the US and festivals like Coachella, Symbiosis Gathering, Burning Man and Decibel Festival and of course, gracing the stage at the now-legendary Low End Theory in Los Angeles. Mimosa brings an energy that is as fierce as it is friendly, taking listeners and audiences on journeys through urban chaos and ecstasy. His new full length ‘Silver Lining’ is dropping October 4th, 2010 on SF based Muti Music.
Mimosa’s production expertise has been in high demand and collaborations with Marines Parade’s Panty Raid have been featured on Mary Anne Hobbs’ BBC radio show. His track “Lights In The Night” composed with Sleepyhead as ‘Sexytime’ was also featured on the Symbiosis Gathering 2009 Compilation along with artists Eskmo and Beats Antique amongst others.
His past releases have shown an ability to move effortlessly between Dubstep, Glitch Hop and Experimental Hip Hop.
He’s been releasing on San Francisco dubstep/glitch centric label Muti Music for the past three years and will be touring extensively throughout the fall.
Mimosa has made his mark on the sound of electronica with his previous 3 releases now living in the iTunes top 200 album charts and in a 3 year period has become one of the top west coast exports.
This young producers energy while performing is magnetic; the word has spread fast and Mimosa has been constantly touring recently sharing the stage with the likes of Freq Nasty, Benga, Skream, Rusko, Datsik, Glitch Mob, ill.gates, Bassnectar and Flying Lotus, playing shows across the US and festivals like Coachella, Symbiosis Gathering, Burning Man, Camp Bisco and Decibel Festival.
Fans know Mimosa as someone who brings a good-time energy that is as fierce as it is friendly, taking them on journeys through urban chaos and bittersweet ecstasy.
Mimosa production expertise have been in high demand and collaborations with Marines Parades Panty Raid have been featured on Mary Anne Hobbs BBC radio show. His track Lights In The Night composed with Sleepyhead as Sexytime was also featured on the Symbiosis Gathering 2009 Compilation along with artists Eskmo, Beats Antique and An-ten-nae amongst others. Mimosa’s past releases have shown an ability to move effortlessly between Dubstep, Glitch Hop and Experimental Hip Hop.
Artwork by Brandan Hirzel
http://www.bemo.tv/
Mimosa has made his mark on the west coast sound and in the past two years has become one of the top west coast exports. This young producers energy while performing is magnetic; the word has spread fast and Mimosa has recently shared the stage with the likes Benga, Skream, Rusko, Datsik, Glitch Mob, ill.gates, Bassnectar and Flying Lotus, playing shows across the US and festivals like Symbiosis Gathering, Burning Man and Decibel Festival.
Fans know Mimosa as someone who brings a good-time energy that is as fierce as it is friendly, taking them on journeys through urban chaos and ecstasy.
Mimosa production expertise have been in high demand and collaborations with Marines Parades Panty Raid have been featured on Mary Anne Hobbs BBC radio show. His track Lights In The Night composed with Sleepyhead as Sexytime was also featured on the Symbiosis Gathering 2009 Compilation along with artists Eskmo, Beats Antique and An-ten-nae amongst others and his past two releases Flux For Life & Hostilis have shown an ability to move effortlessly between Dubstep, Glitch Hop and Experimental Hip Hop.
Artwork by Brandan Hirzel
http://www.bemo.tv/
Since his debut last year Mimosa has made his mark on the west coast sound and has become one of the Bay Area music scenes hottest exports. Highly sought after for his production efforts, now also producing with Sleepyhead as Sexytime and with Marine Parades’ hot new artists Panty Raid, made up of Marty Party and Glitch Mob member, Ooah. The Mimosa vs Panty Raid collaborative track ‘Chaos Control’ was also recently featured on Mary Anne Hobbs BBC radio show.
‘Flux For Life’ displays Mimosa’s ‘hard and pretty’ touch, with etheric pads accompanying tough and edgy basslines and melodic synth leads.
All this is set to steady and raging dubstep beats that are dancefloor tested and certified for peak time enjoyment.
Mimosa takes listeners on a journey through warm rhythmic sound-scapes, with melodies and vocal samples smoothly crafted to help navigate the sonic terrain. Using basslines inspired by hip-hop classics like Too Short and Dr Dre, combined with deep psychedelic textures reminiscent of the downtempo and midtempo output by Tipper and Bluetech, Mimosa blends the range of styles to create his own fresh take on the west coast sound.
Mimosa’s debut EP release, Hostilis, presents tracks with heavy-hitting low frequencies, sexy grooves, and uplifting dub infusions, floating between instrumental Hip Hop and Dubstep.
The Hostilis EP also features prolific MC Souleye from Colorado known for his extensive touring with jam bands like BLVD and STS9 and the track ‘Framboise’ features beautiful vocal textures provided by Canadian artist Sasha [Butterfly] Rose.
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It was late 2008 when we first encountered SeventhSwami through his performing with the San Francisco ‘Ambient Mafia’ crew and his mixes at Stilldream Campout and were instantly curious about his auditory offerings.
His latest production, ‘Ghosts’, is as uplifting and beautiful as it is quirky, funky and heart-wrenching. It takes a listener through the gentle depths of ‘I Can Fix Things’, to a melancholy, thoughtful and organic journeys of ‘Lucidity’ & ‘Memories’ into a playful and groovy almost future-garage sounding ‘Subterfuge’ and ends with the epic tear-jerking melodic anthem, ‘The Art Of Letting Go’. This time SeventhSwami leaves no stone unturned and delivers a package that is bound to move you.
His debut album ‘Here For Now’ on Muti Music in 2009 garnered him much respect from accomplished Glitch, Downtempo, World and IDM producers.
“Muti further solidifies their reputation as a prime west coast outlet for downtempo electronics with this tight release. ‘tornado dreams’ and ‘forever you forever me’ are highlights, with their digitized focus and IDM aesthetic. thanks for sending…” – SHEN / Noah Pred (Native State/GSC)
”[Seventh Swami’s] mastery of form through such a variety of unique soundscapes is truly impressive, utilizing the best of atmospheric breaks, electronic hip-hop, and warped downtempo without appearing to stretch. Bits of traditional Japanese instrumentation occasionally floats up through the digital distortion and perfectly tweaked samples. The whole thing is still a hair shy of the upper level where Tipper and edIT live, but its very, very close. He’s one more illusion destroying mushroom experience and another album away from greatness.” - Pop Matters Blog
“What an Awesome Album! Some really fresh musicality going on behind the top class glitches & Mangling. This is probably my favourite Muti release so far, & considering the other artists on the Label that in itself is saying something:) keep up the great work & respects to the Seventh Swami!”
- Seb Taylor (Hibernation / Digitalis / Kaya Project etc….)
SeventhSwami is our self proclaimed ‘missionary of music’ and his melodic compositions with intensely crafted atmospherics are a testament to his convictions.
‘Ghosts’ by SeventhSwami is as uplifting and beautiful as it is quirky, funky and heart-wrenching. It takes a listener through the gentle depths of ‘I Can Fix Things’, to a melancholy, thoughtful and organic journeys of ‘Lucidity’ & ‘Memories’ into a playful and groovy almost future-garage sounding ‘Subterfuge’ and ends with the epic tear-jerking melodic anthem, ‘The Art Of Letting Go’. This time SeventhSwami leaves no stone unturned and delivers a package that is bound to move you.
It was late 2008 when we first encountered SeventhSwami through his performing with the San Francisco ‘Ambient Mafia’ crew and his mixes at Stilldream Campout and were instantly curious about his auditory offerings.
His debut album ‘Here For Now’ on Muti Music in 2009 garnered him much respect from accomplished Glitch, Downtempo, World and IDM producers.
“Muti further solidifies their reputation as a prime west coast outlet for downtempo electronics with this tight release. ‘tornado dreams’ and ‘forever you forever me’ are highlights, with their digitized focus and IDM aesthetic. thanks for sending…” – SHEN / Noah Pred (Native State/GSC)
”[Seventh Swami’s] mastery of form through such a variety of unique soundscapes is truly impressive, utilizing the best of atmospheric breaks, electronic hip-hop, and warped downtempo without appearing to stretch. Bits of traditional Japanese instrumentation occasionally floats up through the digital distortion and perfectly tweaked samples. The whole thing is still a hair shy of the upper level where Tipper and edIT live, but its very, very close. He’s one more illusion destroying mushroom experience and another album away from greatness.” - Pop Matters Blog
“What an Awesome Album! Some really fresh musicality going on behind the top class glitches & Mangling. This is probably my favourite Muti release so far, & considering the other artists on the Label that in itself is saying something:) keep up the great work & respects to the Seventh Swami!”
- Seb Taylor (Hibernation / Digitalis / Kaya Project etc….)
SeventhSwami is our self proclaimed ‘missionary of music’ and his melodic compositions with intensely crafted atmospherics are a testament to his convictions.
“There is a place that exists in your mind… a temporary autonomous zone where music, dance, and the life experience become one… where you and everyone around you become one living, breathing, singular entity… Where your mind begins to kindle neurotransmitters, created by the alchemy of your brain eons ago… calling to the ancient tribal ritual of transformative dance as you are guided by the hypnotic music of the techno-shaman leading the party. This is the realm of the SeventhSwami…
Your spirit-guide through the archaic revival… bringing you a fusion of techno, breakbeat, and downtempo, with psychedelic overtones inspired by the unifying vibe found at nor-cal outdoor psytrance parties. His mission: To help raise more people’s awareness through the sacred trance-dance experience. His purpose: To turn human-doings into human-beings, if not just for a moment…” - Seventh Swami
Dov is the person behind Muti Music, a selector at heart, compulsively picking tunes for record labels and for your dancing / listening pleasure.
He produces everything from Dubstep to various downtempo, midtempo and uptempo Breaks and also receiving accolades for collaborations with An-ten-nae and ill.Gates.
His sound when performing represents that of a whole movement of young producers coming out on his Muti Music imprint and adds directions that you know are going to emerge more in the future.
Known for his energetic sets that delve as hard into a tranquil interlude as they do into bassline drops and glitched out frenzies. The sounds to be expected from Dov are always elevated and emotional, whether downtempo or peak time uptempo in super-clubs, his diversity and experience have prepared him for the job.
Past gig highlights include Burning Man, Village Stage Shambala (Canada), Trigger (UK), Shine On (Australia), Raindance (San Francisco), Get Freaky (San Francisco) and a plethora of outdoor summer festivals.
Related production and company projects that Dov has founded / worked on include: Muti Music, Cyberset Music, Fusion Festival and monthlies, Eyephunk, “ig-nite”, Radio-v, Digital Be-In, 1015 Folsom, Subalicious, Shattered, Music without Borders and multiple ‘one-off’ nights.
Discography: Dov on Discogs.com
Dov Myspace page
“Every now and then, from out of nowhere, comes a total killer track. This is one of those tracks.
I’ll be smashing this one for real!”
- Concord Dawn
http://www.facebook.com/concorddawnNZ
“This is expertly produced, brilliant DnB.”
- Madeon http://www.facebook.com/itsmadeon
“This is faaaat! This will destroy any dancefloor. Played at the right time, this track will tear the roof down.
Definitely not for the light hearted.”
- Laurent Garnier
http://www.facebook.com/laurentgarnierofficial
Bassnectar: “OOOOOH YEAH! THAT ONES HOT! LOVE THE D&B DOOD!
WELL DONE!!!!!!”
Via Twitter
After a brief hiatus scoring music for film and advertising Greg Reve (T.O.B.) is back with Decoy, i.e. the bassline equivalent of a 6-pack abdominal workout. Previous support for his tunes has come from the likes of Bassnectar, N-Type, Laurent Garnier, David Starefire, Digital Rust and the “Hot 1 @ 1” spot on Bobby Frictions show on BBCRadio1. This same cast is lining up in support of this new EP along with Dieselboy and they’re eagerly anticipating more.
Greg Reve (T.O.B.) music has also been featured on the infamous Ninja Tunes “Solid-Steel” show on BBCRadio1 and on hit american TV show “Criminal Minds” as 1/3 of Hip-Hop band ‘The Realist’ that also came out on Muti Music in 2010.
On Decoy Greg Reve (T.O.B.) teams up with Hip-Hop MC Whosane, who has been featured with Mos Def on past tunes with Ski Beats. Whosanes vocal on Decoy is driving, edgy and straight up heat.
The EP then features instrumental remixes by top Muti Music artists ill.Gates & Dov, New Zealand artist and ‘lady behind all things bassline’, Unsub and the man who’s dominated many a Beatport ‘dubstep’ chart namely Mark Instinct .
If you’re feeling in need of some medicinal bassline catharsis then this EP is for you !
We’ve gathered a collection of who’s-who from the Canadian and US Glitch Hop and Dubstep scenes that each deliver a unique remix as well as adding extra melody and flavor to Subverts anthem track ‘Speaker Humpin’. Four versions were heard on the Village Stage at this years Shambala Music Festival by a few thousand bass addicts and mosh pit revelers.
The mixes take you through multiple aspects of contemporary bass culture and if bass is your thing then there is a version for you.
About Subvert
Subvert hails from Calgary, Alberta and his winding path in music started in 1996. Proof of his dedication to ‘bass’ is in his track record of creating the world’s loudest competition vehicles, designing pK’s 90,000 watt sound system and managing the Village Stage at Shambhala Music Festival. He started DJing in 2000 and combined with his extensive work on sound systems and attention to precision sound, he was ultimately & naturally led down the path to creating his own music productions and once again the low frequencies consumed him.
Subvert’s sound is a combination of throbbing, relentless basslines, melodic strings and haunting pianos singing through midtempo glitch / acid crunk and dubstep. His attention to detail and the ability to tune into ‘bass that works on a sound-system ’ can be felt in all of his music productions, he is an expert in the subsonic, the crowd and the show.
Subvert’s ‘Dirt Nap’ EP rocked the Addictech and Beatport ‘Grime / Dubstep’ charts and lead to him being featured in XLR8R magazine and radio play on multiple urban music shows, his Speaker Humpin EP on Muti Music and Party Alarm EP on Rottun Recordings blurred boundaries between edgy Dubstep, Glitch Hop and Big Beat. Also having released on Punch Drunk and Rottun Recordings, this artists talent has been noted.
The success of An-ten-nae’s Acid Crunk series has helped define more than a genre but a culture of freaky funk for the dancefloor.
This time round An-ten-nae picked Cape Town, South Africa based artists ‘Mix n Blend & Narch’ and then put the track through his own remix actions and got remixes by some of the US west coats most sought after artists of the moment, namely; Beats Antique, Dov, Mochipet and Random Rab. From the jazzed out instrumentation of Beats Antique to the hyphe glitch of Mochipet the effect is high impact and made for dancing.
Mix n Blend & Narch have been rocking festivals around South Africa from Oppikoppi to Rezonance and then keeping their local Cape Town scene funky and fresh with diverse beats.
Mix n Blend s debut album in 2009 ‘Look Mom, No Hands’, on African Dope Records was widely supported including Boom Monk Ben from Solid Steel Records UK including numerous Mix n Blend tunes in his now famous Solid Steel Mixes. 2010 also started hot for these young fellas with their dubstep crunk ‘Get Crunk Wit Jesus’ track getting signed to UK based Skanky Panky Records and selling well. The future is bright with Mix n Blend & Narch bringing us a little of that sunny South African heat.
‘The Earth Bleed EP is deep and brooding and at other times playful, humorous and uplifting. ‘
Dov’s original mix of ‘Earth Bleed’ delves into ever expanding basslines and organic textures at times reminiscent of volcanic fissures and atmospheric rips. One of USA’s pioneers of electronica, namely ‘Single Cell Orchestra’ takes things even deeper ‘into the darkness’ with a remix of squelchy basslines and a steady groove.
Rounding out the remixes of the title track is LayerZ (also known as Audiovoid) delivers a version that is ghostly, haunting and yet helps dig us out of the deep pit of bass with rolling almost melodic basslines. Moving onwards the EP also features a collaboration track with Canadian breaks, dubstep, glitch, techno, electro producer / man of the moment, ill.gates, the track is almost theatrical in nature, with clear dubstep influences, lots of field recording and sound design and also picking up the pace a little and showing much variety in beats and percussion.
The EP is rounded of with an uplifting midtempo breakbeat track that is great for something to round off a night.
Acid Crunk EP2 takes us deep into bass driven, Electronica, Hip Hop and Dub fusion territory featuring a remix by Ninja Tune artists Ghislain Poirier & Face T and then also a more dance club oriented mix by Muti’s own Dov.
“Long established San Fran producer An-Ten-Nae ditches his (tired old) breakbeat, trance and techno, in favour of ‘acid crunk’, cranking up the dangerously dirty electro beats over a death metal style grunt to die for. Distinctly French in vibe (as in Institubes/ Level 75 style French) Destroy The System might do exactly that.Evil.”
Mike Hogan Reviewer for: MOFO, Flux mag, TTR mag, Nuskoolbreaks.co.uk, Breakspoll.com: DnA - Elixir - Muti Music
Back in the day San Francisco was thought of as the hippy capital of the world, the inherent drug consumption must have made it’s way beyond the water to the very foundations of the city itself. Muti Music, the West coast’s most experimental (in a “don’t give a fuck - if its good, it’s good!” kind of way) breakbeat label keeps managing to excel itself in terms of non-conforming beatiness.
DnA brings us an incomparable melange of techno, tech funk and glitched breaks in the shape of ‘Elixir’, a track that has certainly dug deep into those acidic foundations for narcotic induced inspiration. With an almost aphexic blend of 4/4 heavy heavy stomp and twisted glitchy breaks the ‘ruined’ remix continually modulates it’s gruff synth-shapes (whilst bending the mindframe) before encouraging involuntarily body re-shaping on the dancefloor. Not for the timid, or impatient, this should be mixed long and hard, fairly late at night when the party extras are at full peak.
For a slightly more straightforward breakbeat version old noodles (Si Begg of course) himself has worked his sonic mastery with his bleep n glitch genome remix. Long drawn out bass edits and showers of blippery pepper the beggy breaks. Lurching between glitch breaks, grime and late night gloom it’s sure to be a trigger favourite, again - for the late night crew, don’t expect smiles and hands in the air though!
Outstanding listening! Clipping Paths provides deep urban vibes, bass-driven tribal mid-tempo, trip hop and ‘glitch-hop’ that will also rock most dancefloors. The last few tracks take you into deeper territories providing a luscious ending for the CD.
Muti Music is known for finding new and unique talent, this compilation features the Muti roster and closely related artists who are also emerging on labels like Interchill, Cyberset and Native State.
Clipping Paths is a compilation showcase of the sounds that are moving the west coast at the moment as well as many other areas around USA, including small pockets in Colorado, Texas, Oregon and New York.
The CD ranges from deep urban vibes from Suff-x, Undecided and Vibesquad, to ethereal bass-driven tribal midtempo and Trip Hop from an-ten-nae, Nanda, KiloWatts, Timonkey and Dov, to a crunky mixed genre mid-tempo track from Ooah, that is sure to rock most dancefloors, but deep enough at the same time to prove the perfect segway heading into the deeper territories of IDM, Leftfield and Nugaze inspired tracks from Audiovoid, Kraddy and Slidecamp ending the CD in a very warm and luscious space.
Many of the styles featured have been growing in popularity and seeing large exposure with the emergence of a similar musical tastes in scenes growing in Berlin, San Francisco, London and even Cape Town. This ‘newer’ sound has partially been an homage by producers to the Hip Hop and Big Beat along with early experimental electronica that they loved in the nineties and bootlegging the hyphe and crunk of the new millennium with the new digital tools and a new production based prowess.
Muti Music is known for finding new and unique talent, this compilation features most of Muti’s regular roster and then a group of closely related artists that we are feeling, who are also emerging on labels like Alpha Pup, Interchill Records, Dirtybird and Native State.
This compilation is as fun for a manic dancefloor stomp, a come-down session, a groove and a mingle, a fire warmed cabin or even a walk on the beach.
The second of two CD’s compiling all the Muti Music catalog from the first three years, this one serving as a statement for the future direction of the Muti Music label and our impact on urban music. That direction being a continued commitment to electro bass influenced music, combining existing tearout and bass driven breakbeat with electro and using slower tempos while still creating dance-floors mayhem. ‘Conscious Ferilla’ by Kraddy served as the perfect track to launch our intentions.
The release also features artwork from an image by one of our favorite visual artists, Mark Holthusen.
Big Shot Magazine Review: Electro is great. Long live electro. But its been a while since we’ve had electro of this quality with three tunes of varying styles that could all be A-sides on their own.
“Euphoria” gets inside your head in the way only electro can, with a minimalist approach that’s always good and a collection of nasty tech synth sounds all given just enough reverb, this tunes gets better with each listen.
LayerZ brings the Evil Stuff, a tune that fuses electro with dubstep faitly successfully and again, while the production is excellent it feels as if some of the glitch is there just for its own sake, diminishing the quality of the tune a little. “Electronom” is arguably the best track on the EP. the Bassline is heavy and the melody has an almost Kraftwerk feel ala “Trans Europe Express”, ideal for the best soundsystems.
‘Conscious Ferilla’ was one of the first tracks spawning the genre classification ‘Glitch-Hop’ and has been played by everyone who does the midtempo breaks business. Kraddy - Brecht has become somewhat of a classic wobbly bass track with it’s epic intro and support form a wide range of DJs and this time Dov also enters the roster on remix duties with a steppy rework combining ethereal voice sounds along with sirens and wobbly bass.’Becht’ was also included on the ‘Sound In A Vacuum vol 2′ on Atomic Mouse Recordings and on Kraddy’s artist album ‘Truth Has No Path’ on Refiner Records. This EP also saw the first outing of the collaboration project between Dov & An-ten-nae composing as D’nA, this time combining electro bass influences with tearout breaks and dubby vibes, it is a smasher on the floor.
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The Realist are here to tell it like it is. They are the political party that doesn’t want your vote. They are the religion that doesn’t want you kneeling at their altar. They are the uncomfortable truth that you don’t want to hear. Taking no prisoners in their war of attrition against the superficiality and moral hypocrisy of polite society and popular culture, The Realist stay true to their name.
Part hip hop crew, part rock group, The Realist are; producer T.O.B. (The Triplet of Bellville), and rappers Kid Clever and Sinister Dexter.
Wearing their anger and disgust like a badge of honour, The Realist defy genres with their bone-crushing fusion of glitch-hop and electronica. With the power of an apocalyptic opera, their sound is characterized by heavy electronic basslines underpinning orchestral soundscapes layered with powerful lyrics and tortured death metal vocals.
T.O.B. (Triplet of Bellville)
With influences ranging from Chopin, Grieg and Rachmaninov to Richard Devine, Amon Tobin and Autechre, T.O.B. is the musical force behind The Realist. Always striving to push boundaries, T.O.B. gives life, depth and emotion to his music by incorporating live instrumentation and vocalists.
T.O.B. always seeks to evoke extreme emotions with his music. His background as a sound engineer ensures that The Realist’s sound is as technically pure as it is emotionally charged.
Sinister Dexter
Sinister Dexter’s name is derived from the Latin words meaning ‘left’ and ‘right’ respectively. The classical roots of these words also imply ‘evil’ and ‘good’. The theologian of the crew, Sinister Dexter seeks to explore the religious morality and blinkered conformity he experienced growing up in the Cape hinterland. Labelled the dirty white rap machine gun, Sinister Dexter is the byproduct of modern society, a reflection of what the world has become. Unafraid to tackle taboos or speak his mind, you may wish to bury your head in the sand or look the other way, but Sinister Dexter will always be right there to remind you that life isn’t all blues skies and pretty flowers.
Kid Clever
Originally hailing from Kimberley, Kid Clever, the self-proclaimed, ’short sh*t with the biggest mouth in the business’, is a ticking timebomb waiting to explode. Always willing to put his life on the line to make a point, Kid Clever applies his razor-sharp street smarts to social ills of all kinds.
The vicious attack dog of the crew, Kid will battle anything that moves. With his ‘never say die’ attittude, even if you could outwit this Clever Kid, you’d never manage to silence him.
On Hate Speech, The Realist deliver bone crushing basslines with ruthless urban lyrics as easily as they drift into inner city turmoil and emotive soundscapes and then round it all off with the humorous, filthy and edgy ‘The Ass Track’.
The recent attention been given to South African Hip Hop is not in vane with artists like ‘The Realist’ emerge, bridging gaps between Electronica and Hip Hop. Hate Speech also features guest appearances by Gambino and Ben Sharpa who also featured on Milanese album ‘Lockout’.
The EP is being released as both a vocal and an all instrumental version. Check out a recent MC battle between Waddy / The ninja from Die Antwoord vs Sinister Dexter from The Realist here
On Hate Speech, The Realist deliver bone crushing basslines with ruthless urban lyrics as easily as they drift into inner city turmoil and emotive soundscapes and then round it all off with the humorous, filthy and edgy ‘The Ass Track’.
The recent attention been given to South African Hip Hop is not in vane with artists like ‘The Realist’ emerge, bridging gaps between Electronica and Hip Hop. Hate Speech also features guest appearances by Gambino and Ben Sharpa who also featured on Milanese album ‘Lockout’. The EP is being released as both a vocal and an all instrumental version. Check out a recent MC battle between Waddy / The ninja from Die Antwoord vs Sinister Dexter from The Realist here

MASIA ONE is true to her name sake - the first female to be nominated for a Much Music Video Award (Rap), winner of the CCNC PIONEER accolade and constantly redefining the sound and cultural boundaries of Hip hop music. Her most recent album PULAU has reached no. 2 on CBC Radio 3’s Top 30, no. 1 on CJAM (Windsor) radio and remains in the top 10 on SE Asian Radio charts.
Born in Singapore, Masia One became an early fan of Hip Hop after stumbling upon a bootleg copy of Public Enemy’s It Takes A Nation of Millions to Hold Us Back at the age of 8. A move to Vancouver Canada marked a period where Masia developed as a graffiti artist and b-girl. It was not until her time at the University of Toronto pursuing an Architecture degree, that she took scribbled rhymes to the stage, and began her fast-pace journey into thelife of an emcee. Masia One’s butter smooth flow debuted in 2003 with her independent release Mississauga. Four videos, international bookings and countless media appearanceslater, the emcee is ready to release the story of her journey: PULAU. PULAU, the Malaysian word for “The Islands”, reflects influences including the culture of SE Asia, heated dance hall tempos of Jamaica and the feel good vibe of California. Masia One has toured PULAU across Canada, Malaysia, Indonesia opening for The Roots and Singapore where she headlined the HENNESSY World Stage.
Masia One is now positioned to take on Hollywood, completing her latest album with Los Angeles based record label Kops & Robbers. Grammy award winning producer Che Vicious has crafted an album that features Masia’s remarkable flow over highly infectious dancehall, electro and dance rhythms. As Dr. Dre’s right handman, Che has worked with everyone from Lauryn Hill, Jay Z and Eminem to name a few. This much anticipated release will catapult Masia One into the mainstream as this Singapore- Canadian girl becomes a household name for urban music internationally.
We were first blown away by Masia One through her work with ill.gates & Meesha on the track ‘Irma Vep’ released on ill.gates album Autopirate (MutiCD006) and henceforth discovered her album PULAU.
Hearing the similarities of her Hip Hop with contemporary Electronica, Grime and Dubstep, our electronic producers were eager to work with her, we approached Masia One about remixing some of her lyrics, this package includes remixes by An-ten-nae, ill.gates & Meesha and Mochipet.
MASIA ONE is true to her name sake - the first female to be nominated for a Much Music Video Award (Rap), winner of the CCNC PIONEER accolade and constantly redefining the sound and cultural boundaries of Hip hop music. Her most recent album PULAU has reached no. 2 on CBC Radio 3’s Top 30, no. 1 on CJAM (Windsor) radio and remains in the top 10 on SE Asian Radio charts.
Masia One is currently taking on Hollywood, completing her latest album with Los Angeles based record label Kops & Robbers. Grammy award winning producer Che Vicious has crafted an album that features Masia’s remarkable flow over highly infectious dancehall, electro and dance rhythms. This much anticipated release will catapult Masia One into the mainstream as this Singapore- Canadian girl becomes a household name for urban music internationally.
We are honored to have such a quality group of established and emerging artists providing their own take on ‘Irma Vep’, the styles range from Glitch Hop, to deep Dubstep and a few other polyrhythmic versions in between, some feature the vocal and others chose the instrumental route, whatever your preference there should be a version for you.
In the past year, ill.gates (also known as The Phat Conductor), has remixed Si Begg on Noodles, Eprom on Addictech Recordings, Sub Swara on Low Motion Recordings co-produced and remixed DJ Dan with Robb G and released a highly acclaimed artist album ‘Autopirate’.
Meesha was first featured on ‘Autopirate’ and has since made a mark for himself in dubstep, one of his tracks was recently included on Starkey’s mix album, Starkbass, out on the Lo Dubs label.
Masia One is one of the most dynamic women in Hip Hop today, fostering a community of B-Girls and promoting independent Hip Hop in Toronto and abroad, you will be hearing a lot more from her on Muti Music.
Following up on past successes, we got some remixes done by some of the most dynamic emerging talent from Canada and USA in the dubstep and ‘glitch-hop’ scenes providing a good variety of vocal and instrumental mixes, many of which are already seeing huge support. This EP is being released along with a great new video of the original tune.
Special thanks to the video production team and artists at Tokyo based www.lightrhythmvisuals.com
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French/South African well renowned Dubstep artist Greg Reve is coming to a speaker near you. Greg Reve’s ultimate bass defying nectar-filled pulsations send vibrations through your tenderloins. The Romans call it ‘The drink of the gods’, we’ll just admit that ‘we like it’. A lot..
With radio features like Phrygian Mode making ‘Hot 1 @ 1’ on BBC Radio 1, Ninja Tune ‘Solid Steel’, RinseFM & Capital FM, is all but one little taster of what Drum n’ Bass and Dubstep have to offer from the music producer/composer.
Greg Reve has worked & collaborated with top dollar artists such as Mac Lethal and Tasha Baxter, but the proof is in his music and with just a few acknowledgements that his supporters Laurent Garnier, FreQ Nasty , Bassnectar and Madeon live by.
“Every now and then, from out of nowhere, comes a total killer track. This is one of those tracks.
I’ll be smashing this one for real!”
- Concord Dawn
http://www.facebook.com/concorddawnNZ
“This is expertly produced, brilliant DnB.”
- Madeon http://www.facebook.com/itsmadeon
“This is faaaat! This will destroy any dancefloor. Played at the right time, this track will tear the roof down.
Definitely not for the light hearted.”
- Laurent Garnier
http://www.facebook.com/laurentgarnierofficial
Bassnectar: “OOOOOH YEAH! THAT ONES HOT! LOVE THE D&B DOOD!
WELL DONE!!!!!!”
Via Twitter
After a brief hiatus scoring music for film and advertising Greg Reve (T.O.B.) is back with Decoy, i.e. the bassline equivalent of a 6-pack abdominal workout. Previous support for his tunes has come from the likes of Bassnectar, N-Type, Laurent Garnier, David Starefire, Digital Rust and the “Hot 1 @ 1” spot on Bobby Frictions show on BBCRadio1. This same cast is lining up in support of this new EP along with Dieselboy and they’re eagerly anticipating more.
Greg Reve (T.O.B.) music has also been featured on the infamous Ninja Tunes “Solid-Steel” show on BBCRadio1 and on hit american TV show “Criminal Minds” as 1/3 of Hip-Hop band ‘The Realist’ that also came out on Muti Music in 2010.
On Decoy Greg Reve (T.O.B.) teams up with Hip-Hop MC Whosane, who has been featured with Mos Def on past tunes with Ski Beats. Whosanes vocal on Decoy is driving, edgy and straight up heat.
The EP then features instrumental remixes by top Muti Music artists ill.Gates & Dov, New Zealand artist and ‘lady behind all things bassline’, Unsub and the man who’s dominated many a Beatport ‘dubstep’ chart namely Mark Instinct .
If you’re feeling in need of some medicinal bassline catharsis then this EP is for you !
After his debut EP ‘The Next Level’ was featured on the Bobby Friction BBC1 Radio Show, playlisted on Laurent Garniers’ world tour, featured on the Beatport Dubstep charts and saw other support from the likes of Bassnectar, Digital Rust and David Starfire, we knew that T.O.B. was just beginning to make his impact with diverse beats experimentation.
On ‘Evolutionary’, Nonku’s lyrics are the perfect accompaniment for the high impact and epic sounds of Greg Reve (T.O.B.), his experience in sound design has qualified him to produce breakdowns that have drawn comparisons to the likes of Hybrid and Chase & Status. The beats flow energetically and hard, riding the lines between Dubstep, Drumstep, Drum & Bass and general dancefloor mayhem.
Muti Music is excited to announce a new signing of a very accomplished producer, Greg Reve (T.O.B.). Following in the mode of powerful dubstep on offer, ‘The Next Level’ holds no punches and delivers on all accounts with two tracks that are deep and brooding at times and then drive straight into edgy riffs, playful beats and earth trembling bass.
Greg Reve (T.O.B.) Production History:
Greg Reve (T.O.B.) is French-born Composer & Studio Owner Grégory Reveret,
His musical career started at a very young age, having learned the Clarinet and Piano for several years, he then evolved and applied his musical knowledge into electronic music, where his passion lies. With a style that can only be compared to his own and an ever-evolving “hybrid” attitude to his musical direction, Greg Reve (T.O.B.) is set to make huge waves with his epic sound.
Greg Reve (T.O.B.) also composes for the advertising and visual-media industry, having done music composition for TV Networks such as PBS international, ESPN, MTV and even composed the soundtrack to a hit Animation series which was flighted in 13 countries worldwide.
His diverse production and musical style keeps him up to date on all current trends in the ever evolving musical and visual environments.
“I never limit my musical style to anything, it’s important to always keep an open mind about
new things and analyze what it is that makes peoples emotions ‘tick’, when hearing a musi-
cal piece. I strive to push boundaries as far as I can when I write a piece of music, to give it life, depth & emotion. Finding balance where it can be technically pure as well as emotionally charged, this is what I hope to achieve every time I write a musical piece” .
Greg Reve (T.O.B.) is also producer for the Hip-Hop trio “The Realist” where he is constantly forming and creating new sounds and formulas for his Bowl-Wrenching basslines and crisp, attitude-filled production.
Watch this space, T.O.B is here to stay and is going to create some serious dancefloor carnage!
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Audiovoid has been turning heads for many years and his electronic music, evolving from involvement in Death Metal band “Lamia” and journeying to IDM, Techno, Psy-Trance, Breakbeat and Electro. Audiovoid never limits himself to just one genre of music.
In 2002 Audiovoid compiled 80 minutes of material from various demos and created his first full length CD, “Twilight Machine”. In 2003, Ultra Records nominated him a top finalist for a remix he did of Sasha’s ‘Wavy Gravy’. In 2004 he released “Disconnect Yourself” on MDEX Recordings, which went on to release a few more Audiovoid singles and remixes featuring ‘Audiovoid’ amongst high profile Techno & Progressive talent and has more recently released some outstanding Breaks, IDM and Dubstep on Muti Music.
Praise and play has come from the likes of Si Begg and Bassnectar and comparisons to Neil Landstrumm, Ital Tek and Andy Page, Audiovoid is only beginning to show us his full potential. Recent releases and remixes of his have been on Addictech Recordings, IOT Records, Daily City Recordings, IVDT, MDEX, Crunch Pod, Cyberset, Psyber Tribe, Mechanismz and of course here at Muti Music.
“.. shifting between a dark tunnelled cyber-realm playing bassline lazer-tag, a cushioned bed of clouds and bouncing into newly discovered outer regions of the skies, Lurk Sauce is a fascinating journey.”
Audiovoid has been turning heads for many years and his electronic music, evolving from involvement in Death Metal band “Lamia” and journeying to IDM, Techno, Psy-Trance, Breakbeat and Electro. Audiovoid never limits himself to just one genre of music. In 2002 Audiovoid compiled 80 minutes of material from various demos and created his first full length CD, “Twilight Machine”. In 2003, Ultra Records nominated him a top finalist for a remix he did of Sasha’s ‘Wavy Gravy’. In 2004 he released “Disconnect Yourself” on MDEX Recordings, which went on to release a few more Audiovoid singles and remixes featuring ‘Audiovoid’ amongst high profile Techno & Progressive talent and has more recently released some outstanding Breaks, IDM and Dubstep on Muti Music.
Praise and play has come from the likes of Si Begg and Bassnectar and comparisons to Neil Landstrumm, Ital Tek and Andy Page, Audiovoid is only beginning to show us his full potential. Recent releases and remixes of his have been on Addictech Recordings, IOT Records, Daily City Recordings, IVDT, MDEX, Crunch Pod, Cyberset, Psyber Tribe, Mechanismz and of course here at Muti Music.
‘The Earth Bleed EP is deep and brooding and at other times playful, humorous and uplifting. ‘
Dov’s original mix of ‘Earth Bleed’ delves into ever expanding basslines and organic textures at times reminiscent of volcanic fissures and atmospheric rips. One of USA’s pioneers of electronica, namely ‘Single Cell Orchestra’ takes things even deeper ‘into the darkness’ with a remix of squelchy basslines and a steady groove.
Rounding out the remixes of the title track is LayerZ (also known as Audiovoid) delivers a version that is ghostly, haunting and yet helps dig us out of the deep pit of bass with rolling almost melodic basslines. Moving onwards the EP also features a collaboration track with Canadian breaks, dubstep, glitch, techno, electro producer / man of the moment, ill.gates, the track is almost theatrical in nature, with clear dubstep influences, lots of field recording and sound design and also picking up the pace a little and showing much variety in beats and percussion.
The EP is rounded of with an uplifting midtempo breakbeat track that is great for something to round off a night.
It started out as sharing parts to some tunes and LayerZ remixing a tune by Los Angeles based group ‘Kether’ (Tim Ruffhauser and Square-1) and resulted in a conceptual EP using the sound palette to create three distinctively different evolutions of the same sounds.
LayerZ production style has always caught peoples ears with his special gift of sound design and evolving sound spaces, so expect to see a lot more similar experiments in the near future.
Outstanding listening! Clipping Paths provides deep urban vibes, bass-driven tribal mid-tempo, trip hop and ‘glitch-hop’ that will also rock most dancefloors. The last few tracks take you into deeper territories providing a luscious ending for the CD.
Muti Music is known for finding new and unique talent, this compilation features the Muti roster and closely related artists who are also emerging on labels like Interchill, Cyberset and Native State.
Clipping Paths is a compilation showcase of the sounds that are moving the west coast at the moment as well as many other areas around USA, including small pockets in Colorado, Texas, Oregon and New York.
The CD ranges from deep urban vibes from Suff-x, Undecided and Vibesquad, to ethereal bass-driven tribal midtempo and Trip Hop from an-ten-nae, Nanda, KiloWatts, Timonkey and Dov, to a crunky mixed genre mid-tempo track from Ooah, that is sure to rock most dancefloors, but deep enough at the same time to prove the perfect segway heading into the deeper territories of IDM, Leftfield and Nugaze inspired tracks from Audiovoid, Kraddy and Slidecamp ending the CD in a very warm and luscious space.
Many of the styles featured have been growing in popularity and seeing large exposure with the emergence of a similar musical tastes in scenes growing in Berlin, San Francisco, London and even Cape Town. This ‘newer’ sound has partially been an homage by producers to the Hip Hop and Big Beat along with early experimental electronica that they loved in the nineties and bootlegging the hyphe and crunk of the new millennium with the new digital tools and a new production based prowess.
Muti Music is known for finding new and unique talent, this compilation features most of Muti’s regular roster and then a group of closely related artists that we are feeling, who are also emerging on labels like Alpha Pup, Interchill Records, Dirtybird and Native State.
This compilation is as fun for a manic dancefloor stomp, a come-down session, a groove and a mingle, a fire warmed cabin or even a walk on the beach.
Big Shot Magazine Review: Electro is great. Long live electro. But its been a while since we’ve had electro of this quality with three tunes of varying styles that could all be A-sides on their own.
“Euphoria” gets inside your head in the way only electro can, with a minimalist approach that’s always good and a collection of nasty tech synth sounds all given just enough reverb, this tunes gets better with each listen.
LayerZ brings the Evil Stuff, a tune that fuses electro with dubstep faitly successfully and again, while the production is excellent it feels as if some of the glitch is there just for its own sake, diminishing the quality of the tune a little. “Electronom” is arguably the best track on the EP. the Bassline is heavy and the melody has an almost Kraftwerk feel ala “Trans Europe Express”, ideal for the best soundsystems.
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Adam John is a pioneer of deep evolving bass sounds, a skillful producer as well as an advocate of filth in the southwest music scene and a figure of movement in the local electronic arts community. He not only creates slashing beats and wild rhythms for destroying dance floors, but is also committed to supporting fellow artists of similar musical minds through his label Theoretic Records, one of the first drum and bass labels in Arizona.
Perhaps better known by his DnB alias Kid Kryptic, Adam first released his disturbing brand of stuttering stomps on the notorious darkstep/breakcore label Fear Records in 2002. Its success was soon followed by material for Killing Sheep, Hardline, Evol Intent Recordings and the “Get Up” bootleg through Camouflage UK. By founding his own label, Theoretic Records, Adam was then able to promote local talent as well as his own versatile style, keeping the electronic music artists of the area motivated, inspired, and producing dark and disturbing drum and bass.
Soon Adam dove into other bass-heavy genres such as dubstep and glitch hop, finding a world of fresh sounds on the more experimental end of the EDM spectrum. 2008 and 2009 saw his first releases with a variety of hard-hitting indie labels around the nation, including Tuff Love Dubs, Filthy Digital, Shift Recordings, Darkstep.org, Adversion and Zardonic Recordings.
With a new passion for the realm of the glitch and the stomp, Adam now dips his fingers in a myriad of bass-driven genres to create an eclectic, signature sound of bruising forcefulness, haunting chords and lush sonic backdrops. His expert finesse of harmony and discord has not gone unnoticed; Adam’s upcoming EP Moments is set to be released later this year on Muti Music out of San Francisco, an innovative label that is pushing forth a West Coast aesthetic of the crunk and crunchy. His music fits in well in this world of stuttering beats and explosions of bass, with sawtooth basslines and 8-bit sounds that are hashed together in a slight neurofunk sauce and delivered with an edge that is more hard than hippie.
Whether you are in Phoenix or Fiji, the growing, mutating waves of bass music love will soon be lapping at your toes, if they aren’t already. Join Adam John as he explores the depths and heights of the delicious bass-ridden beats, using his versatile talents and love of the craft to deliver a warm and warped experience wherever speakers can be found.
‘ … etheric, uplifting and at times melancholy, chilled out and glitched to maximum effect’.
- On ‘Moments’ - Adam John delivers an EP of deep glitched out beats that are emotive and inspiring. Each track on ‘Moments’ draws on a strong sense of mood and circumstance. ‘Tear This Up’ is a midtempo breakbeat roller with dissonant atmospherics and strong leads, while ‘Fog’ & ‘Patience’ take the listener into downtempo IDM with more emphasis on tonal atmospherics, while ‘Fall In’ is a standout track on the EP with it’s vocal led groove, almost chaotic synthesis and large pulsating basslines. ‘Moments’ is an emotive journey, enjoyed by those ready to be moved.
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An*Ten*Nae - Muti Music / Acid Crunk SF http://www.an-ten-nae.net
An*Ten*Nae is one of San Francisco’s most sought after DJs and live performers. He has taken the art of live remixing to new heights with his own customized setup, that bends genres in ways seldom heard. This sound is called Acid Crunk, and there are no rules, no restraints in its quest for pure sound that is not Homogenized. 2010 also sees the birth of An*Ten*Nae “The Live Experience, featuring an audio visual barrage including live drums and synths combined with dramatic theatrical and visual stimulation. Welcome to the future, and no it wont be televised.
An*Ten*Nae is an entity possessing the human mind of one Adam Ohana, giving him the ability to transcend above the constraints of music rigidity and transmit bass heavy, crunked out beats of the highest order. His bar raising Live mix mashup compilations, “Punk Rock Country Hop” and “Acid Crunk Vol. 1” have set the standard and has defined an era with over 300,000 downloads to date. Picking up steam in 2009 Acid Crunk Vol. 2 maintained the # 1 seller in Dubstep, Electronica and Chillout genres simultaneously while also having all 14 tracks in their respective genre top 10, as well as rocking the charts on iTunes, Juno Digital and a host of other sites. With an album in the works and the ever growing Acid Crunk series running at full steam, we see no end in site for the ever changing chameleon known as An*Ten*Nae.
Besides DJ’ing and producing electronic music for over 10 years on a wide collection of esteemed labels, Adam Ohana has also been an instrumental part of the underground music culture in SF. From being the Music director at of San Francisco’s largest Club venue 1015 Folsom, to his production company called An*Ten*Nae Presents. These events helped break a lot of artists in Bass oriented music on the west coast, including Bassnectar, Glitch Mob, Rusko, Modeselektor and Tipper to name a few. His events have helped catalyze what is now a thriving music scene that spans the west coast and increasingly proliferating dance music culture as a whole. He also produces and performs with DJ Laura as The Lo Riderz, a project that can only be described as a concoction of liquid sassafras that aims to take the party to a deeper level, new music from this duo will be available shortly.
Booking: .(JavaScript must be enabled to view this email address)
View An-ten-nae’s discography and other aliases here
An-Ten-Nae and his Acid Crunk machine has been on a non-stop rampage this summer, with major sets at festivals like Wakarusa, RE:Generation, L.I.B. amongst a host of others. On his new Acid Crunk Vol. 4 compilation you start getting a feel for how diverse the ‘Glitch-Hop / Crunk’ music scene is, riding hand in hand with the growth of Dubstep and seen by many as ‘post-dubstep’. This isn’t Dubstep, Hip Hop, Wonky or anything usually packaged neatly for mass consumption. It’s an amalgamation of squashed neon-tinged futuristic bass music. All we can say is ... get ready! An-ten-nae is currently touring internationally in support of the compilation, keep your ear to ground for his shows in a city near you.
An-Ten-Nae is an entity possessing the human mind of one Adam Ohana, giving him the ability to transcend above the constraints of music rigidity and transmit bass heavy, crunked out beats of the highest order. His bar raising Live mix mashup compilations, “Punk Rock Country Hop” and “Acid Crunk Vol. 1” have set the standard and has defined an era with over 300,000 downloads to date. Picking up steam in 2009 Acid Crunk Vol. 2 & Vol. 3 maintained the # 1 seller in Dubstep, Electronica, Breaks and Chillout genres simultaneously while also having all 14 tracks in their respective genre top 10, as well as hitting the Top 10 Dance charts on iTunes. He is one of San Francisco’s most sought after DJs and live performers. He has taken the art of live remixing to new heights with his own customized setup, that bends genres in ways to suite his means.
An-ten-nae and his Acid Crunk machine has been on a non-stop rampage this summer, with major sets at festivals like Wakarusa, RE:Generation, L.I.B, and a host of others.
On Acid Crunk ep 8 An-Ten-Nae once again shows the diverse range of Acid Crunk, and debuts one of the hottest festival acts this summer, his new project with DJ Laura, The LowRIDERz. Plus a collaboration with Love and Light, and some Original tracks that range from futuristic dubstep, to half time, Drumstep.
With Acid Crunk vol. 4 in the works right now and a full schedule of touring for the foreseeable future, we see signs of ‘An-ten-nae, the Acid Crunk juggernaut’ creeping its way into the psyche of the Bass enthusiasts everywhere.
An-Ten-Nae is an entity possessing the human mind of one Adam Ohana, giving him the ability to transcend above the constraints of music rigidity and transmit bass heavy, crunked out beats of the highest order. His bar raising Live mix mashup compilations, “Punk Rock Country Hop” and “Acid Crunk Vol. 1” have set the standard and has defined an era with over 300,000 downloads to date. Picking up steam in 2009 Acid Crunk Vol. 2 maintained the # 1 seller in Dubstep, Electronica and Chillout genres simultaneously while also having all 14 tracks in their respective genre top 10, as well as hitting the Top 10 Dance charts on iTunes. He is one of San Francisco’s most sought after DJs and live performers. He has taken the art of live remixing to new heights with his own customized setup, that bends genres in ways seldom heard. Acid Crunk Vol. 3 is without a doubt one of the most anticipated releases of the year, 16 mindboggling compositions from some of the top and emerging urban breaks talent.
This is a new dawn, a defining moment in West Coast Underground music currently dominating sound systems worldwide. This isn’t Dubstep, Hip Hop, Wonky or anything usually packaged neatly for mass consumption. It’s an amalgamation of squashed neon-tinged futuristic bass music. With Acid Crunk Vol. 3 you start getting an idea of how diverse and far ahead the ‘Glitch-Hop / Crunk’ music scene is, riding hand in hand with the growth of Dubstep and seen by many as ‘post-dubstep’. All we can say is ... get ready! An-ten-nae is currently touring internationally in support of the compilation, keep your ear to ground for his shows in a city near you.
An-Ten-Nae - Muti Music / Acid Crunk SF http://www.an-ten-nae.net
An-ten-nae is one of San Francisco’s most sought after DJs and live performers. He has taken the art of live remixing to new heights with his own customized performance setup, enabling him to bend genres in ways seldom heard.
Acid Crunk EP#7 demonstrates the power of the west coast bass culture in all its glory. The EP start off with his remixes of Australian vocalist Deya Dova’s ‘5 So Happy’ , which brought the house down on the Village Stage at Shambhala Music Festival this year, on the dub version he strips all the elements of the original, only keeping light vocals and creating a tribal-acid-stepper of epic proportions. Following is the Instrumental of his track Take A Stand which features massive 808’s, warped Basslines, and searing effects. Dirty #7, picks the tempo up to a sizzlin 108. with oversized drums, and colliding Basslines, the EP ends off heading into Deep Acid territory with his psychedelic stormer titled Hello. An-Ten-Nae is currently putting the finishing touches on his Acid Crunk Vol. 3 compilation, which we guarantee will blow sum eardrums and have your eyeballs popping out of yer sockets!!
An-ten-nae is an entity possessing the human mind of one Adam Ohana, giving him the ability to transcend above the constraints of music rigidity and transmit bass heavy, crunked out beats of the highest order. His bar raising Live mix mashup compilations, “Punk Rock Country Hop” and “Acid Crunk Vol. 1” have set the standard and has defined an era with over 300,000 downloads to date. Picking up steam in 2009 Acid Crunk Vol. 2 maintained the # 1 seller in Dubstep, Electronica and Chillout genres simultaneously while also having all 14 tracks in their respective genre top 10, as well as rocking the charts on iTunes, Juno Digital and a host of other sites. With an album in the works and the ever growing Acid Crunk series running at full s
The success of An-ten-nae’s Acid Crunk series has helped define more than a genre but a culture of freaky funk for the dancefloor.
This time round An-ten-nae picked Cape Town, South Africa based artists ‘Mix n Blend & Narch’ and then put the track through his own remix actions and got remixes by some of the US west coats most sought after artists of the moment, namely; Beats Antique, Dov, Mochipet and Random Rab. From the jazzed out instrumentation of Beats Antique to the hyphe glitch of Mochipet the effect is high impact and made for dancing.
Mix n Blend & Narch have been rocking festivals around South Africa from Oppikoppi to Rezonance and then keeping their local Cape Town scene funky and fresh with diverse beats.
Mix n Blend s debut album in 2009 ‘Look Mom, No Hands’, on African Dope Records was widely supported including Boom Monk Ben from Solid Steel Records UK including numerous Mix n Blend tunes in his now famous Solid Steel Mixes. 2010 also started hot for these young fellas with their dubstep crunk ‘Get Crunk Wit Jesus’ track getting signed to UK based Skanky Panky Records and selling well. The future is bright with Mix n Blend & Narch bringing us a little of that sunny South African heat.
An-ten-nae has long been a purveyor of fine exotic beats and low slung crunk.
Acid Crunk Vol 2 started off as a free mixtape that has now been downloaded over 37,000 times. Now, what is Acid Crunk?
It’s a no rules genre bending booty shakin’ synthesis of the dirty dirty that makes that subs in your low rider bump; and it sure goes nicely with that Ice Cream paint job. In the words of Martin Turenne (Straight.com) Acid Crunk “Conjures the druggy textures of early house and the fearsome bass of millennial hip-hop, marrying the West Coast breaks sound with the brooding atmospheres of London’s dubstep scene.”
Acid Crunk Vol. 2 kicks off with An-ten-nae’s own low frequency taser, Bang That, he locks in the dance floor with a deep electro groove and then fires up on all cylinders with a flick of the switch. Next up is Ooah (Glitch Mob & PANTyRAiD) From it’s lush start to its acid tinged convulsing basslines, ‘Foolish Silence’ has devastated every dance floor it’s been dropped on and his live performances have induced pandemonium across the globe, Most recently he appeared on the soundtrack of Tim Burton’s masterpiece film ‘9’. Datsik has virtually dominated the Beatport dubstep charts for months, and here again proves why he is a new standard in audio excellence. With ‘Southpaw’, Datsik delivers the goods. The other half of PANTyRAiD (aka Marty Party) turns Acid Crunk on its head
with a jackknife of a bass-driven track. Following the current success of the PANTyRAiD album The Sauce, (Marine Parade) Marty ‘s forthcoming album, on the same label, due in January 2010.
From ‘Down Under’, our Australian agent in crunk, Opiou, adds a little funk with his crunk ‘King Prawn’. Look out for his forthcoming EP on Addictech Recordings.
Akira Kiteshi has earned support across the board from the likes of Mixmaster Mike, N-type to Mary Anne Hobbs, with ‘Ulysses’, this Scotland native delivers his own nasty brand of alien funk infused dubstep from the 31st century.
Head south to Bristol and you’ll find Gemmy, one leg of the ‘Purple Trinity’ (with Joker and Guido) His newest offering ‘Bleep’ is some Bristol / Brizzle Bass Crunk guaranteed to turn those head nodders into instant body rockers. For more of his unique brand of crunk, check out his track on Mary Anne Hobbs newest compilation “Planet Mu”.
An-ten-nae returns with a remix of ‘Do You’ by UK supergroup Freeland (feat. Adam Freeland & Tommy Lee on Drums), he dissects the track into a heaving acid tinged monster sure to make all the ladies squeal.
The next 3 tracks showcase emerging talent from the US and Canada. Apox who hails from Nevada, Colorodo’s own Samples and Ill-Esha & Dewey DB (Vancouver) throwing down tasteful and versatile tracks from the ‘Glitch Hop’ school of crunk.
Collaborations often bring out the best in artists, and ‘Pharma Sutra’ is a testament to that and this off beat slammer by Filastine (Barcelona) and Ill.Gates (Toronto) will make your jaws drop. Don’t say we didn’t warn you.
Chillout maestro Bluetech helps bring things down a bit, journeying into thedeeper shades of crunk with ‘Waiting For Initiation’.Finally, no global journey into emerging electronic genres should be complete without a stop to Berlin,so we leave you with Robot Koch and his off-kilter beauty of a track ‘Hard to Fin’, off his upcoming album Deathstar Droid.
Symbiosis Gathering in it’s 5th year has become a unique festival in Yosemite California featuring leading artists in a broad range of music styles including House, Electro, Dubstep, Breakbeat to Jamtronica and performance art groups like The Yard Dogs, artist Andrew Jones visual art project called, Phadroid and live painting by Alex Grey.
This year they contacted Muti Music to help put together a compilation featuring some of the stars and rising stars of the 2009 gathering and the result is nothing short of spectacular, Muti staples like An-ten-nae, Heyoka and Knowa Knowone are featured along with the likes of Eskmo, Beats Antique, Worthy and Goddess Alchemy Project, the compilation also features the debut release from Mimosa’s one side project with Sleepytime called, SexyTime. Pop it on and get ready for a diverse journey into festival style electronica.
We are honored to have such a quality group of established and emerging artists providing their own take on ‘Irma Vep’, the styles range from Glitch Hop, to deep Dubstep and a few other polyrhythmic versions in between, some feature the vocal and others chose the instrumental route, whatever your preference there should be a version for you.
In the past year, ill.gates (also known as The Phat Conductor), has remixed Si Begg on Noodles, Eprom on Addictech Recordings, Sub Swara on Low Motion Recordings co-produced and remixed DJ Dan with Robb G and released a highly acclaimed artist album ‘Autopirate’.
Meesha was first featured on ‘Autopirate’ and has since made a mark for himself in dubstep, one of his tracks was recently included on Starkey’s mix album, Starkbass, out on the Lo Dubs label.
Masia One is one of the most dynamic women in Hip Hop today, fostering a community of B-Girls and promoting independent Hip Hop in Toronto and abroad, you will be hearing a lot more from her on Muti Music.
Following up on past successes, we got some remixes done by some of the most dynamic emerging talent from Canada and USA in the dubstep and ‘glitch-hop’ scenes providing a good variety of vocal and instrumental mixes, many of which are already seeing huge support. This EP is being released along with a great new video of the original tune.
Special thanks to the video production team and artists at Tokyo based www.lightrhythmvisuals.com
An-ten-nae - Acid Crunk EP 5 fulfills all the themes that have been featured in this ‘acid crunk’ series that has included performances and remixes by Ghislain Poirier, Face-T, Lawgiverz, Dov, Samba and Outersect.
This time round we are honored to also have Jamaican dancehall star ‘Buccaneer’ featured twice, delivering an awesome vocal performance that flows effortlessly over heavy basslines.
An-ten-nae’s Acid Crunk EP 4 fulfills all the themes that have been featured in this ‘acid crunk’ series that has included remixes by Ghislain Poirier, Lawgiverz, Dov and vocal stylings of Samba. Once again Samba is featured, however An-ten-nae delves into his dubstep influences this time for a very deep and pleasurable experience that will also rock the spot.
Left Coast Stomp is already emerging as a ‘Left Coast’ anthem and we know that you’ll hear a lot more from An-ten-nae in 2009.
An-ten-nae’s Acid Crunk EP 3 fulfills all the themes that have been featured in this ‘acid crunk’ series that has included remixes by Ghislain Poirier, Lawgiverz, Dov and vocal stylings of Samba. Once again Samba is featured, however An-ten-nae delves into his acid influences this time for a very deep and groovy session.
What are they saying about this release:
Nick (Interchill) : “Very cool … Liking this one lots. Also liking Nanda’s album”
Sneak-E Pete (Blunted Funk / Samurai FM) :”dope stuff, Adam should be proud of this…really diggin Djelem and Monkey in My Attic a lot…and the remix of Outersect, will definitely play out, and put on some upcoming Samurai FM mixes.”
Acid Crunk EP2 takes us deep into bass driven, Electronica, Hip Hop and Dub fusion territory featuring a remix by Ninja Tune artists Ghislain Poirier & Face T and then also a more dance club oriented mix by Muti’s own Dov.
“Long established San Fran producer An-Ten-Nae ditches his (tired old) breakbeat, trance and techno, in favour of ‘acid crunk’, cranking up the dangerously dirty electro beats over a death metal style grunt to die for. Distinctly French in vibe (as in Institubes/ Level 75 style French) Destroy The System might do exactly that.Evil.”
Mike Hogan Reviewer for: MOFO, Flux mag, TTR mag, Nuskoolbreaks.co.uk, Breakspoll.com: DnA - Elixir - Muti Music
Back in the day San Francisco was thought of as the hippy capital of the world, the inherent drug consumption must have made it’s way beyond the water to the very foundations of the city itself. Muti Music, the West coast’s most experimental (in a “don’t give a fuck - if its good, it’s good!” kind of way) breakbeat label keeps managing to excel itself in terms of non-conforming beatiness.
DnA brings us an incomparable melange of techno, tech funk and glitched breaks in the shape of ‘Elixir’, a track that has certainly dug deep into those acidic foundations for narcotic induced inspiration. With an almost aphexic blend of 4/4 heavy heavy stomp and twisted glitchy breaks the ‘ruined’ remix continually modulates it’s gruff synth-shapes (whilst bending the mindframe) before encouraging involuntarily body re-shaping on the dancefloor. Not for the timid, or impatient, this should be mixed long and hard, fairly late at night when the party extras are at full peak.
For a slightly more straightforward breakbeat version old noodles (Si Begg of course) himself has worked his sonic mastery with his bleep n glitch genome remix. Long drawn out bass edits and showers of blippery pepper the beggy breaks. Lurching between glitch breaks, grime and late night gloom it’s sure to be a trigger favourite, again - for the late night crew, don’t expect smiles and hands in the air though!
Outstanding listening! Clipping Paths provides deep urban vibes, bass-driven tribal mid-tempo, trip hop and ‘glitch-hop’ that will also rock most dancefloors. The last few tracks take you into deeper territories providing a luscious ending for the CD.
Muti Music is known for finding new and unique talent, this compilation features the Muti roster and closely related artists who are also emerging on labels like Interchill, Cyberset and Native State.
Clipping Paths is a compilation showcase of the sounds that are moving the west coast at the moment as well as many other areas around USA, including small pockets in Colorado, Texas, Oregon and New York.
The CD ranges from deep urban vibes from Suff-x, Undecided and Vibesquad, to ethereal bass-driven tribal midtempo and Trip Hop from an-ten-nae, Nanda, KiloWatts, Timonkey and Dov, to a crunky mixed genre mid-tempo track from Ooah, that is sure to rock most dancefloors, but deep enough at the same time to prove the perfect segway heading into the deeper territories of IDM, Leftfield and Nugaze inspired tracks from Audiovoid, Kraddy and Slidecamp ending the CD in a very warm and luscious space.
Many of the styles featured have been growing in popularity and seeing large exposure with the emergence of a similar musical tastes in scenes growing in Berlin, San Francisco, London and even Cape Town. This ‘newer’ sound has partially been an homage by producers to the Hip Hop and Big Beat along with early experimental electronica that they loved in the nineties and bootlegging the hyphe and crunk of the new millennium with the new digital tools and a new production based prowess.
Muti Music is known for finding new and unique talent, this compilation features most of Muti’s regular roster and then a group of closely related artists that we are feeling, who are also emerging on labels like Alpha Pup, Interchill Records, Dirtybird and Native State.
This compilation is as fun for a manic dancefloor stomp, a come-down session, a groove and a mingle, a fire warmed cabin or even a walk on the beach.
‘Conscious Ferilla’ was one of the first tracks spawning the genre classification ‘Glitch-Hop’ and has been played by everyone who does the midtempo breaks business. Kraddy - Brecht has become somewhat of a classic wobbly bass track with it’s epic intro and support form a wide range of DJs and this time Dov also enters the roster on remix duties with a steppy rework combining ethereal voice sounds along with sirens and wobbly bass.’Becht’ was also included on the ‘Sound In A Vacuum vol 2′ on Atomic Mouse Recordings and on Kraddy’s artist album ‘Truth Has No Path’ on Refiner Records. This EP also saw the first outing of the collaboration project between Dov & An-ten-nae composing as D’nA, this time combining electro bass influences with tearout breaks and dubby vibes, it is a smasher on the floor.
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