‘ … energetic and unrelenting, glitched out breakbeats with big drops and a lot of drive.’
Buy it now on Addictech
Some response so far: Freq Nasty: “Yeah really like this….glitchrockcrunkting” Aurelio Cianciotta (AKA Jaurelio, http://wickedstyle.neural.it/ Neural magazine): “Illicit basses and glitches!!! Amazing!!!.” Sneak -E-Pete (Blunted Funk / Samurai FM): “Diggin this…funky and dirty” David Starfire (Six Degrees): “rawkin!” Subvert: “Sound Good.” An-ten-nae: “nice one from muti music again.” ill.gates: “love it!” Ana Sia: “Dog Logic is the standout track in this collection. creative, nice swing, i also like the slightly evil undertone….” Fletcher (African Dope Recordings): “on it. love that coporate propoganda sample.” Sam (Surefire, Brapdem.com): “Defo feeling Dog Logic!!” Pierre (Afromonk.com): “Wicked release, Dog Logic sound real groovy.” Malone (Bijou Breaks): “This is some eeeevil stuff! Dog Logic’s the one for me.” DJ Vela (Dangerous Drums Berlin): “Great Sound!” Ale Fillman (www.dirtycircuitrecords.com)” wickid bass biz! big up from KIEVBASS!.” Jackie Onassid (92.9 (2NCR) River FM, www.2ncr.org.au, Australia): A bombastic, epic feel reminiscent of squatters’ thrash punk rock crossed over with - again -a bit of early trance…although not too much of a fan of dark dubstep and finding the ‘conspiracist’ lyrics a bit dated, I like the raw feel and will definitely give it airplay.” Great Scott (Glitch FM, KTRU Houston): “Fat crunchy midtempo - highly reminiscent of the Glitch Mob - but really the style is an entire genre of itself that really needs to be explored more, so it’s great and fresh that Insaudible is exploring this. The title track “Corporate Progaganda” is pretty hard and solidly rocks it - a lot of the Muti influence shines through here. “Storm Therapy” is nifty - the breakdown there does it for me. Hands down, my favorite track, however, is “Dog Logic”, with it’s great groove and metal influences and hard leads that let’s loose a bit of Prodigy influence - something I’m OCD about and love to nom on. All in all - I’m very pleased with this release. MOAR PLZ.”
Artist: Shen
Title: Lost Hopes
Cat # Muti053
UPC # 705105139500
Tracklisting:
1. Unnecessary Peril 4:37
2. Lessons 4:19
3. Overgrowth 4:40
4. Volume Anxiety 4:17
5. So Far So Gone 7:07
File under: Chillout, Downtempo, Electronica, Techno, Glitch
Buy it now on Beatport
Lost Hopes continues where his past successes left off but adds the recent influences of Glitch Hop and Dubstep into Shen’s production style. The EP is stylistically suitable for those introspective moments at home as well as a good ‘techno inspired’ bounce on the dancefloor.
Shen also has tracks that have appeared on ‘Leftcoast Liquid Vol. 1′, ‘Floating Point 3′ and Various Green Samurai Clan compilations, his previous full-length album, ‘Outlines’ was released in December 2006 on Native State Records to high acclaim. More about Shen here.
Some Response So Far: David Starfire (Six Degrees): ‘kool stuff.” - Favourite: Overgrowth Jackieonassid (Edgecore Australia): ‘Love this very much. Slick & smooth chill. Overgrowth and So Far So Gone…my favorite.’ Fine Cut Bodies (Chi Recordings): “Great release, still cant choose a fav here :D” ill.gates: “Love it.” Seb Taylor (Digitalis/Kaya Project/Hibernation/C23): “Nice one! been loving Noahs productions for a long time now, & this release certainly doesn’t disappoint! Particularly feeling ‘So Far So Gone’. but they’re all good. ” Single Cell Orchestra (Cyberset Music) : “Tech-rific.” Malone (Bijou Breaks): “What a delicious release! ‘Unnecessary Peril’ and ‘Lessons’ are my immediate favourites, but the entire release is superb. Way to go, Muti!” Mason (Below Zero / Thump): “Interesting beats and tweaks. Plan on playing on the show.” Naasko (Interchill): “sick!! i’ve been wondering where shen went and can see that he never really left the west coast. digging this highly….” Cosmic Canoe (KSVY 91.3 Sonoma,CA): “Track 5 ‘So Far So Gone’ - nice chill good one” Meat Katie: “Really like Volume Anxiety.” Dragonfly (Groove Garden / Earthdance): “Great stuff! Spare clean, gradually developping downtempo rhythms wrought with enough intertwining texture to keep the music moving forward, listeners listening and dancers moving! Tight and tidy production keeps a multi-dimensional feeling to the sound.” Kemek The Dope Computer: “Liking the dub techno vibe, nice and clean. Really good stuff, a nice break from harder dancefloor stuff. And so many different styles!” ill-esha: “A very unique take on this genre, with tight production. So Far So Gone is the standout one for me.” SeventhSwami: “WOW! I really enjoyed the vibe on this one. Minimal, downtempo and whimsical… I’m looking forward to hearing more from Shen!” Mat The Alien: “Can’t get enough from Muti, loving the sound of this EP.” - Favourite: Unnecessary Peril DJ Emile: “overgrowth the cut….” Dub-4 (Cool & Deadly, Paris / bassmusicblog.com): “Unnecessary peril & so far so gone are my favorites !” Maer Ben-Yisrael (OEM Radio): “Noah knows how to bring that essential sliding funk out of the ether. Always appreciate his mid/downtempo dubfunk jams.” Klone: “Wow, quality all the way. Very clean production work. Reminds me a bit of Kilowatts. Excellent!” Heyoka: “Really exited about this one. I’ve been a big fan ever since I first saw Shen perform in 2005. Lovin the evolution of his unique sound.” Seak-E-Pete (Blunted Funk / Samurai FM): “Cool to hear Noah dropping the dirty downtempo…Unnecessary Peril is the one I’ll be playing out. Diggin some of the slower stuff for the headspace though.” Timonkey: “Fresh sounds from Shen, hallelujah! Shen threw down one of my favorite sets of all 2009, and has been on my radar ever since. This new release keeps up the tradition of blending smooth and solid beats with luminous atmospherics.” Knowa Knowone: “Great. This will def get chill time rotation. ;)” Adrian (Chrome Yellow / Cool & Deadly): “Nice moody glitch with an ethnic flavour.” Neptune (Beat Church): “LOVE shen, great to see him put one out on Muti…great work!! all the songs rock, great to hear the evolution in his sound!!! Supe stoked…ALL GOOD…super funky fresh dope downbeats!!! Rock ON!!!” Inaudible: “Feeling the wonk in Volume Anxiety, Ss far so gone is loverly, late night bizness.” Suff-x : “LOVIN this one…. like that filtery-goodness! That groove is in the pocket for sure…” Alien Pimp (DubKraft Rec / Barcelona): “creativity - checked groove - checked sharp sound - checked depth - checked this is ready to take off, fasten your seatbelts!” Breakonomics (RTE - Irelands National Broadcaster): “Overgrowth and Volume Anxiety are brilliant. Will support!” Ed2000 (Dangerous Drums / Solar, Berlin): “Top Stuff!” Vela (Dangerous Drums / Solar, Berlin): “Brilliant Music” Audiovoid / LayerZ: “Fuckin proper sickness right here” Fletcher (African Dope): “this is some deeply delicious ish.” Humf (Falklands Radio): “cool stuff from Canada great one.”
Adam John is a pioneer of deep evolving bass sounds, a skillful producer as well as an advocate of filth in the southwest music scene and a figure of movement in the local electronic arts community. He not only creates slashing beats and wild rhythms for destroying dance floors, but is also committed to supporting fellow artists of similar musical minds through his label Theoretic Records, one of the first drum and bass labels in Arizona.
Perhaps better known by his DnB alias Kid Kryptic, Adam first released his disturbing brand of stuttering stomps on the notorious darkstep/breakcore label Fear Records in 2002. Its success was soon followed by material for Killing Sheep, Hardline, Evol Intent Recordings and the “Get Up” bootleg through Camouflage UK. By founding his own label, Theoretic Records, Adam was then able to promote local talent as well as his own versatile style, keeping the electronic music artists of the area motivated, inspired, and producing dark and disturbing drum and bass.
Soon Adam dove into other bass-heavy genres such as dubstep and glitch hop, finding a world of fresh sounds on the more experimental end of the EDM spectrum. 2008 and 2009 saw his first releases with a variety of hard-hitting indie labels around the nation, including Tuff Love Dubs, Filthy Digital, Shift Recordings, Darkstep.org, Adversion and Zardonic Recordings.
With a new passion for the realm of the glitch and the stomp, Adam now dips his fingers in a myriad of bass-driven genres to create an eclectic, signature sound of bruising forcefulness, haunting chords and lush sonic backdrops. His expert finesse of harmony and discord has not gone unnoticed; Adam’s upcoming EP Moments is set to be released later this year on Muti Music out of San Francisco, an innovative label that is pushing forth a West Coast aesthetic of the crunk and crunchy. His music fits in well in this world of stuttering beats and explosions of bass, with sawtooth basslines and 8-bit sounds that are hashed together in a slight neurofunk sauce and delivered with an edge that is more hard than hippie.
Whether you are in Phoenix or Fiji, the growing, mutating waves of bass music love will soon be lapping at your toes, if they aren’t already. Join Adam John as he explores the depths and heights of the delicious bass-ridden beats, using his versatile talents and love of the craft to deliver a warm and warped experience wherever speakers can be found.
‘Psychedelic Stereo sounds a little like a combination of Joker meets Flying Lotus meeting … well … Mimosa. Delving deeper into varying tempos and leading the way with strong synth leads and melodies, Mimosa takes the listener on a space age psychedelic journey of bittersweet ecstasy.’
Artwork by Brandan Hirzel http://www.bemo.tv/
Mimosa has made his mark on the west coast sound and in the past two years has become one of the top west coast exports. This young producers energy while performing is magnetic; the word has spread fast and Mimosa has recently shared the stage with the likes Benga, Skream, Rusko, Datsik, Glitch Mob, ill.gates, Bassnectar and Flying Lotus, playing shows across the US and festivals like Symbiosis Gathering, Burning Man and Decibel Festival.
Fans know Mimosa as someone who brings a good-time energy that is as fierce as it is friendly, taking them on journeys through urban chaos and ecstasy.
Mimosa production expertise have been in high demand and collaborations with Marines Parades Panty Raid have been featured on Mary Anne Hobbs BBC radio show. His track Lights In The Night composed with Sleepyhead as Sexytime was also featured on the Symbiosis Gathering 2009 Compilation along with artists Eskmo, Beats Antique and An-ten-nae amongst others and his past two releases Flux For Life & Hostilis have shown an ability to move effortlessly between Dubstep, Glitch Hop and Experimental Hip Hop.
File under: Electronica, Techno, Tech House, Glitch
Buy it now on Beatport
Muti Music is pleased to announce a debut release ‘Boombox Apocalypse’ by Domain ID .
Generally keeping occupied in creative the endeavors of sound design, being a producer, engineer, mastering engineer, graphic designer, photographer, he now delivers a creative take on electronica varying from 85 BPM to 110 BPM and drawing from a range of influences from Techno to Glitch Hop, to House music and experimental breakbeats. Some Response So Far: Meat Katie: “Boombox Apocalypse is fucking great!!” Jaurelio (http://wickedstyle.neural.it/ Neural magazine): “Impressive!!! I like “The Witch” Justin Maxwell (Palette Recordings): “boombox is the best track. this is fun shit. wasted & haunted as well. the middle 2 tracks are ok but these stand out.” Alien Pimp (DubKraft Rec / Barcelona) : “The kind of danceable freshness tha i was looking for. Boombox Apocalypse is gonna be a powerplay!” Mr. No Hands (Mixmag / Air / Matter / London): “man, thats dark and funky, ace.” Kemek: “Sick, sick stuff sure to make quick work of any dancefloor. I’m loving this.” Audiovoid / LayerZ : “sick!!!!” Adam / Inaudible: “Boombox Apocalype - groovy little bugger The Witch - broody bastard of a tune Wasted and Haunted - that growly vocal is immense.” Timonkey: “”Boombox Apocalypse” is a glitchy banger that I can’t wait to drop on a sweaty dancefloor. Hella tight.” SeventhSwami: “This one wasted no time getting inside my head and beating my brain into sweet bit-crushed submission. “Wasted and Haunted” is probably my favorite track on this release… thick, heavy and packing a sinister punch. Domain ID for the win!” Sneak -E-Pete (Blunted Funk / Samurai FM): “Boombox Apocalypse is the dirty good times, and also liking the weird world of Wasted & Haunted. Will support…” Single Cell Orchestra (Cyberset Music): “Cool.” Klone: “Really feel this one.. Eerie and vibey.. Love it.. Boombox Apocalypse in wicked!!!!” Adam John / Kyd Kryptic : Re: Boombox Apocalypse - “dancefloor sickness. love this track.” Ed2000 (Dangerous Drums / Solar, Berlin): “strong release! loving the tentacles :)” Adrian (Chrome Yellow / Cool & Deadly): “Tracks one and two for these here ears… wobble bass breaks in usual Muti style.” Humf (BFBS Radio Falklands): “deep beats and will def get a play”
Inaudible Bio:
From an early age inaudible had a passion for music and badly tailored suits, the former being a blessing in disguise as, born with a speaker for a head, he was never going to get a job as a Librarian or Taylor. And so, for no other reason than to pad out his Biography and fulfil his love for writing about himself in third person tense, inaudible set out on the long road to becoming a superstar musician.
Starting as he meant to go on inaudible landed his first major gig at the Birth of Christ, after getting much respect from Joseph and Mary (Mary in particular, giggedy giggedy) inaudible decided to get his head down in the studio and work on his production for a casual 20 Centuries or so.
After spending such a long time away from the limelight inaudible found himself hungry to get out there and threw himself back at the scene with a whole host of high profile gigs including warming up for Martin Luthor’s infamous ‘I have a dream’ speech and playing in-between rounds 2 and 3 of the Tyson- Holyfield ’ear incident’ fight. Incidentally during that same period inaudible became the first person to DJ on the moon, Armstrong pulling some mean moonwalks to Inaudible’s bassline bombs.
Taken from the arcane taoist term for ‘refined energy’ or ‘depth’, Shen is Noah Pred’s outlet for low-tempo explorations of forward-thinking computer music.
Producing dance music and performing live for the past ten years, Noah Pred emerged from Vancouver’s underground as a sought-after Techno DJ with a sophisticated sound and unique style. Devoted to authentic and soulful strains of Techno in all its permutations, Noah’s sound continues to evolve while remaining firmly driven by the dancefloor.
Shen emerged as a new production project by Noah in 2004 and has taken his music in many new directions, honing his craft through sets performed alongside the likes of Monolake, Deadbeat, Shulman, Lusine, and Bluetech, his unique interpretation of the downtempo genre rapidly evolved into a distinctly recognizable sound. incorporating elements of Electro, Dub and Minimal Techno.
The creative force behind Domain ID is Mathias Lodmalm from Sweden, who brings a European flavor to our midtempo dancefloor beats. No stranger to the limelight Mathias signed his first international recording deal at the age of 17 and his first releases sold over 250 000 copies, resulting in over 200 shows in 20 countries, he now returns under a brand new aliase and with a tech-funk style that will please many dancefloors.
Generally keeping occupied in creative the endeavors of sound design, being a producer, engineer, mastering engineer, graphic designer, photographer, he now delivers a creative take on electronica varying from 85 BPM to 110 BPM and drawing from a range of influences from Techno to Glitch Hop, to House music and experimental breakbeats.
The Realist are here to tell it like it is. They are the political party that doesn’t want your vote. They are the religion that doesn’t want you kneeling at their altar. They are the uncomfortable truth that you don’t want to hear.Taking no prisoners in their war of attrition against the superficiality and moral hypocrisy of polite society and popular culture, The Realist stay true to their name.
Part hip hop crew, part rock group, The Realist is producer, The Triplet of Bellville (T.O.B.), and rappers Kid Clever and Sinister Dexter.
Wearing their anger and disgust like a badge of honour, The Realist defy genres with their bone-crushing fusion of glitch-hop and electronica. With the power of an apocalyptic opera, their sound is characterised by heavy electronic basslines underpinning orchestral soundscapes layered with powerful lyrics and tortured death metal vocals.
Artist: Klone
Title: Dubconstep
Cat # Muti048
UPC # 705105138404
Tracklisting:
1. A Lot Kooler 3:05
2. Out Of Earth 5:50
3. Chizzle Fried Grizzle 3:29
4. Want 2 Babylon 5:58
5. Hydra 6:41
Roaches 4:00 File Under: Dubstep
Klone created a stir in the ‘glitch-hop’ and breakbeat / electro bass scenes in 2009 with his release ‘The Push Effect’ and follows up with an early release here in 2010 slamming his glitchy and bass influences together with his own take on Dubstep.
Klone hails from a southern industrialist city, Birmingham in Alabama, named after it’s UK counterpart and providing the ideal environment for urban expressionist music that is both melancholy, post apocalyptic and chunky enough with bass to move a dancefloor.
‘Dubconstep’ is a bass driven dubstep journey full of whomps, wiggles and great synth leads that in true ‘Klone’ fashion are bittersweet at times and epic on others. - For fans of Rusko, Caspa, Datsik, Bassnectar
Press Response and Radio play:
Breakonomics RTE PULSE (RTE - Irelands National Braodcaster) : “Muti Music is one of the best labels out at the moment. Ive been a big fan for a long time. This new release is a testament to that. A lot kooler is SICK!”
Sneak E Pete (Blunted Funk / Samurai FM) : “Some rough and rugged goodies in here…will definitely support in SF. Hard to pick a favorite, also luvin A Lot Kooler.”
Artist: Shen
Artist: Mimosa
Inaudible Bio:
